The Royal Court continues to shake things up under Vicky Featherstone’s reign, offering two shorter plays (though not for the price of one) which are running in rep. Guillermo Calderón’s B and Chris Thorpe’s Victory Condition are both interesting in their own ways but whether it was me being grumpy, a slightly flat atmosphere or something more, neither drama really did it for me. So we’re keeping it brief!
“Time will tell, it always does”
Phew, the Doctor Who rewatch comes to an end with the most recent series, another that I hadn’t seen any of since it originally aired. And again it was one of highs and lows, a frustrating sense of pick and mix that never settles. So from the astonishing bravura of the (practically) solo performance in Heaven Sent to kid-friendly quirks of the sonic sunglasses and guitar playing, Capaldi took us from the sublime to the silly. Fortunately there was more of the former than the latter (although it is interesting that my memory had it the other way round).
Part of it comes down to knowing in advance how the hybrid arc plays out (disappointingly) and a little perspective makes Clara’s departure(s) a little less galling. This way, one can just enjoy the episodes for what they are, free from the weight of the attempted mythologising. The Doctor raging against the futility of war, the wisdom (or otherwise) of forgiveness, the repercussions of diving in to help others without thinking through the consequences…it is often excellent stuff. It’s also nice to see Who employ its first openly transgender actor (Bethany Black) and a deaf actor playing a deaf character (Sophie Stone). Continue reading “Countdown to new Who: Doctor Who Series 9”
“Drink…and let the games begin”
You gotta love an origin story, even for the dark lord himself, as everyone’s misunderstood, no-one’s that bad really. Or so Matt Sazama and Burk Sharpless would have us believe in Dracula Untold, a 2014 Gary Shore film that ultimately did fairly good business. Here, Luke Evans’ Vlad is a good lad who only got the nickname ‘The Impaler’ because he was kidnapped by the Ottoman Empire as a boy and trained into their most deadly assassin.
But he’s escaped now and has a wife and kid so all is good. Or is it? When a Turkish helmet (not a euphemism) is found in a river, Vlad realises that his childhood friend Mehmet, now Mehmet II, played by Dominic Cooper in a huge amount of fake tan (because you know, Hollywood couldn’t possibly try and turn a Turkish actor into a star) is up to no good. So he follows the stream to a cave where Charles Dance is hiding. Continue reading “Hallowe’en DVD Review: Dracula Untold (2014)”
“You believe in laws but there are only lechers”
For some reason or other, I stopped watching the second series of Ripper Street midway through and it’s taken me until now to finally finish it. It wasn’t that I didn’t enjoy it, it’s more likely to do with running out of time to watch it on the iPlayer or something but anyhoo, I’ve managed it now. My review of Series 1 (which I thoroughly appreciated) is over here and I have to say that that enjoyment has continued, even if I do have a few reservations about its female voices.
It’s a shame that in a crime procedural led by three men, two of the leading supporting female characters did not return for this second series. DI Reid’s wife and kind-of-mistress (Amanda Hale and Lucy Cohu) are both MIA, losing all the work done to establish them, and though Leanne Best is introduced as a local politician who can’t help but flirt with Reid (he’s played by Matthew Macfadyen after all), the overall weight of the series does thus feel a little unbalanced.
“Everything was free”
A late jaunt to the National to The Suicide, Suhayla El-Bushra’s fiercely contemporary updating of Nikolai Erdman’s 1928 play, before it closed. Though I have to say I wasn’t entirely convinced by it, Nadia Fall’s production is visually hugely ambitious, retooled for the world of YouTubers and hipsters, but ultimately feeling as shallow as the societal trends that it is trying to satirise.
Javone Prince’s Sam Desai is long-term unemployed and newly bereft of benefits, so disillusioned with the world is he that he decides to top himself but when a film clip of him making that decision goes viral, he’s swept along for the ride as all of society try to co-opt him for their own ends. To publicise a café, to get a music deal, to highlight the lack of adequate mental health care. Continue reading “Review: The Suicide, National”
“You’re just a stupid machine aren’t you”
I wasn’t going to write Humans up but I’ve spoken so enthusiastically about it with several people since I watched the whole thing in three days and so thought I’d better recommend it even further. If there’s any justice in the world, Gemma Chan will win all sorts of awards for her performance as Anita (later Mia), the Synth or human-like android that has become the must-have accessory for domestic service in this parallel present-day universe.
Anita is bought by the Hawkins family who soon start to twig that something isn’t right in the way she is behaving and as Sam Vincent and Jonathan Brackley’s drama continues over its 8 episodes, we come to see that the lines between human and machine have been considerably blurred by technological advancement and its potential to be exploited identified as a key priority for the nefarious powers-that-be.
“I’m so sick of this acting thing, it’s just not working out”
If Woody Allen’s Match Point had been set in the Hamptons as it was originally meant to be, I think I would really like this film but as it is, its relocation to London proves to be a constant distraction as this glossily cinematic version of my hometown is often ludicrous. Yes it is fiction and yes it is set in the world of the idly uber-rich with all their casual trips to Ralph Lauren and chauffeured cars but as with James Bond surfing down the escalators on the tube in Skyfall it’s the little things that draw the attention.
From the unrelenting RP accents to scarcely believable dialogue in the “London Police”, the revelation that being “born in Belgravia” is the key to a lifetime of cultural invitations and the insistence on only showing postcard-pretty shots of London, Match Point has little anchoring in the real world and especially not in the city where it is now set. Putting aside the unlikelihood of shop workers being able to afford cabs home everyday and even worse, neighbours actually talking to each other in a friendly manner, it’s all just so superficial. Continue reading “DVD Review: Match Point”
Not having seen the film of The Infidel before catching the musical adaptation at the Theatre Royal Stratford East, I quickly rectified that with a cheeky online rental on my new iPhone 6+ (plug!). Written by David Baddiel and directed by Josh Appignanesi, it was a moderate success in 2010 although watching it now, I was struck by how comparatively muted the humour was and impressed that Baddiel and co saw musical theatre as the best way to translate the story for the stage as it isn’t immediately obvious.
Omid Djalili takes on the role of Mahmud, the British Muslim whose life is turned upside down when he discovers that he is in fact adopted and is Jewish by birth to boot, and impresses in the everyman part of the role, emphasising the story’s point about how we all wear our beliefs differently but no less strongly. He’s a little more restrained than I was expecting though and Archie Panjabi, good as she is, feels miscast as his wife, their relationship improbably imbalanced and so lacking the deep-seated connection that ought to be holding them together even during the most strained times. Continue reading “DVD Review: The Infidel (2010)”
“It’s always going to be someone else’s lipstick”
A completely random discovery, via an excellent bundle of birthday presents, was this BBC3 series from 2009, Personal Affairs. In its easy mixture of comedy and drama of 4 City PAs trying to discover what happened to one of their friends who has disappeared, it was rather enjoyable if hardly ground-breaking over its six episodes. But where it was huge amounts of fun was in the sheer number of theatrical spots it contained which made it a highly entertaining watch for me.
Whether it was Annabel Scholey as Scouse X-Factor wannabe Midge or Ruth Negga’s strident temp Sid amongst the leads, Al Weaver as a plotting boyfriend or a gorgeously bearded Kieran Bew (correctly assessed as the main attraction for me!) as a potential love interest and Mark Benton and Emily Bruni amongst the bosses, the regular cast held much delight. Combined with a supporting guest cast which featured the likes of Ben Lloyd-Hughes, Mark Bonnar and Annette Badland, the acting was predictably of a high quality which ensured it was always extremely watchable. Continue reading “DVD Review: Personal Affairs”