The 2013 Manchester Theatre Awards nominations

Best Actor
David Birrell, Sweeney Todd, Royal Exchange
Kenneth Branagh, Macbeth, Manchester International Festival, St Peter’s Church
Nigel Cooke, To Kill A Mockingbird, Royal Exchange
Paul Webster, Sugar Daddies, Oldham Coliseum
Jack Wilkinson, David Copperfield, Oldham Coliseum

Best Actress
Marianne Benedict, Chicago, Oldham Coliseum
Cush Jumbo, A Doll’s House, Royal Exchange
Gillian Kearney, Educating Rita, Library at The Lowry
Alex Kingston, Macbeth, Manchester International Festival, St Peter’s Church
Maxine Peake, Masque Of Anarchy, Manchester International Festival, Albert Hall
Shannon Tarbet, To Kill A Mockingbird, Royal Exchange Continue reading “The 2013 Manchester Theatre Awards nominations”

Review: Fiddler on the Roof, Mayflower

“If I were a rich man, yubby dibby dibby dibby dibby dibby dibby dum. All day long I’d biddy biddy bum, if I were a wealthy man.”

Oh, to be a fly on the wall when lyricist Sheldon Harnick announced the second line of a song he’d written for Fiddler on the Roof was “yubby dibby dibby dibby dibby dibby dibby dum”. But along with book writer Joseph Stein and composer Jerry Bock, their efforts translated into one of the most successful Broadway productions ever, with this story of Tevye, a milkman in pre-revolutionary Russia, and his three headstrong daughters making life in the village very difficult by challenging the old order. Craig Revel-Horwood employs his tried-and-tested actor-musician model to invigorate new life into the show (one which is new to me, I’ve never even seen the film) which is just undertaking a huge UK tour, starting at Southampton’s Mayflower Theatre (another first for me).

Due to the indisposition of Paul Michael Glaser, we were treated to an understudy performance as Tevye and not even the named understudy Paul Kissaun at that, Eamonn O’Dwyer took on the role and a fine job he did too. Though demonstrably too young for the part, his wry exasperation at the way the world turns and the warm geniality with which he rolls with it made for an assured central presence that kept the show moving with a twinkle-eyed grace. Even with the age mismatch with Karen Mann as his long-suffering wife Golde, there was a palpable chemistry that made their second half duet ‘Do You Love Me?’ a genuinely lovely thing.  Continue reading “Review: Fiddler on the Roof, Mayflower”