Review: A Midsummer Night’s Dream, Bridge Theatre

Nicholas Hytner gives us an utterly inspired take on A Midsummer Night’s Dream at the Bridge Theatre, with Gwendoline Christie in stupendous form

“Come now; what masques, what dances shall we have”

You can tell a lot about a production of A Midsummer Night’s Dream from the way it treats its Hippolyta. Possessed of so few words, her presence is nevertheless vital for setting the tone of the play and from the moment you walk into the Bridge Theatre, you just know Nicholas Hytner has got it right. This conquered queen is caged in a glass box, as if an artefact in some grotesque museum and as an impassive Gwendoline Christie fixes us with her  stare, it’s a definitive commentary on the gender politics here before we’ve even started.

But even once the play starts, her power is no less unremarkable. As Hermia claims she knows not by what power she is made bold, one look at Hippolyta’s hand against the glass leaves you in  no doubt of the source of her new found confidence. Small but powerful changes that set the scene perfectly for Hytner’s most striking innovation which, as it reveals itself in the following act, proved to be one of the most thrilling ways to re-infuse excitement into this oft-performed classic. Continue reading “Review: A Midsummer Night’s Dream, Bridge Theatre”

Review: Square Rounds, Finborough Theatre

An anti-war polemic in verse? Square Rounds has no right to be as good as it is at the Finborough Theatre!

“When I pioneered the process I had in mind
Only benefits and blessings for mankind”

You spend so much effort and labour and time
When trying to make all your words somehow rhyme
So how you would write a whole play that does so
Is downright impressive, that’s something you know

Espec’lly since Square Rounds is not so dramatic
But more of an anti-war talk, so dogmatic
Though new life is brought by a d’rector called Jimmy 
Whose insight and forethought makes ev’rything shimmy

It’s unlike most other things you can now see
And its all-female cast will just fill you with glee
But Finborough and Haddock are hard words to rhyme
So I think this format has now done its time Continue reading “Review: Square Rounds, Finborough Theatre”