This regional UK premiere of Once the musical should see you falling slowly towards Queen’s Theatre Hornchurch in order to book your tickets!
“Raise your hopeful voice, you have a choice”
I’d forgotten just how much I like Once. I saw it a couple of times in its 2013-15 West End incarnation (review #1, review #2) and its atypical subtlety was a big hit for me, particularly in the gentle mood cultivated by Glen Hansard and Markéta Irglová’s music and lyrics. The fact that it isn’t a brassy balls-out West End musical might explain why it has taken a little time for its regional premiere to emerge but mercifully, that time has now come.
For that, we have co-producers Queen’s Theatre Hornchurch and New Wolsey Theatre Ipswich to thank. And director Peter Rowe’s actor-musician production slips into the groove perfectly, as warm and comforting as a pint of Guinness or three in your favourite old man’s pub – and occasionally just as rowdy as well. With Enda Walsh’s book taken from John Carney’s original film, its bittersweetly romantic tone feels perfect as autumn descends. Continue reading “Review: Once, Queen’s Theatre Hornchurch”
“It’s but a pleasurable means
To a measurable end”
Sondheim’s reputation as one of our finest living composers rests not only on the delicious complexity of his music but also on the superlative performances that it draws from actors who must delve extraordinarily deep to rise to its challenges. Not every performer is able to ascend these heady heights but it gives me enormous pleasure to report that Josefina Gabrielle delivers one of those utterly transcendent moments with a nigh-on perfect interpretation of Desiree Armfeldt at the Watermill.
As a once-famed actress not quite getting the gigs she believes she should, she presents the facade of ‘The Glamourous Life’ beautifully – a touch self-deprecating, two touches self-assured, she knows how to rule a room. But try as she might, she can’t always rule the hearts of others as evinced in the bittersweet ‘Send In The Clowns’ which is made to feel brand new here, Gabrielle finding fresh textures and feeling (the startled emotion of ‘I thought that you’d want what I want’ seems to surprise even her) to completely and utterly break the heart (the song’s final line has never been delivered more affectingly, and I’m including the Dench in there!).
Given the name of this blog, it should come as little surprise that I find it hard to resist productions of A Little Night Music, even when they’re in deepest Berkshire. But Paul Foster is a director I admire and actor-musician productions are often superb in their ingenuity. And so it proves here, Sarah Travis’ arrangements for this company of 13 (playing piccolos to double basses) are meticulously done, losing none of the music’s majesty even as it is considerably reconfigured in some parts. Continue reading “Review: A Little Night Music, Watermill”