Emma Williams reconfirms her star status in this 80s musical adaptation of An Officer and a Gentleman at Leicester’s Curve Theatre ahead of a UK tour
“Way to go, Paula! Way to go!”
From its opening number (which provides an unsettling reminder that Status Quo actually had a decent tune or two), this major new musical of An Officer and a Gentleman shimmers with a sense of real quality. Some might demur at the notion of a movie remake peppered with a random assortment of pop songs from the 1980s but the resulting piece of theatre is highly enjoyable.
This is down to the integrity and craft of Nikolai Foster who rightly takes this source material (book by Douglas Day Stewart and Sharleen Cooper Cohen from his original screenplay) seriously. We may be in 1982 but there’s no jokey visual gags about that decade here, just an over-riding sense of life on the edge for the working class community of Pensacola, Florida, looking on at the US Naval Aviation Training Facility that dominates their city. Continue reading “Review: An Officer and a Gentleman, Curve”
“I know we have a certain amount of dirty laundry in this family, but is it really necessary to keep on washing it so publicly?”
Robin Soans’ new play for the Bush Theatre takes a little time to get where it is going but by the time it arrives at its destination, it has gathered into something really rather moving. Perseverance Drive
opens in Barbados as the Gillards come together to bury their matriarch Grace. Pentecostal pastor Eli heads up a deeply religious family but not one that is close – one of his sons Joshua has been exiled for being gay, and Nathan and Zek who are both ministers as well have splintered into opposing factions of the church.
Their battles are endless – who will get to speak the eulogy, what will happen to their mother’s soul etc etc and though the gospel-inflected ambience created in Madani Younis’ production is powerful, this opening half is a little too static for its own good. Fortunately, after the interval the energy shifts subtly to become much more affecting. It is four years later and now it is Eli’s turn to die in the somewhat less tropical surroundings of a run-down Leytonstone flat but as he slowly shuffles closer to the end of his mortal coil, it is clear that little has really changed.
Continue reading “Review: Perseverance Drive, Bush Theatre”
“I know in my heart you’d find a girl who’s scared sometimes”
My first thought when I heard that they were making a musical version of 1992 film The Bodyguard supplemented by songs from Whitney Houston’s back catalogue was how on earth are they going to work my favourite of her songs, ‘I Wanna Dance With Somebody’, into that story. As it turns out, I needn’t have worried, but more of that later. Taking on the lead role in which Whitney made her acting debut is American import Heather Headley, although at this performance in the month of previews before it opens officially, we saw the alternate Gloria Onitiri (a familiar face from Avenue Q days) who made a sterling case for the vital importance of supporting Great British talent.
For those not familiar with the film, Rachel Marron is a superstar pop singer-turned-actress who, unbeknownst to her, is receiving threats from a stalker and when her entourage employ ex-Secret Service agent Frank Farmer as a new bodyguard for her, sparks fly as the undeniable attraction between them threatens his professional distance and effectiveness. Several years in the making, Alexander Dinelaris’ book adapts Lawrence Kisdan’s original screenplay with a few changes: Rachel’s sister Nicki has a greater role; the identity of the stalker is handled differently and there’s a little modernisation to reflect a more tech-savvy and social-media friendly world. Continue reading “Review: The Bodyguard, Adelphi”