Stars of the West End Stage, Televison, Movies and Theatre Production Staff sing ‘Always Look On The Bright Side Of Life’ for the charity Acting for Others
Against a barrage of bad reviews, I tried to give Cats a fair hearing. There may have been wine involved…
“I remember the time I knew what happiness was”
I wanted to like Cats, honest. But…but…everytime you look at a detail in this unexpected horror film, there’s something ungainly or odd that distracts you inordinately:
- the scale of the damn thing. The mind boggles as the cats change from being tiny compared to railway tracks to almost human-sized at Nelson’s Column, bringing almost any object into screen ends up pulling focus as you try and work out wtf is going on
- why do some of them wear shoes (the ‘street’ cats in trainers, TSwift in heels…?) and of those who don’t, what’s with the toes
- in fact the whole anthropomorphic thing. There’s cleavage and six packs but no genitals or anuses. You wouldn’t think it would bother you so much but there’s so many lingering shots of these places…!
- the dancing cockroaches in danger of being eaten. Whyyyyyyyy?!
- it’s rather amusing that pretty much every reaction shot of Dench is her looking aghast, we know how you feel Judi
An unfortunate waste of talent all-round I’m afraid.
The only good thing to come out of the release of the trailer for the forthcoming movie adaptation of Cats is Twitter’s collective response
I put the song from Us onto the Cats trailer and I think it fits better. pic.twitter.com/VMBlbeDQs5
— “Ian” Abramson (@ianabramson) July 18, 2019
therapist: judi dench as a cat isn’t real she can’t hurt you
judi dench as a cat: pic.twitter.com/1cLqmS22xO
— raya (@wewritelettrs) July 18, 2019
The ‘Cats’ trailer but with the ‘Annihilation’ score pic.twitter.com/MIFUsjylzR
— Bob Marshall (@bobmarshall) July 18, 2019
And if you must see the original for yourself…
“I’ve always encouraged you Ian”
I’d heard of Ian Dury to be sure, but never really engaged with his music or life story so the film Sex & Drugs & Rock & Roll – a biography of his life – was pretty much brand new information for me. For those not to speed like me, Dury was stricken with polio at a young age, suffering lifelong disabilities as a result but also gaining the drive and determination to become one of the founder of the punk-rock music scene in Britain in the 1970s with his band The Blockheads. At the same time, his personal life wound a chaotic path as he balanced a wife and two children with the demands of a touring band and his parade of lovers.
Mat Whitecross’ film is full of boundless energy as it mixes Dury’s rise to fame with flashbacks to a childhood spent in a brutal institution and enthusiastic performance clips with Andy Serkis rocking the joint in an excellent performance as Dury. He reveals Dury to be a proudly artistic soul, a talented wordsmith and determined to weave his own path through life, even as he causes the wreckage of many others alongside him. Personally, I’m not a fan of the archetypal narrative that often accompanies genius, their gifts to the world exculpating them from being decent human beings and that is true here. Continue reading “DVD Review: Sex & Drugs & Rock & Roll”
“This war, this awful war, will have changed us both beyond all reckoning”
You gotta love Hollywood – who else to lead a film about the American Civil War than a Brit and an Australian directed by another Brit. But such is Cold Mountain – Jude Law and Nicole Kidman starring for director Anthony Minghella – a surprisingly enjoyable watch for someone who doesn’t really like war films nor has that much interest in this period of US history. It tells the story of a wounded deserter (Law) from the Confederate army close to the end of the war, who is on his long-winded way to return to the love of his life (Kidman).
The road-trip element of the film allows for some beautiful episodes to emerge as Law’s Inman treks across the country – Eileen Atkins’ gruff goatwoman with her healing compassion, Natalie Portman’s distraught young widowed mother, Cillian Murphy’s conflicted Yankee soldier, Philip Seymour Hoffman’s perverted man of God, Giovanni Ribisi’s opportunistic hustler. Through them we see how the conflict is reshaping the nation and the lengths to which people are forced to go in order to get by in war-torn society, not least Inman himself. Continue reading “DVD Review: Cold Mountain”
“If you can’t beat a boy at Christmas when can you beat him?”
One of the centrepieces of the BBC’s festive television schedule was a new adaptation of Charles Dickens’ Great Expectations by Sarah Phelps. Dickens could well loom large in the coming months as it is the 200th anniversary of his birth in February, but I’m not yet aware of a deluge of programming, whether on television or in the theatre, though I am reliably informed that there’s many radio serialisation on at the moment. As is often the case with new productions of classics, the key word is adaptation and though purists may baulk at some of the changes instituted by Phelps and director Brian Kirk, but that would be a shame as I found this to be a rather special piece of television, the BBC doing what it does best.
From the gorgeously, hauntingly atmospheric landscapes of the beginning – Magwitch rising from the mists of the wetlands was a perfect opening scene – the show looked a treat. The splendid isolation of the Gargerys’ house making for some beautiful shots (though it did pose the question of who exactly used that forge…) and the faded glamour of the dust-covered Satis House was excellently judged, the perfect receptacle for the casting choice that caused the most headlines prior to transmission: Gillian Anderson as Miss Haversham. Continue reading “TV Review: Great Expectations”