Theatre continues to lead the way in the feminist recasting of history as Lizzie Milton’s 10 introduces more forgotten heroines at the VAULT Festival
“Does that count for nothing?
Do I count for nothing”
Stuck at Six? Try 10. The truth is, sadly, that there are endless women whose histories have been misrepresented, or not even told but thankfully, there does seem to be a desire to tell those stories right now, accompanied by an appetite for them to be seen. Six is nominated for five Oliviers, Emilia has transferred into the West End and other shows at the VAULT such as The Limit have also got in on the act.
And why wouldn’t this be the case. Pretty much half of history has gone untold, unexplored, under-represented in our textbooks and in our culture, so it stands to reason that there’s acres of potential here. Lizzie Milton’s 10 identifies ten such women from across the centuries and across many disciplines, from medieval Mercian queens to Second World War heroines, abolitionists to painters, this is our real history. Continue reading “Review: 10, VAULT Festival”
With less than a week to go before the 2019 VAULT Festival opens, I wade my way through the catalogue and come up with 20 shows I think you should catch – in their own words
Now in its seventh year, VAULT Festival returns this year from 23rd January to 17th March with a broad and diverse programme of more than 400 shows in a range of atmospheric venues throughout Waterloo. And as ever, the remit is to be as big and bold as impossible, with the festival featuring theatre, comedy, cabaret, immersive experiences, late night parties, and much more besides.
It can be a little overwhelming to figure out what you want to see, the majority of shows run for a week (Wednesday to Sunday) so you’ll need to move pretty sharpish once you’ve decided – there’s the VAULT Combo deal which saves you money booking more than one show, and some 241 deals available through the Stagedoor app. And to help you, I’ve identified 20 shows (and it could have been so many more!) that appealed to me and asked them to sell themselves in 10 words or less in order to grab your attention. Continue reading “2019 VAULT Festival – 20 shows to see”
“Where words fail, violence prevails”
You enter the Old Red Lion for Thomas Kyd’s Elizabethan revenge thriller The Spanish Tragedy to find that Dexter Morgan has been on the case. Lizzie Leech’s design for the auditorium has it bleached out in antiseptic white, meat hooks hanging front and centre, strips of opaque plastic hanging from the ceiling facilitating the swift despatch of bodies. For there’s a goodly deal of despatching that needs to be done by the time this bloodthirsty lot is done.
Dan Hutton’s production condenses the text down to 85 minutes (and presumably even less, given “additional material by the company” is also credited) but the frame of the story remains intact, with a nifty bit of gender-swapping to boot. Lorenzo (maybe) loves Balthazar who loves Bel-Imperia who loves Horatio, so Lorenzo has Horatio killed which doesn’t sit too well with Hieronimo, his mother who vows revenge. But not Revenge, who is also present in human form along with a ghost called Andrea. Continue reading “Review: The Spanish Tragedy, Old Red Lion”