I might have taken a break from reviewing for the last couple of months, but I didn’t stop going to the theatre. Here’s some brief thoughts on most of what I saw in July.
On Your Feet, aka the rhythm will get you, sometimes
the end of history…, aka how can you get cheese on toast so wrong
Equus, aka hell yes for Jessica Hung Han Yun’s lighting design
Games for Lovers, aka straight people be crazy
Captain Corelli’s Mandolin, aka the one that got my goat
The Girl on the Train, aka Philip McGinley in shorts
A Midsummer Night’s Dream, aka Another Dream? dream on
Uncle Vanya, aka I really need to stop booking for plays like this with casts like that
Jellyfish, aka justice for the second best play of last year
Sweat, aka Clare Perkins should always be on in the West End
Sue Townsend’s The Secret Diary of Adrian Mole Aged 13 3/4 The Musical, aka yay for lovely new musicals in the West End
The Light in the Piazza, aka Molly Lynch fricking nails it
Jesus Christ Superstar, aka was third time the charm?
Continue reading “July theatre round-up”
Great design work from Morgan Large and a strong lead performance from Kaisa Hammarlund make Violet an intriguing proposition at the Charing Cross Theatre
“Who’s gonna heed your hullabaloos”
There’s much to like about this production of Jeanine Tesori and Brian Crawley’s musical Violet, not least a winning performance from Kaisa Hammarlund and a striking set design from Morgan Large which makes the most of a cleverly reconfigured Charing Cross Theatre.
The stage has been moved to the centre of the long auditorium which dramatically ups the intimacy of the space. And Hammarlund – recently in another of Tesori’s musicals Fun Home – is a warmly magnetic presence as the central character Violet, a young woman who journeys from North Carolina to Oklahoma in the hope of a cure for the facial disfigurement that shapes her life. Continue reading “Review: Violet, Charing Cross Theatre”
“Those on the outside clamouring to get in, those on the inside dying to get out”
The story of Edith Ewing Bouvier Beale and her daughter Edith Bouvier Beale was immortalised in a 1975 documentary called Grey Gardens. As part of the American aristocracy, insofar as their connections with the Kennedys (their niece/cousin Jackie would become Jacqueline Kennedy Onassis), they held a certain fascination but the discovery that they were living together in squalor, their fortune squandered and their East Hampton mansion overrun with cats, made them appallingly compelling subjects and consequently elevated them to cult status.
That it took someone ‘til 2006 to turn it into a musical feels like a surprise, but Doug Wright’s book, Scott Frankel’s music and Michael Korie’s lyrics are more thoughtfully considered than one might expect – reflected in the success of its Tony-winning Broadway transfer from Off-Broadway – and so it’s only fitting that it is now added to director Thom Southerland’s roster of musical theatre hits at the Southwark Playhouse. Continue reading “Review: Grey Gardens, Southwark Playhouse”
2016 is nearly upon and for once, I’ve hardly anything booked for the coming year and what I do have tickets for, I’m hardly that inspired by (the Garrick season has been ruined by the awfulness of the rear stalls seats, and I only got Harry Potter and the Cursed Child tickets due to FOMO). Not for the first time, I’m intending to see less theatre next year but I do have my eyes on a good few productions in the West End, fringe and beyond. Continue reading “20 shows to look forward to in 2016”