“The theatre is dying. No, the theatre is living”
One of the most annoying things about the transport network in this country is the fact that so much of the repair work and resulting closures take place at the weekend so that normal folk are vastly inconvenienced whilst the suits have their week-day travel protected. Whether it is national train services being replaced with coaches or TfL’s ever-ongoing programme of line closures and restricted services on both the underground and overground trains, it makes it extremely hard to make a reliable travel schedule. Which is a long-winded way for me getting round to saying that despite my best efforts, I only made it to the second half of Me & Juliet at the Finborough.
Consequently this is going to be more a collection of comments rather than a full-blown review, you should head over to Webcowgirl’s site to read the view of someone who arrived on time. This is actually the European premiere of Rodgers and Hammerstein’s show, continuing the Finborough’s exploration of the lesser known works from their canon, State Fair received its UK debut here last year subsequently transferring to the Trafalgar Studios 2 this summer. Continue reading “Review: Me & Juliet, Finborough”
“Don’t heckle a heckler, educate through reasonable debate”
I had certain expectations of Moonfleece, largely influenced by the fact that the BNP had roundly denounced the play even before it had opened at Bethnal Green’s Rich Mix, which is virtually a recommendation in itself, and the opening scenes seemed to confirm them with a group of young men, all members of a far-right political party, converging on an abandoned East London tower block and attempting to turf out a mixed-race squatter. But as the tale unfolds, it becomes apparent that this is a tale of secrets and lies, of bonds between families and friends, and the way in which these can be manipulated to support an ideology, however extreme: the politics is in the background rather than the forefront.
The meeting has been called by Curtis, the stepson of a Nick Griffin-like fascist political leader, in the tower block that was his former family home as he is being haunted by the memories and ghost of his older brother. He has asked his ex Sarah to bring a psychic friend Nina in order to conduct a séance to try and get to the bottom of things, but with her arrival comes a diverse group of her friends, including a gay student journalist, and a strident Indian best friend. Curtis is then forced to confront the major emotional crises of his life, namely the deaths of his father and brother and the circumstances that have led to him adhering to his stepfather’s party and its bigoted credo, throwing up the differences in his current friends, also party members, and the more liberal grouping of friends from his old life, surrounding his ex-girlfriend. And then there’s the squatters with a gift for storytelling, who has a story of particular significance to Curtis. Continue reading “Review: Moonfleece, Rich Mix”