Review: Hello Again, Union Theatre

Round and round and round we go. La Ronde surfaces again as Michael John LaChiusa’s Hello Again at the Union Theatre

“I’ve been searching high and low
For you but then
What does it matter?
Hello again”

It is a universal truth that you’re never too far away from some adaptation or another of Arthur Schnitzler’s La Ronde. It’s been gay, it’s been musical, it’s been gender-neutral, it’s been Hollywood, and now it is back to being musical again, with the Union Theatre’s revival of Michal John LaChiusa’s Hello Again

LaChiusa’s adaptation sets each of its ten scenes in a different decade of the twentieth century, aiming for a broad investigation of how, if at all, love and sex have changed over the years. This also allows him to cherrypick from a much wider range of musical styles than if he’d stuck with the original’s 1890 Vienna. Continue reading “Review: Hello Again, Union Theatre”

Review: Brass the Musical, Mountview at the Bernie Grant Arts Centre

My second version of Brass the Musical in a week – Mountview students at the Bernie Grant Arts Centre do an impressive job with this moving WWI musical

“War turns everything on its head”

It’s not often that you get the chance to compare and contrast two contemporaneous productions of the same musical but that is exactly what you can do right now with Brass the Musical. Sasha Regan at The Union Theatre opened her version this week (review here) and now a group of Mountview students are having a crack at it at the Bernie Grant Arts Centre. I was particularly tempted to return to the show as the show’s writer Benjamin Till – an alumnus of Mountview himself – is also on directorial duties.

It was fascinating to see the show for the second time in a week as the approaches by each director offered up intriguingly different interpretations. Till clearly benefits from the resources of one of the UK’s leading drama schools and so is able to conscript a band to meet the demands of his brass-heavy score, fill his stage with bodies and get them to execute some pretty nifty choreography (by Simon Hardwick). The contrast is huge with the Union, where studied intimacy is the watchword even though the company is only fractionally smaller.   Continue reading “Review: Brass the Musical, Mountview at the Bernie Grant Arts Centre”