News: West End Unplugged announces four free concerts in September

West End stars and theatre’s technical entertainment companies come together to support industry family with West End Unplugged

Each Wednesday from 9th to 30th September, a dazzling line-up of the West End’s most well-loved singers will perform alongside some of theatre’s top musicians in West End Unplugged (live from L-Acoustics Creations), a series of four, 45-minute charity concerts. 

COVID-19 has dealt a devastating blow to the theatre community across the U.K., with shows closed across the West End and around the country since March, and for the foreseeable future leaving all those involved with little or no income. This series of shows been produced to help raise funds for three charities that help the most in need across the entertainment industry.  Continue reading “News: West End Unplugged announces four free concerts in September”

10 of my top moments of the decade

Ever behind the curve, I present 10 of my top moments in a theatre over the last ten years (plus a few bonus extra ones because whittling down this list was hard, and it will probably be different tomorrow anyway!)

© James Bellorini

Extraordinary Public Acts for a National Theatre

The establishment of the Public Acts programme at the National Theatre offered up something sensational in Pericles, an initiative designed to connect grassroot community organisations with major theatres, resulting in a production that swept over 200 non-professional performers onto the stage of the Olivier to create something that moved me more than 99% of professional productions.  A truly joyous and momentous occasion. 

Honourable mention: this year’s musical take on As You Like It proved just as heart-swellingly beautiful over at the Queen’s Theatre Hornchurch. Continue reading “10 of my top moments of the decade”

The Curtain Up Show Album of the Year 2019 nominees

You can now vote for the Best London Cast Recording, Best Broadway Cast Recording and Best Solo Album here. Then fill in your details and click Vote and one lucky voter will win £100 worth of Theatre Tokens!

Best UK Cast Recording
& Juliet – Original London Cast Recording
Company – 2018 London Cast Recording
Follies – 2018 National Theatre Cast Recording
Heathers (Original West End Cast Recording)
The Secret Diary of Adrian Mole Aged 13 ¾ – 2019 Original London Cast
Tina – The Tina Turner Musical Original Cast Recording

Best American Cast Recording
Beetlejuice (Original Broadway Cast Recording)
Hadestown (Original Broadway Cast Recording)
Jagged Little Pill (Original Broadway Cast Recording)
Moulin Rouge (Original Broadway Cast Recording)
Oklahoma! (2019 Broadway Cast Recording)
Tootsie (Original Broadway Cast Recording)

Best Solo Album
Cassidy Janson – Cassidy
Ramin Karimloo – From Now On
John Owen-Jones –Spotlight
Ben Platt – Sing To Me Instead
Jon Robyns – Musical Directions
Hayden Tee – Face to Face

News: new productions and casting updates for the National Theatre

Jessie Buckley and Josh O’Connor headline a new production of Romeo and Juliet, while Callum Scott Howells and Rosie Sheehy star in Gary Owen’s Romeo and Julie, among other big news from the National Theatre

New productions

Simon Godwin returns to the National Theatre to direct Shakespeare’s ROMEO & JULIET following his critically-acclaimed productions of Antony and Cleopatra and Twelfth Night in the Olivier Theatre. Set in modern Italy in a world where Catholic and secular values clash, Jessie Buckley (Wild Rose, Judy) and Josh O’Connor (The Crown, God’s Own Countryplay the two young lovers who strive to transcend a world of violence and corruption. Fisayo Akinade (The Antipodes, Barber Shop Chroniclesis cast as Mercutio. The production will open in the Olivier Theatre in August 2020.

Set and costume design by Soutra Gilmour, lighting design by Lucy Carter, composition by Michael Bruce and sound design by Christopher Shutt. Continue reading “News: new productions and casting updates for the National Theatre”

Album Reviews: Company / Follies / Mythic

A trio of album reviews cover the (relatively) recently released cast recordings of Company, Follies and Mythic

“One more souvenir of bliss”

I adored Marianne Elliott’s reinterpretation of Stephen Sondheim and George Furth’s Company on my many visits and so the news of a cast recording was of course ecstatically received. And perhaps inevitably it doesn’t quite live up to the thrill of seeing it live but maybe that’s because the production is still so fresh in my mind. I mean we’re only talking a 4 instead of a 4.5…

© Brinkhoff Mogenburg

I swear Patti LuPone’s ‘Ladies Who Lunch’ was different every time I saw it but this version here is as good as any, with the glorious fullness of her voice pointedly sharpening its wit. Her contributions to ‘The Little Things We Do Together’ are inspired, Jonny Bailey’s ‘Not Getting Married’ is breathlessly affecting and the warmth of Rosalie Craig’s character and voice infuse the whole experience with real quality.  Continue reading “Album Reviews: Company / Follies / Mythic”

Yet-another-re-review: Company, Gielgud Theatre

Just the one more trip to see the glorious Company at the Gielgud Theatre before it sadly depart

“You can’t stay in your thirties forever”

I went back, again. Well I had to, at least while the above quote is still true for me for a couple more months. There’s not much left to say about Company that I haven’t said already here, or here, or here and it remains an absolute pleasure to watch, a show I could sit through time and time again even more so than I have already. It will be very much missed.

And I do think it really has gotten better as the run has progressed, performances deepened and matured, but also deliciously playful – I swear the magnificently brassy Patti Lupone has done something different every single time and it has been wonderful for it. It will be fascinating to see how Marianne Elliot’s production fares on Broadway and who, if anyone, transfers with it. Continue reading “Yet-another-re-review: Company, Gielgud Theatre”

2019 Laurence Olivier Awards nominations

BEST ACTOR IN A SUPPORTING ROLE IN A MUSICAL
Jonathan Bailey for Company at Gielgud Theatre
Clive Carter for Come From Away at Phoenix Theatre
Richard Fleeshman for Company at Gielgud Theatre
Robert Hands for Come From Away at Phoenix Theatre

BEST ACTRESS IN A SUPPORTING ROLE IN A MUSICAL
Patti LuPone for Company at Gielgud Theatre
Ruthie Ann Miles for The King And I at The London Palladium
“The Queens” – Aimie Atkinson, Alexia McIntosh, Millie O’Connell, Natalie Paris, Maiya Quansah-Breed and Jarneia Richard-Noel – for Six at Arts Theatre
Rachel Tucker for Come From Away at Phoenix Theatre Continue reading “2019 Laurence Olivier Awards nominations”

fosterIAN awards 2018

 WinnerRunner-upOther nominees
Best Actress in a PlayLeah Harvey, Clare Perkins & Vinette Robinson, EmiliaSarah Gordy, JellyfishPatsy Ferran, Summer and Smoke
Marieke Heebink, Oedipus
Elinor Lawless, To Have To Shoot Irishmen
Carey Mulligan, Girls and Boys
Sarah Niles, Leave Taking
Best Actor in a Play
Kyle Soller, The InheritanceHans Kesting, OedipusPaapa Essiedu, The Convert
Ben Batt, The York Realist
Ian Bonar, Jellyfish
Richard Harrington, Home I'm Darling
Shubnam Saraf, An Adventure
Best Supporting Actress in a PlayCecilia Noble, Nine NightMartha Plimpton, SweatAdjoa Andoh, Leave Taking
Eva Feiler, A Midsummer Night's Dream (Watermill)
Penny Layden, Jellyfish
Lashana Lynch, ear for eye
Charity Wakefield, Emilia
Best Supporting Actor in a PlayPaul Hilton, The InheritanceForbes Masson, Summer and SmokeLouis Bernard, Much Ado About Nothing (Antic Disposition)
Demetri Goritsas, ear for eye
Wil Johnson, Leave Taking
Nicky Priest, Jellyfish
Sam Troughton, Stories
Best Actress in a MusicalRosalie Craig, CompanyKaisa Hammarlund, Fun HomeBonnie Langford, 42nd Street
Eva Noblezada, Hadestown
Caroline O'Connor, The Rink
Gemma Sutton, The Rink
Adrienne Warren, Tina the Musical
Best Actor in a MusicalSteven Miller, Sunshine on LeithAndrew Finnigan, DripPaul-James Corrigan, Sunshine on Leith
Arinzé Kene, Misty
Michael Mather, Mythic
Leon Scott, Midnight
Zubin Varla, Fun Home
Best Supporting Actress in a Musical
Patti LuPone, CompanyAmber Gray, HadestownNaana Agyei-Ampadu, Caroline or Change
Vivien Carter, Sweet Charity (Watermill)
Genevieve McCarthy, Mythic
Hilary McLean, Sunshine on Leith
Seyi Omooba, Christina Modestou & Renée Lamb, Little Shop of Horrors
Best Supporting Actor in a MusicalJonathan Bailey, CompanyPatrick Page & André de Shields, HadestownAlex Cardall, Sweet Charity (Watermill)
Alex James Ellison, The Secret Garden Albion
Richard Fleeshman, Company
Matt Willis, Little Shop of Horrors

2018 Best Supporting Actor in a Play + in a Musical

Best Supporting Actor in a Play

Paul Hilton, The Inheritance
How many times and in how many ways can the same man break your heart? Hilton is exquisitely, agonisingly, pitch-perfect in The Inheritance no matter who he is playing, a much needed voice of experience in among the tight, bright young things, an unforgettable, powerfully moving tribute to generations lost.

Honourable mention: Forbes Masson, Summer and Smoke
I’ve long been a fan of Masson’s, going back to seeing his hysterical musical Stiff! back in my uni days, so it was great to see him as such a vibrant and vital part of the ensemble in this Rebecca Frecknall production, standing out as a pair of patresfamilias.

Louis Bernard, Much Ado About Nothing (Antic Disposition)
Demetri Goritsas, ear for eye
Wil Johnson, Leave Taking
Nicky Priest, Jellyfish
Sam Troughton, Stories

8-10

Oliver Alvin-Wilson, Nine Night; Kevin Harvey, The Wild Duck; Samuel H Levine, The Inheritance

 

Best Supporting Actor in a Musical

Jonathan Bailey, Company
Done well, ‘Getting Married Today’ is a highlight of any production of Company but here, making Amy Jamie works an absolute treat in showing both how far we’ve come and how little there is between us all when it comes to gay marriage. Partnered perfectly with Alex Gaumond’s patiently lovestruck Paul, this vignette becomes even more heart-breakingly, soul-raisingly fantastic.

Honourable mention: André de Shields & Patrick Page, Hadestown
Between de Shields getting the party started with his twinkling charm and Page’s basso profundo doing all sorts of things to me, I couldn’t split these two on the way down to Hadestown

Alex Cardall, Sweet Charity (Watermill)
Alex James Ellison, The Secret Garden
Richard Fleeshman, Company
Matt Willis, Little Shop of Horrors

8-10
Maison Kelley, Brass the Musical; Sean Kingsley, Once; Jordan Shaw, It’s Only Life