The Spanish Tragedy was written by Thomas Kyd in the 16th century and is regarded as one of the first ever examples of the revenge tragedy. Kyd’s play proved to be highly influential on other Elizabethan writers such as Marlowe, Jonson and indeed Shakespeare, Hamlet in particular takes much inspiration from several key elements of this play. It is presented here at the Arcola Theatre in Hackney, one of the most interesting fringe venues in London, with a great cafe and bar for pre/post-show interactions.
In the aftermath of a bloody war, the royal leaders of war-torn Spain and Portugal plan a marriage between their families in the hope of forging peace. But the bride already has a secret lover. When he is murdered to make way for the new groom, his father Hieronimo is forced down a brutal path of vengeance from which there is no return. Watched throughout by the ghost of a soldier and Revenge, personified here by a chillingly played, creepy little girl, there seems no doubt about the inexorable path of vengeance that Hieronimo takes, the implication being that their supernatural influence is guiding the grieving father. Yet the heart of the play is more about the human reaction to being wronged, and the pervasive need for retribution, no matter the consequences. Continue reading “Review: The Spanish Tragedy, Arcola”
The Revenger’s Tragedy is a Jacobean revenge play of dubious authorship but these day, attributed to Thomas Middleton. It is set in a decadent Italian court full of moral decay but in Melly Still’s new production here at the Olivier auditorium in the National Theatre, it has taken on a whole new lease of life.
The story is full of backstabbing intrigue and intricate plotting which required a lot of attention. Vindice is our hero of sorts, but he is determined to be revenged on the Duke, as whilst he’s seemingly a fine upstanding type, actually raped and pillaged the fiancée of Vindice a few years back. His home life is a little eventful too, his Duchess is a narcissistic, sexually voracious, hedonist who is lusting after her husband’s bastard son; and their other sons are a motley crew of bad’uns. One of them, the handsome Lussurioso, has decided to buy a lovely young woman from her mother, but she turns out to be the sister of Vindice. Thus, the scene is set for a strange mix of tragedy and comedy as we hurtle to the oh so very bloody climax. Continue reading “Review: The Revenger’s Tragedy, National Theatre”