Series 2 of Chewing Gum sees Michaela Coel nail the ‘two series and out’ trajectory of some of the best British sitcoms
“I’m not 17, I’m a grown-up woman. I just…regularly make childlike mistakes”
I belatedly came to Chewing Gum just now and watched both the first series and this second one in a single sitting each, their addictive nature and too-easily bingeable lengths giving me two fine nights in front of the TV.
Writer and creator Michaela Coel rarely let her imagination get in the way of the first six episodes but here, the expansion of Tracey’s world beyond her Tower Hamlets estate is quite simply fucking hilarious. Plus, the marvellous Sinéad Matthews appears in this series too. Continue reading “TV Review: Chewing Gum (Series 2)”
I mean, just look at this absolute treasure trove of theatrical talent!
I’m off to listen to Patsy Ferran read Tom Wells, and Gabby Wong read Alexi Kaye Campbell, and Sarah Niles read Winsome Pinnock and…and…
A new set of short films for your delectation.
Laura Degnan’s film Blind Eye is chiefly so effective because it taps into one of those fears that is so current and real and the reason why most sensible people avoid the top decks of buses that populated by roving youths. Anchored by a compelling performance from Liz White as the mother torn between doing the right thing and protective self-interest for herself and her daughter, Degnan explores the ‘what would you do’ scenario with visual interest and a little imagination. And if it gets a little heavy-handed towards its ending, then it worth remembering that it’s an issue where we’d all need a little prodding to decide where we’d ultimately come down.
Continue reading “Short Film Review #10”
“You can’t serve someone a cup of gravy”
What a difference a year makes. Last summer saw Rob Hayes’ play Step 9 (of 12) premiere somewhat off the radar at the New Britannia Theatre (above the better known pub of the same name by Victoria Park), but it has now taken a giant step to receive a new production in the West End’s Trafalgar Studios 2 and snag one of The Inbetweeners for the main role into the bargain. I say this like I know what it means but I have to tell you that I’ve never seen the show and it has languished in my low priority list on Lovefilm for ages now – though I am now given to understand that it is very popular (I don’t think those autograph hunters were there for me…)!
Blake Harrison is that actor, who takes on the role of Keith here, a man recovering from alcohol addiction and working his way through the 12-step programme to serenity and sobriety. As he reaches step 9 – making direct amends to people who’ve been harmed – he invites his long-suffering foster parents Alan and Judith around to his bedsit, but raking over the past on the road to forgiveness – or rather Keith’s interpretation of forgiveness – proves to be a highly provocative and problematic affair. Continue reading “Review: Step 9 (of 12), Trafalgar Studios 2”
Best Male Performance
Aden Gillett in Accolade at the Finborough
Trystan Gravelle in Honest at the Queen’s Head Pub
Michael Matus in The Baker’s Wife at the Union
David Wilson Barnes in Becky Shaw at the Almeida
Best Female Performance
Kelly Burke in Zelda at the Charing Cross Hotel
Vicky Campbell in I Am A Camera at the Rosemary Branch
Lisa Dillon in Knot Of The Heart at the Almeida
Vinette Robinson in Tender Napalm at the Southwark Playhouse
Best New Play
Knot of The Heart by David Eldridge at the Almeida
Mogadishu by Vivienne Franzmann at the Lyric Hammersmith
The Kitchen Sink by Tom Wells at the Bush Continue reading “2012 Offie Award Finalists”