A Marvellous Party – Digital celebration to mark the centenary of Noël Coward’s West End Debut
The Noël Coward Foundation has announced A Marvellous Party, a transatlantic, star-studded collection of performances celebrating the continuing legacy of Noël Coward and coinciding with the 100th anniversary of his West End debut as a 19-year-old playwright.
This unique celebration features words and music by Noël Coward, performed by Kate Burton, Judi Dench, Stephen Fry, Montego Glover, Derek Jacobi, Josh James, Cush Jumbo, Robert Lindsay, Kristine Nielsen, Bebe Neuwirth, Julian Ovenden, Patricia Routledge, Kate Royal, Emma Thompson, Giles Terera, Indira Varma and Lia Williams. Continue reading “News: Digital celebration to mark the centenary of Noël Coward’s West End Debut”
With a long list of major founding donors, including Danny Boyle, Emilia Clarke, Tom Hiddleston, James McAvoy, Ian McKellen, Daniel Radcliffe, Emma Thompson and Rachel Weisz, the Theatre Community Fund has received a pledge of £1 million.
Some of the biggest names from British stage and screen have joined together to support creatives in the beleaguered theater industry as it struggles to survive the COVID-19 crisis.
Created by Phoebe Waller-Bridge, Olivia Colman and theatre producer Francesca Moody (who was the original producer of Waller-Bridge’s Fleabag stage show), the newly-launched Theatre Community Fund has already received a pledge of £1 million and amassed £500,000, having signed up a who’s who of actors, directors, writers and producers as founding donors. Continue reading “News: Phoebe Waller-Bridge and Olivia Colman launch theatre support fund”
Marianne Elliott wasted no time in making headlines twice over last week – after the announcenement of her departure from the National Theatre, it was officially been announced that she has teamed up with theatre producer Chris Harper to set up Elliott Harper Productions which will produce new work throughout 2017. The first play in the season will be Simon Stephens’ Heisenberg which will be directed by Elliott and run at a yet-to-be confirmed venue in Autumn 2017. This will be followed by Oedipus to Antigone in a new adaptation by Yael Farber who will also direct.
But the highlight of the season looks set to be a modern revival of Stephen Sondheim and George Furth’s musical Company which will see the glorious Rosalie Craig take on the role of Bobbie, in a gender-reversed version of the musical about a confirmed bachelor that has been specially approved by Sondheim, once again directed by Elliott.
Not much else is known about the production or even the season, but watch this space!
Continue reading “Round-up of news and treats and other interesting things”
“The idea of my life as a fairytale is itself a fairytale”
The recent biopic Diana is a highwater point in films-that-are-so-bad-they’re-good and when Grace of Monaco was similarly lampooned by the unforgiving Cannes audiences, my hopes were raised for an enjoyable time of it. But sadly, Grace of Monaco fails at even being entertaining in its shitness, it is just seriously, badly, dull. Olivier Dahan’s direction is preposterous (those close-ups) and ill-thought-through (more of those close-ups!) and Arash Amel’s script is lazy in the extreme (it plays fast and loose with historical fact for no appreciable gain) and utterly misguided (it asks us to root for the protection of Monaco as a tax haven, save the poor rich people…).
Set at a time of constitutional crisis for the principality as Charles de Gaulle sought to incorporate it into mainland France, the film asks us to believe that Princess Grace, whilst selflessly turning down a return to the Hollywood career that made her name, was able to solve all these crises by winning the hearts of the people with a few French lessons and breaking the French government’s resolve (and apparently solving the war in Algeria) with some simpering speech-making. Never mind that the most of it has been made up by Amel, it is just frightfully dull in the telling of it. Nicole Kidman looks suitably like the epitome of Old Hollywood glamour but cannot do anything to inject any life here. Continue reading “DVD Review: Grace of Monaco”
“Four million tennis players in the world, and I’m 119th. But what that really means is this – 118 guys out there are faster, stronger, better and younger.”
It seems most unlikely but I don’t think I’ve ever seen 2004 romcom Wimbledon or if I have, I’ve erased every trace of it from my mind. And as it is that time of year again in SW19, it seemed as good a time as any to load it up for a spot of viewing on a train journey this past weekend. Whilst it is no great shakes as a tennis film or really does much as a ‘com’, it has a sweet charm to it with no small thanks to a likeable Kirsten Dunst as a tennis brat of a heroine and the slightly odd decision to Hugh Grant-ify its leading man Paul Bettany, clearly the only option for a British romcom.
Bettany plays Peter Colt, a Henman-esque figure of a nearly-there British tennis number one whose recent poor form has seen him plummet in the rankings and consider retirement. A chance meeting with upcoming US player Lizzie Bradbury puts a fizz in his step and the swing back in his serve and his wildcard for Wimbledon suddenly looks like an unlikely opportunity to go out in a blaze of glory. With his barely supportive family on the sidelines and Jaime Lannister himself as a hitting partner who looks good in a sauna, it seems Centre Court is beckoning him for one last hurrah. Continue reading “DVD Review: Wimbledon”
“It was a ball, it was a blast
It was a shame it couldn’t last”
A half-term jaunt down to London for Aunty Jean saw us take in a couple of shows I was happy to revisit. I remain as affectionately inclined towards Dirty Rotten Scoundrels as I ever have done, its traditional bonhomie remains as watchable as ever and there’s just something comfortable about the whole affair which remains hard to resist. Even whilst not being Robert Lindsay’s biggest fan (seriously, is he being paid by the pelvic thrust?!) the shimmering star quality of Kat Kingsley and the affable appeal of Alex Gaumond more than compensate. And the bumbling charms of Ben Fox, the third Chief of Police since the show started – job security in Beaumont-Sur-Mer is clearly not strong 😉 – prove the ideal foil for Bonnie Langford’s knowingly charismatic Muriel.
And we also made a more-timely-than-we-realised trip to Amelia Bullmore’s Di and Viv and Rose which posted closing notices pretty much as we left the matinée. It feels a real shame as it is such a sprightly production of a sparkling play which certainly deserved better audiences but for whatever reason, it just didn’t connect. I’ve written more about the show on my three previous visits (link here) but I’d definitely recommend trying to catch it before it closes, not least for some of the most joyous dancing onstage (which forms the perfect counterbalance to My Night With Reg) and Jenna Russell’s glorious performance as the hugely-generous-of-spirit Rose.
Dirty Rotten Scoundrels
Running time: 2 hours 30 minutes (with interval)
Booking until 7th March
Di and Viv and Rose
Running time: 2 hours 35 minutes (with interval)
Booking until 14th March
Rob Edwards, in Duet For One and Separation, at the Octagon Theatre, Bolton
Michael Hugo, in Around The World In 80 Days, at the Royal Exchange
Harry McEntire, in Billy Liar, at the Royal Exchange
Dan Parr, in Britannia Waves The Rules, at the Royal Exchange
Michael Shelford, in Early One Morning, at the Octagon Theatre, Bolton
Clare Foster, in Duet For One and Separation, at the Octagon Theatre, Bolton
Natalie Grady, in Hobson’s Choice, at the Octagon Theatre, Bolton
Suranne Jones, in Orlando, at the Royal Exchange
Maxine Peake, in Hamlet, at the Royal Exchange
Lauren Samuels, in Love Story, at the Octagon Theatre, Bolton Continue reading “The 2014 Manchester Theatre Awards nominations”
Best Actor In A Play Sponsored By Radisson Blu Edwardian
David Tennant – Richard II
Mark Strong – A View From the Bridge
Richard Armitage – The Crucible
Tom Bateman – Shakespeare in Love
Tom Hiddleston – Coriolanus
“Football crazy, football mad”
The World Cup kicks off on Thursday 12th June in São Paolo and will run for a goodly month as 64 games are played throughout Brazil (I’m tipping Bosnia and Colombia to do well, and Rooney to get sent off in his first game). Television and work schedules will be all askew as people try and wrestle with the time difference so the people at Theatre People have teamed up with a starting squad of West End stars to highlight a month of offers and discounts to wide range of shows which offer an alternative to sitting in and watching men in shorts on telly. Continue reading “Fed up with football? World Cup theatre offers”