#StandByMeChallenge Instagram edition

Just doing my best to try and amplify some of these amazing black voices. I stand with you.

 

 
 
 
 
 
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“Our mistreatment was just not right, and I was tired of it.” – Rosa Parks ⁣✊🏾 #Standbymechallenge #Wearetired #Saytheirnames

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✊🏾 #standbymechallenge #wearetired #saytheirnames

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Review: (Wo)men Rule Broadway [West End Edition], VAULT Festival

(Wo)men Rule Broadway [West End Edition] sees women take on the male musical theatre songbook at the VAULT Festival

“If you strip away the myth from the man…”

There’s no arguing that the musical theatre songbook is skewed in favour of men and with theatre’s enduring love of a revival, that means the opportunities for women to express the fullness of their selves onstage have always been limited (hell, even as I write this a man has been announced to play Mother Superier in the Edinburgh run of Sister Act…). 

This is the world US performers Genevieve Flati and Kelly Rogers are trying to reshape just a little with their show (Wo)men Rule Broadway [West End Edition], making its international debut here at the VAULT Festival. More than just a gender-reversed concert, Flati and Rogers compere the evening with a running commentary of how and why these songs have been chosen, exploring and explaining the boundaries being broken here.  Continue reading “Review: (Wo)men Rule Broadway [West End Edition], VAULT Festival”

Review: Little Shop of Horrors, Open Air Theatre

Audrey II as a drag queen? Maria Aberg’s take on Little Shop of Horrors at the Open Air Theatre gives me life

“Oh, don’t you see?
Finally I’ll be
Somewhere that’s green”

It’s something of a relief when you’ve seen a version of a much-loved show that is nigh-on perfect, it really does take the pressure off those that follow. So I was able to visit a verdant Open Air Theatre to see Little Shop of Horrors – one of my all-time favourites, if not the actual one – excited by the prospect of what Maria Aberg had done, and secure in the knowledge that Derek Bond absolutely nailed it for the Royal Exchange a couple of years ago. 

Chief among her innovations is giving Audrey II much more life than they’ve ever had before, by casting drag queen Vicky Vox in the role. So from twitching, voracious puppet plant (designed by Max Humphries with Tom Scutt) emerges a strutting shrub of sinful sass and it is an inspired choice. Making her a Mephistophelean figure who can prowl around the amphitheatre flips Audrey II into something as thrilling as threatening, Vox revelling in the lasciviousness of “feed me” and the most scathing raised eyebrow you ever did see. Continue reading “Review: Little Shop of Horrors, Open Air Theatre”

Album reviews: Working / Bat out of Hell / 42nd Street

A trio of West End cast recordings (well, one’s off-West-End…) show that it is sometimes hard to recapture the stage magic 

© Robert Workman

Starting off with the best of this bunch, the Southwark Playhouse’s production of Working might not have seemed like the obvious choice for a cast recording but maybe the lure of a couple of new Lin-Manuel Miranda tracks was a real sweetener.

Truth is, it is the quality of the cast’s performances that make this a fantastic addition to the list of albums you need to hear. From Siubhan Harrison’s impassioned ‘Millwork’ to Dean Chisnall’s gleeful ‘Brother Trucker’, and the highly charismatic Liam Tamne nails both of Miranda’s contributions – the wilful ‘Delivery’ and a corking duet (with Harrison) on ‘A Very Good Day’.

Experience pays though, as Gillian Bevan and Peter Polycarpou take the honours with some scintillating work. The latter’s ‘Joe’ is beautifully judged, as is the former’s ‘Nobody Tells Me How’, both demonstrating the uncertainty that can come at the end of a long career, when retirement doesn’t necessarily hold the joyful promise it once did. Highly recommended.  Continue reading “Album reviews: Working / Bat out of Hell / 42nd Street”

The Curtain Up Show Album of the Year 2017 nominees

Best UK Cast Recording
42nd Street – 2017 London Cast Recording
Bat Out Of Hell The Musical – Original Cast Recording
Dreamgirls – Original London Cast Recording
Everybody’s Talking About Jamie – Original Concept Recording
Girl From The North Country – Original London West End Cast Recording
The Wind in the Willows – Cast Recording

Best American Cast Recording
Anastasia – Original Broadway Cast Recording
Come From Away – Original Broadway Cast Recording
Dear Evan Hansen – Original Broadway Cast Recording
Hello, Dolly! – New Broadway Cast Recording
Spongebob Squarepants – Original Cast Recording
Sunday in the Park with George – 2017 Broadway Cast Recording

Best Solo Album/Non Cast Recording
Collabro – Home
Leading Ladies – Songs From The Stage
Marisha Wallace – Soul Holiday
Patti LuPone – Don’t Monkey With Broadway
Rachel Tucker – On The Road
Sheridan Smith – Sheridan

Bat Out Of Hell is coming back in 2018

“It’s so hard to believe but it’s all coming back to me now”

Sign-Up for more information on the rock’n’roll return of @BATtheMusical to London’s #West End 🤘 https://t.co/n7m60a0EG6 pic.twitter.com/WpMs3rM0yS

— Bat Out Of Hell (@BatTheMusical) August 22, 2017


There are (still) no words to say about Bat Out Of Hell that can really do it justice (here’s my attempt from the first viewing) and in any case, even if I wanted to I couldn’t, as it really is a show that demands to be seen having partaken of a beverage or seven. And believe me, last night I partook! So I guess I’ll see you at the Coliseum next year then, you can get the first round in 😉

Review: Bat out of Hell, London Coliseum

“Will you hose me down with holy water, if I get too hot?”

I think it is safe to say that Bat out of Hell is one of the most random things you’ll see in the West End this year, if not ever, whether you’re a fan of Meatloaf or not. It is a deliciously over-the-top production quite unlike the usual fare in the august surroundings of the London Coliseum but that’s part of its charm here – what would be sacrilegious is actually cheekily charming. Find production photos of the show here and read my 4 star review for Cheap Theatre Tickets here.

Running time: 2 hour 50 minutes (with interval)
Booking until 5th August

fosterIAN awards 2011

 WinnerRunner-upOther nominees
Best Actress in a PlayEve Best, Much Ado About Nothing (Globe)Ruth Wilson, Anna ChristieRosie Wyatt, Bunny
Siân Brooke, Ecstasy
Lisa Palfrey, The Kitchen Sink
Geraldine James, Seagull
Best Actor in a PlayBenedict Cumberbatch, FrankensteinAndrew Scott, Emperor and GalileanTrevor Fox, The Pitmen Painters
Dominic West, Othello
Jude Law, Anna Christie
Charles Edwards, Much Ado About Nothing (Globe)
Best Supporting Actress in a PlayAlexandra Gilbreath, OthelloSheridan Smith, Flare PathSinéad Matthews, Ecstasy
Billie Piper, Reasons to be Pretty
Kirsty Bushell, Double Feature 1
Esther Hall, Many Moons
Best Supporting Actor in a PlayRyan Sampson, The Kitchen SinkHarry Hadden-Paton, Flare PathRobert Hands, The Comedy of Errors (Propeller)
Edward Franklin, Many Moons
Craig Parkinson, Ecstasy
Adam James, Much Ado About Nothing (Wyndhams)
Best Actress in a MusicalImelda Staunton, Sweeney ToddAdrianna Bertola, Josie Griffiths, Cleo Demetriou, Kerry Ingram, Eleanor Worthington Cox & Sophia Kiely, MatildaLaura Pitt-Pulford, Parade
Beverley Klein, Bernarda Alba
Jemima Rooper, Me and My Girl
Scarlett Strallen, Singin’ in the Rain
Best Actor in a MusicalBertie Carvel, MatildaMichael Ball, Sweeney ToddDaniel Evans, Company
Daniel Crossley, Me and My Girl
Alastair Brookshaw, Parade
Vincent Franklin, The Day We Sang
Best Supporting Actress in a MusicalSamantha Spiro, CompanyKate Fleetwood, London RoadJosefina Gabrielle, Me and My Girl
Josie Walker, Matilda
Rosalind James, Ragtime
Ann Emery, Betty Blue Eyes
Best Supporting Actor in a MusicalDaniel Crossley, Singin’ in the RainNigel Harman, Shrek the MusicalConnor Dowling, Guys and Dolls
Jack Edwards, Betty Blue Eyes
David Burt, Crazy For You
Nick Holder London Road