“How can I have expectations? Look at me…”
Expectations are a funny thing. When Passion was first announced way back at the beginning of the year I was completely over-excited, Elena Roger returning with Jamie Lloyd directing to recapture some of that Piaf magic and a Sondheim musical I’d never heard, it really was one of my most anticipated theatrical events of the year. Fast forward to September and I am quite frankly close to being Sondheimed out with all of the productions celebrating his 80th year and there had been dark murmurings about how good Passion actually was.
With music and lyrics by Stephen Sondehim and book by James Lapine, Passion is based on a film (Passione d’Amore) which was inspired by a book, Fosca. It centres on an unlikely love triangle: Giorgio, who is a soldier engaged in an affair in Milan with Clara, his married mistress, is billeted out to a provincial outpost where he meets his new regiment. He also meets Fosca, the sickly, obsessive cousin of his commanding officer with whom he strikes up an uneasy connection which soon changes his very understanding of the nature of love. For this production, some of the score has been cut by Sondheim, lyrics amended and even Lapine has got in on the action, reworking some of the book. (As it is the first time I’ve seen this show, I can’t comment on any of these changes and for your information, this is a review of a preview on 13th September) Continue reading “Review: Passion, Donmar Warehouse”