News: the National Theatre announces 9 new productions for 2020-21

Lots of exciting news coming out of the National Theatre today, including actors Nicola Walker, Giles Terera and Kristin Scott Thomas, directors Simon Stone, Lynette Linton and Nicole Charles, and returns for Small Island, Beginning and The Ocean at the End of the Lane

The National Theatre has today announced nine productions that will play on the South Bank in 2020-2021 alongside previously announced shows. These run alongside their international touring productions, three plays that will tour to multiple venues across the UK and a West End transfer. The NT also announces today that it will increase the quantity of low-price tickets on the South Bank by 25%, with 250,000 available across the year at £20 or less.

© Brinkhoff-Moegenburg

In the Olivier Theatre the critically acclaimed production of Andrea Levy’s epic novel Small Island directed by Rufus Norris returns following a sold-out run in 2019. Adapted for the stage by Helen Edmundson, the revival will run from late October 2020 with casting to be announced. Continue reading “News: the National Theatre announces 9 new productions for 2020-21”

Review: Death of England, National Theatre

In Death of England, Rafe Spall delivers the performance of a lifetime in this punchy monologue by Clint Dyer and Roy Williams at the National Theatre

“These are my dad’s words, not mine”

When the Dorfman gets it right, it really is something special. The combination of our National Theatre’s calibre and the intimacy of its smallest theatre means that when a play dares to do something different in there, the results can be extraordinary. I felt it in the pit for the first run of London Road, in the genius pre-show of Barber Shop Chronicles, and it is now in evidence once again with Clint Dyer and Roy Williams’ epic monologue Death of England, featuring a stunning performance from Rafe Spall, directed by Dyer.

Ferocious and fearless, we first meet Michael on the mother of all benders while he mourns the death of his father and then quick as you like, he flashes into storyteller mode and proceeds to not so much dismantle the fourth wall as to charm it into buying him six pints and then home for an unsatisfactory fumble. For about a quarter hour, Spall sets up Michael’s world beautifully by bantering with audience members with consummate ease, offering a sniff of this, a taste of that, seeking validation too as we come to realise how fragile a man he currently is. Continue reading “Review: Death of England, National Theatre”

News: the National Theatre announces 15 new productions for 2019 and 2020

So much goodness! The National Theatre have just announced details of productions stretching deep into 2020, and with writers like Lucy Kirkwood, Kate Tempest, Roy Williams and Tony Kushner, and actors like Lesley Manville, Maxine Peake, Conleth Hill, Cecilia Noble and Lesley Sharp, it is hard not to feel excited about what’s ahead.

Olivier Theatre 

Following a sell-out run at Rose Theatre Kingston, the acclaimed two-part adaptation of Elena Ferrante’s MY BRILLIANT FRIEND by April De Angelis is reworked for the Olivier stage by Melly Still (Coram Boy). When the most important person in her life goes missing without a trace, Lenu Greco, now a celebrated author, begins to recall a relationship of more than 60 years.  Continue reading “News: the National Theatre announces 15 new productions for 2019 and 2020”

News: Camden Stands with Grenfell Tower – an evening of music and poetry

Camden Stands with Grenfell Tower: An evening of music and poetry in aid of Grenfell Tower Fire Fund.

Hosted by Ché Walker, Friday 23rd June sees a night of music and poetry in honour of the victims of the Grenfell Tower tragedy and to benefit the Grenfell Tower Fire Fund. Doors will open at 7pm, with the event starting at 7.30pm at Wac Arts’ premises near Belsize Park.

Tickets £20, £10 concessions: bookings can be made online here.
If you want to donate directly to the fund established by Queen’s Park Councillor Eartha Pond, the link is https://www.gofundme.com/grenfell-tower-fire-fund. Continue reading “News: Camden Stands with Grenfell Tower – an evening of music and poetry”

Review: Off the Page – Microplays 1-3 from the Royal Court and the Guardian

“I smoke fish…all the time”

 

The Guardian have partnered with the Royal Court to create a series of what they are calling microplays (short films by any other name, and I assume they’re trying to differentiate this from the short films that are being done in collaboration with the Young Vic…) on a range of six subjects. Each one – food, fashion, music, sport, education and politics – has seen a Guardian journalist work with a playwright to gain inspiration to create a minutes-long microplay which is then rapidly brought to life by some high-class directors and actors and hosted on the Guardian’s website.

The most recent of these is Death of England, written by Roy Williams and directed by Clint Dyer after a discussion with the Guardian’s Barney Ronay. It features Rafe Spall in scintillating form as a grieving working-class son at his father’s funeral who makes an ill-advised attempt at a eulogy which quickly degenerates into a rant about football and race, conflicted ideas about English identity and the state of the national team and notions of what loyalty really means. It couldn’t be a more hot-button topic if it tried (due to the efforts of my hometown team) but it is Spall’s captivating performance of Williams’ insightful script that really grips.

Continue reading “Review: Off the Page – Microplays 1-3 from the Royal Court and the Guardian”

Review: Wildefire, Hampstead

“To them, we are nothing but a bunch of racist, sexist, overpaid thugs in uniform”

In what turned out to be my second Maria Aberg production in quick succession, I got something of a crash course in just why people talk about this director so excitedly. Here, she takes Roy Williams’ urban police thriller Wildefire and elides its scenes into a single downwards spiral as policewoman Gail Wilde takes on a South London posting but finds herself unprepared for the intense trials and tribulations of life in the Met.

Aberg and Williams do a magnificent job at conjuring a world that is at once innately distrustful of the police yet also guilty of inculcating that distrust. Out of the shadows of James Farncombe’s lighting and the nooks and crannies of Naomi Dawson’s open yet functional design, urban nightmares spill forth whether fighting football fans, council estate domestic abusers or the suffocating menace of disaffected hoodies with nothing to lose. Continue reading “Review: Wildefire, Hampstead”