“There are many different kinds of bravery”
It is a truth that every generation gets their own cinematic version of JM Barrie’s classic Peter Pan whether they want it or not (and this year’s Pan bombing heavily for Joe Wright shows it’s not always a good idea) and in 2003, it was PJ Hogan who took on the boy who never grows up, actually casting a boy in the lead role for once. And I have to say it is a rather sweet version of the story, a charming adaptation that captures much of the child-like glee associated with the story.
There’s nothing particularly innovative about this interpretation, it just does traditional very well whilst still managing subtle differences. Jeremy Sumpter’s sprightly Peter and Rachel Hurd-Wood ‘s impassioned Wendy are just perfect, both on the cusp of young adulthood and giving a real sense of the confusion of first sexual attractions and the world of possibility it opens. And Jason Isaac, doubling as Mr Darling and the dastardly Hook, is rather unexpectedly excellent, full of real menace for once as the pirate king. Continue reading “DVD Review: Peter Pan (2003)”
“You’re not a child any more”
As the first DVD I put on to start my Lucy Cohu marathon, my heart sank a little when her first appearance in Murderland was as the main subject in a photograph of a murder scene. But as her face was on the cover, I hoped that her role would be more than just a fleeting one in this 2009 ITV drama. Written by David Pirie, the three-parter examines the lasting impact of a violent crime and the mysteries surrounding it, viewed from the shifting perspectives of the murdered woman, her traumatised daughter and the investigating detective.
It’s not the most sophisticated of crime dramas, truth be told, but it is certainly competently done and intriguingly put together as events start off in the present day with a woman, the ever-wan Amanda Hale, running from her wedding day. Her distress comes from the unsolved murder of her mother some 15 years earlier which she is now determined to solve and visits Robbie Coltrane’s DI Hain to get his help as he was intimately involved in the case – and more so than she realises. The story then flips back to the time of the crime to give an account of what happened. As the show progresses and we, and Carol, find out more and more, the events around the murder are revisited and replayed getting us ever closer to the terrible truth. Continue reading “DVD Review: Murderland”
“There’s a naked man in here who says our children should be committed”
Tucked away in the intimate Clare studio at the back of the Young Vic is Fireface, a 1997 work by German playwright Marius von Mayenburg, directed by Sam Pritchard, the winner of the 2012 JMK Award for visionary new theatre directors. And with the aid of an intriguingly strong cast and Amanda Stoodley’s wide chipboard frame of a set, forming a timber cage for a dysfunctional family to play out their not-inconsiderable dramas, Pritchard has certainly made the most of his opportunity.
Quite how one judges his measure of success though is a matter of debate. He clearly has a keen eye for the highly theatrical: switching from having the actors sitting facing the audience and speaking their lines out to us rather than to each other to a more naturalistic style with a dizzying frequency and overlapping the scenes to increase the disconcerting effect of estrangement. It initially feels apt as a way to evoke the disquiet at the heart of this family home where Kurt and Olga are seething with teenage injustice, railing against their distracted parents and exploring an increasingly too-close bond full of burning desire. Continue reading “Review: Fireface, Young Vic”
“I’m not your friend Fred”
Not strictly a DVD review as I watched this on Netflix, finally getting round to using it having signed up a while back, and part of an impromptu Monica Dolan weekend – having seen her on stage for the first time with a magnificent turn in Chalet Lines and watching a DVD of her in She Stoops To Conquer. Her role as Rose West in Appropriate Adult is actually quite small across the two hour-long (ish) episodes but given how ferociously foul-mouthed and genuinely terrifying it is, this is probably a good thing.
The focus is on Fred West and Janet Leach, the trainee social worker drafted in to be the ‘appropriate adult’ whilst he is being questioned at a Gloucestershire police station on suspicion of the murder of his daughter. Her presence was requested to ensure that there could be no suggestion that West did not understand anything being asked of him, but we see a strange relationship building up between the pair even as increasingly horrific details about the number and nature of the crimes committed by the Wests came to light. Continue reading “DVD Review: Appropriate Adult”
“I sometimes think I’m the best person in this town”
Returning to the Lyric Hammersmith for a two week run before a national tour, Punk Rock premiered a year ago to great success and introduced me to great performances from the likes of Tom Sturridge and Henry Lloyd-Hughes, but particularly Jessica Raine who is tearing up the stage at the National in Earthquakes in London and is my tip for great things in the near future. It is the same production team here but with a rejigged cast, three originals remain with a sea of new faces, two of whom are making their professional stage debuts.
Set in a private school in Stockport and following some sixth-formers over a few months as they deal with the pressures of mock A-Levels and the tantalising glimpse of university and the freedom from their current life it offers. It sweeps over a range of teen issues, bullying both by text and physically, inappropriate crushes, fears about the future and university, sexual confusion, self-harming, in an impressive manner, never lingering too long on any but not patronising them either as the relationships between them become the focal point as we reach the shocking climax. Continue reading “Re-review: Punk Rock, Lyric Hammersmith”