A play with songs that works in the most achingly beautiful way – To Have To Shoot Irishmen is quietly stunning at the Clapham Omnibus
“Some things are worth fighting for”
Too often, the term ‘play with songs’ is abused by marketing types to avoid using the word musical in all its apparent divisiveness. So what a blessed relief to find that Lizzie Nunnery’s To Have To Shoot Irishmen is pretty much a perfect representation of the form. A suite of original songs composed by her and Vidar Norheim are sprinkled throughout the play almost as bookends to scenes, enriching the text with their eloquent lyrics and folk-tinged mood.
They don’t progress the narrative for that is not their purpose. Nunnery’s story is as shattered as the set on which it takes place (considered design work from Rachael Rooney), a Dublin neighbourhood ripped apart by the Easter Rising. There, a young mother named Hanna searches anxiously for her husband, the writer and activist Francis Sheehy Skeffington, with a growing sense of dread; and at some point in the recent past, we follow Frank’s experience being held by the British army. Continue reading “Review: To Have To Shoot Irishmen, Clapham Omnibus”