Film Review: The Good Liar (2019)

Ian McKellen and Helen Mirren team up for the entertainingly twisty film The Good Liar

“It seems like you’ve had quite a past”

Adapted by Jeffrey Hatcher from the novel of the same name by Nicholas Searle, The Good Liar marks the first time that British institutions Ian McKellen and Helen Mirren have worked together on screen. And when these two are onscreen together, this is a corking film.

With a twinkle in his eye, McKellen’s Roy is trawling the dating apps and lights upon the widowed Betty (Mirren). soon setting a date. They connect over martinis and bond over not necessarily being who they said they were online but as we discover Roy is a lifelong conman, it’s clear his eyes are set on her not inconsiderable means. Continue reading “Film Review: The Good Liar (2019)”

News: The Understudy – a brand new radio play with Stephen Fry, Emily Atack, Sheila Atim, Layton Williams and more

The Understudy is a brand new radio play that will be broadcast in two parts on Wednesday 20th May and Wednesday 27th May to raise funds for the theatre industry which is facing a devastating impact from the Covid-19 health crisis. The Lawrence Batley Theatre in Huddersfield will split proceeds of this project with charities including the Theatre Development Trust (SOLT and UK Theatre), Acting for Others and Equity Charitable Trust.

Coming together at a time that matters the most, the stellar line-up of actors currently confirmed to perform in The Understudy includes Stephen Fry, Emily Atack, Sheila Atim, Layton Williams, Russell Tovey, Sarah Hadland, Mina Anwar and many more. The cast and creative team involved in The Understudy will take part completely in isolation and actors will record their lines at home that will be brought to life by an exceptional sound design team. Continue reading “News: The Understudy – a brand new radio play with Stephen Fry, Emily Atack, Sheila Atim, Layton Williams and more”

Not-a-review: Who’s Afraid of Virginia Woolf?, Wiltshire Creative

I should have been going to Salisbury this weekend to see Who’s Afraid of Virginia Woolf? at Wiltshire Creative so what to do instead? Read about it and the ways to help the theatres involved

“Dashed hopes and good intentions…”

I’ve long been a fan of David Mercatali’s directing (find an interview with him here) so I was determined to fit in a visit to his production of Who’s Afraid of Virginia Woolf?, a co-production between Bristol’s Tobacco Factory and Wiltshire Creative (the Salisbury Playhouse as was).

That didn’t happen as my trip was scheduled towards the end of the second half of the run but in some small mercy, the production did get most of the way through its Bristol leg which means there’s all sorts to read about it, which the Tobacco Factory has kindly collated here.

By comparison, the Brit-heavy Broadway revival, starring Laurie Metcalf, Rupert Everett, Russell Tovey and Patsy Ferran barely managed a week of previews before having to close. 

For the Tobacco Factory
You can follow the theatre on Twitter here
You can look at ways of supporting the theatre via this page here

For Wiltshire Creative
You can follow the theatre on Twitter here
You can look at ways of supporting the theatre via this page here

And there’s a trailer 

TV Review: Flesh and Blood

Imelda Staunton plays a blinder in ITV’s Flesh and Blood but for a thriller, there’s not much that is actually that thrilling apart from Russell Tovey’s chest hair

“I never ever dreamt it would end like this”

The myriad ways in which we can now consume television content means that programmers can find themselves in a bit of a bind, searching for the best way to ensure their show breaks through in such a crowded marketplace. Just look at The Split, releasing the entirety of its second series online whilst also going for a weekly broadcast. Stripping a show over a week for four consecutive nights, as ITV did with Flesh and Blood, may seem like a happy medium between those two modes but in this day and age, I don’t it matches either. 

Written by Sarah Williams (Becoming Jane; Small Island), Flesh and Blood is a lush family drama, edging towards thriller territory, as a body is discovered in this sleepy Sussex beach town. And in true winding narrative style, we don’t know who has carked it. Francesca Annis’ Vivien is quietly surprised to find new love with Stephen Rea’s Mark but her adult children don’t think she’s been playing the grieving widow for long enough and once he moves into their former childhood home, hackles are truly raised, conveniently allowing them to turn from the drama in their own lives.  Continue reading “TV Review: Flesh and Blood”

TV Review: Queers

Mark Gatiss’ Queers – a set of monologues has lost none of its power since premiering in 2017

“He knows me for what I am”

I couldn’t make the theatrical readings of Queers at the Old Vic, so I was glad that filmed versions of them were made (for airing on BBC4). Ricocheting around the decades of the twentieth century, this set of monologues marked 50 years since the Sexual Offences Act of 1967 decriminalised private homosexual acts between men aged over 21, and aimed to celebrate some of the most poignant, funny, tragic and riotous moments of British gay male experience.

Pulled together by Mark Gatiss, these 8 20-minute pieces are ostensibly set in the same bar but run the full gamut of emotion as we shift around in time. There’s exquisite moments of happiness in lives otherwise marked by despair. The fleeting touch from Gatiss’ The Man on the Platform so achingly described by Ben Whishaw, the heady night spent with an American soldier by Ian Gelder’s omi in Matthew Baldwin’s I Miss the War.

Continue reading “TV Review: Queers”

TV Review: Years and Years

Years and Years sees Russell T Davies take on dystopian near-future sci-fi to startling effect

“We’re not stupid, we’re not poor, we’re not lacking. I’m sorry, but we’re clever. We can think of something, surely.”

What if…? What if…? What Brexit happens, what if Trump is voted in again and fires a nuclear bomb towards China, what if global warming happens today and not tomorrow, what if Lee from Steps is the most successful one…? Such is the world of Years and Years, Russell T Davies’ latest TV venture, a six-part drama that dares to ask what if it is already too late.

He uses the Lyons family as a prism to explore what the next 15 years of human history might look like, as technological advances make leaps and bounds alongside the political and social upheaval that strikes at the very heart of this sprawing middle-class Manchester-based family. It’s a daring piece of drama, full of Davies’ typically big heart and bold emotional colours and I have to say I rather loved it. Continue reading “TV Review: Years and Years”

The Jamie Lloyd Company announces cast for charity gala to celebrate Harold Pinter’s birthday

– Tom Hiddleston, Kristin Scott Thomas, Kit Harington, Simon Russell Beale, Indira Varma, Zawe Ashton and many more announced

–   Happy Birthday, Harold will take place on what would have been the Nobel Prize winning playwright’s 88th birthday on October 10th

–   Charity event will raise money for Amnesty International and Chance to Shine

–   Tickets are on sale now

Continue reading “The Jamie Lloyd Company announces cast for charity gala to celebrate Harold Pinter’s birthday”

Review: Pinter Two – The Lover/The Collection, Harold Pinter Theatre

I’m somewhat seduced by the Pinter Two double bill of The Lover and The Collection at the Harold Pinter Theatre – fetch the olives!

“Did you show him the hollyhocks?”

Truth be told I’m not much of a Pinter fan though I do find the occasional production to be sufficiently compelling to keep me coming back to test my prejudices. And so the Pinter at the Pinter season certainly piqued my interest, if getting me rushing out of the door to book – it took a crucial recommendation to get me to the Harold Pinter for Pinter Two – The Lover/The Collection and I have to say I’m glad I allowed myself to be persuaded.

Both directed by Jamie Lloyd, they offer complementary but contrasting 60s aesthetics (beautifully realised in Soutra Gilmour’s design) – the first part more a sitcom going strange, the second a darker, more mysterious prospect from the off. And cast to the hilt in some of the most luxurious casting a single West End season has ever garnered, it’s all really rather captivating.   Continue reading “Review: Pinter Two – The Lover/The Collection, Harold Pinter Theatre”

Queer Theatre – a round-up

“There’s nowt so queer as folk”

Only about a week behind schedule, I wanted to round up my thoughts about the National’s Queer Theatre season – links to the reviews of the 5 readings I attended below the cut – and try a formulate a bit of a response to this piece by Alice Saville for Exeunt which rather took aim at the season alongside the Old Vic’s Queers (also I just want to point out too that there are two writers of colour involved – Tarell Alvin McCraney and Keith Jarrett). As a member of the ‘majority’ within this minority, I tread warily and aim to do sowith love and respect. 

It feels important to recognise what the NT (and the Old Vic) were trying to achieve though. Queer Theatre looked “at how theatre has charted the LGBT+ experience through a series of rehearsed readings, exhibitions, talks and screenings” and if only one looked at lesbian women, two of the readings were written by women. Several of the post-show discussions at the NT talked specifically about this issue but in acknowledging it, also quite rightly pointed out that there just isn’t the historical body of work to draw from when it comes to wider LGBT+ representation. That’s where the talks and screenings came into their own, able to provide some of that alternative focus. Continue reading “Queer Theatre – a round-up”

Review: Queer Theatre – Bent, National

 

#4 in the National Theatre’s Queer Theatre season of rehearsed readings
 
“I love you… What’s wrong with that?”
 
Perhaps one of the better known of these plays but still a new one to me, I really wasn’t prepared for the emotional trauma of Martin Sherman’s Bent whether I was hungover to fuck or not. Harrowing is barely the word to describe this dramatisation of the way in which the Nazis persecuted gay men in Germany before and during World War II and with this reading, directed by Stephen Daldry, taking place on Pride weekend, its impact was all the more emotional. 
 
Russell Tovey (continuing his graduation into a properly fine actor) and George Mackay took on the lovers Max and Rudy, their coming together in the hedonism of Weimar Berlin shattered by the dawning of the Night of the Long Knives, the realisation of just how insidious the Third Reich is, and the astonishing lengths that people will go to in order to protect themselves at the expense of all they hold dear.

Continue reading “Review: Queer Theatre – Bent, National”