“If I go to Heaven, my fate is assured”
Full disclosure first, I was a contributor to the Kickstarter campaign for this studio cast recording of new musical Paradise Lost as attested on this page here (although darn that pesky line break!) I can’t really remember what prompted such benevolence from me, ‘twas just the second thing I have helped to fund in the smallest way but something about this musical treatment of John Milton’s poem clearly caught my attention and with the finished product now in hand, I can clearly see why.
Lee Ormsby’s music and story and Jonathan Wakeham’s book and lyrics has a self-confessed aim of “epic storytelling” and through a determination to forefront character and bold, accessible music, the 24 tracks that make up this double album offer a tantalising glimpse into what has the potential to be a truly spectacular musical. Bucking contemporary trends somewhat, it looks back to a time of 80s mega-musicals but infuses it with real heart to make a beguiling confection. Continue reading “CD Review: Paradise Lost”
“We’re down on our knees braving rabies and fleas”
Lynn Ahrens and Stephen Flaherty’s Ragtime was one of the highlights of the musical year in London and along with their revival of Howard Goodall’s The Hired Man, marked a year with remarkable highs for the Landor Theatre in Clapham. Their small-scale but big-impact productions have proved a welcome boost to the London fringe musical scene, marked by their success in the Offies awards last week, and the Landor are clearly looking to maintain that by reviving Ahrens and Flaherty’s first show Lucky Stiff. A frivolous musical farce, based on Michael Butterworth’s The Man Who Broke The Bank At Monte Carlo, the plot revels in the nonsensical and ridiculous as we caper from a dowdy English shoeshop and an Atlantic City optometrist’s office to the glitzy casinos of Monte Carlo with gay abandon.
Harry Witherspoon’s existence selling footwear is thrown into chaos when an unexpected bequest from an unknown uncle falls into his lap, but with certain strings attached. In order to get his inheritance, Harry needs to take the embalmed body of his uncle on a trip to Monte Carlo and pass him off as alive, or else the money will go to the Universal Dog Home of Brooklyn. Further complicating matters is the uncle’s lover Rita, six million dollars worth of diamonds that have gone missing, an over-friendly Italian, cross-dressing maids, a representative of the dogs home with her eyes on the cash and a suspicious-looking Arab, as everyone descends on the South Coast of France in a madcap rush with much confusion ensuing. Continue reading “Review: Lucky Stiff, Landor”
Though the temptation is strong, and the actuality may well prove so, I don’t think I will be catching quite so much theatre in 2012 as I did last year. I could do with a slightly better balance in my life and also, I want to focus a little more on the things I know I have a stronger chance of enjoying.
So, I haven’t booked a huge amount thus far, especially outside of London where I think I will rely more on recommendations, but here’s what I’m currently looking forward to the most: Continue reading “Shows I am looking forward to in 2012”