TV Review: The Vote, Donmar Warehouse via All4

“This after all has been a very careful election” 

A fascinating experiment from James Graham and Josie Rourke, The Vote was a “play for theatre and television” which after two weeks of performances at the Donmar Warehouse – for which you had to enter a ballot for tickets – aired live on More4 at the very moment that it was set, the night of the UK general election. I wasn’t one of the lucky few in the ballot and am rarely inclined to dayseat (though I know several people who managed it) so I’ve only just got around to catching up with it on All4 (formerly 4OD) where it is on for another couple of weeks.

I’m glad I did get to see it as it is very funny and pulled together an extraordinary cast, the vast majority of whom spend mere moments onstage. Graham’s play focuses on the trials and tribulations of a South London polling station in the 90 minutes before voting closes and though there’s a farcical plot that holds the play together in the larger sense, the real joy comes in the microstories of the various voters who come in to exercise their democratic right as best they see fit. Drunks losing their polling cards, giddy lesbians brandishing selfie sticks, teenagers asking Siri who to vote for, all amusing slices of life are represented by a stellar cast who seem to be having just as much as the audience. Continue reading “TV Review: The Vote, Donmar Warehouse via All4”

Review: Grimm’s Tales – Shoreditch Town Hall, London

“If my mother tells me not to leave the path again, then that’s what I’ll do”

A shoebrush becomes a baby hedgehog, a repurposed umbrella a mournful songbird, a coil of rope Rapunzel’s long tresses. For the eight people roaming the nooks and crannies beneath Shoreditch Town Hall, anything they find can be co-opted into their storytelling, as they give us their versions of Grimm’s fairy tales, although some will be more familiar than others. And it is not strictly their version, as Philip Wilson’s production uses Philip Pullman’s adaptation of the stories to weave a subtle kind of magic.

The show describes itself as immersive, but it is a gentler kind of immersion than most, probably better described as site-responsive. For the audience are split into two groups and taken on a journey from room to room, through five performances which draw us into their orbit, yet ask little of us but our attention (in case the notion of interaction causes any anxiety). And it is hard not to be enchanted as the company weave their spell through the darker stretches of the imagination – happily ever after doesn’t always seem guaranteed in this world. Continue reading “Review: Grimm’s Tales – Shoreditch Town Hall, London”