Martin McDonagh’s Three Billboards Outside Ebbing, Missouri proves just a little too problematic, despite Frances McDormand’s excellent work
“All this anger, man, it just begets greater anger”
The backlash against Three Billboards Outside Ebbing, Missouri doesn’t seem to have got in the way of its award-winning chances. But upon watching it for myself and enjoying it for the most part, equally I couldn’t escape the sense of how problematic it is in the way in tackles – or rather doesn’t tackle – class and race in the rural US.
For every statement from Martin McDonagh about the ‘deliberately messy and difficult’ nature of his film, there’s a refusal to explore the real ramifications of the behaviour contained therein, particularly the racist criminality of cop Dixon who is never really called to account for what he does. And in today’s world, in today’s America, that really isn’t good enough. Continue reading “Oscar Week Film Review: Three Billboards Outside Ebbing, Missouri”
“A part of love as dreams, sighs, wishes, and tears”
Perhaps taking influence from the roaring success of Kenneth Branagh’s sun-soaked Much Ado About Nothing, Michael Hoffman saw Hollywood’s return to Shakespeare transplant A Midsummer Night’s Dream to a luscious nineteenth century Tuscan setting. So Athens becomes the town of Monte Athena and the soundtrack is suffused with the strains of Verdi, Donizetti and Bellini but in many other respects, it’s a fairly traditional interpretation – a plethora of bicycles aside.
And though it might not seem that big of a deal, it is indicative of Hoffman’s initial approach to tinker where tinkering is not needed. So the heart sinks as the lovers’ comic business is rough-handled onto two wheels and Nick Bottom gains a (mute) wife, but spirits soon rise again as the film begins to trust the text and just enjoy itself. Calista Flockhart proves a revelation as a genuinely emotionally bruised Helena, chasing Christian Bale’s disinterested Demetrius and fending off Dominic West’s magically enhanced interest, much to Anna Friel’s Hermia’s chagrin. Continue reading “DVD Review: A Midsummer Night’s Dream (1999)”