2010 Laurence Olivier Awards winners

Best New Play 
The Mountaintop by Katori Hall – Trafalgar Studio 1
Enron by Lucy Prebble – Royal Court / Noël Coward
Jerusalem by Jez Butterworth – Royal Court / Apollo
Red by John Logan – Donmar Warehouse

Best New Musical
Spring Awakening – Novello
Dreamboats and Petticoats – Savoy
Priscilla, Queen of the Desert – Palace
Sister Act – London Palladium

Best Revival 
Cat on a Hot Tin Roof – Novello
A Streetcar Named Desire – Donmar Warehouse
A View from the Bridge – Duke of York’s
Arcadia – Duke of York’s
The Misanthrope – Comedy
Three Days of Rain – Apollo Continue reading “2010 Laurence Olivier Awards winners”

fosterIAN awards 2009

 WinnerRunner-upOther nominees
Best Actress in a PlayRachel Weisz, A Streetcar Named DesirePhoebe Nicholls/Lisa Dillon, When the Rain Stops Falling; Chris Nietvelt, The Roman TragediesImelda Staunton, Entertaining Mr Sloane
Juliet Stevenson, Duet for One
Anna Chancellor, The Observer
Best Actor in a PlayHans Kesting, The Roman TragediesJude Law, Hamlet (Donmar)Dominic Rowan, The Spanish Tragedy
David Troughton, Inherit the Wind
Dan Stevens, Arcadia
Henry Goodman, Duet for One
Best Supporting Actress in a PlayRebecca Hall, The Winter’s Tale (Bridge Project)Kate Fleetwood, Life is a DreamJessie Cave, Arcadia
Michelle Dockery, Burnt By The Sun
Alexandra Gilbreath, Twelfth Night
Ruth Wilson, A Streetcar Named Desire
Best Supporting Actor in a PlayAndrew Scott, CockSimon Paisley-Day, Entertaining Mr SloaneMark Dexter, Inherit the Wind
Tom Goodman-Hill, Enron
Ethan Hawke, The Winter’s Tale (Bridge Project)
Barnaby Kay, A Streetcar Named Desire
Best Actress in a MusicalSamantha Spiro, Hello, Dolly!Julie Atherton, The Last Five YearsMelanie Chisholm, Blood Brothers
Donna King, Frank’s Closet
Patina Miller, Sister Act
Tamzin Outhwaite, Sweet Charity
Best Actor in a MusicalSimon Burke, La Cage aux FollesCarl Mullaney, Frank’s ClosetRoger Allam, La Cage aux Folles
Mark Umbers, Sweet Charity
Aneurin Barnard, Spring Awakening
Tony Sheldon, Priscilla Queen of the Desert
Best Supporting Actress in a MusicalJosefina Gabrielle, Hello, Dolly!Sheila Hancock, Sister ActJosefina Gabrielle, Sweet Charity
Tiffany Graves, Sweet Charity
The Lovely Debbie McGee, Frank’s Closet
Jodie Prenger, Oliver!
Best Supporting Actor in a MusicalOliver Thornton, Priscilla Queen of the DesertDaniel Crossley, Hello, Dolly!Rowan Atkinson, Oliver!
Clive Carter, Priscilla Queen of the Desert
John Marquez, Annie Get Your Gun
Jason Pennycooke, La Cage aux Folles

The first fosterIAN awards: a summary

So here we have it, the results of the first fosterIAN™ awards, themselves the fruit of a great year of theatre-going in which I rather suspect the fine line between passion and obsession has become somewhat blurred! Hey-ho, there’s 12 plays booked so far for January so I think I know which side is winning! Happy new year.

Best Play
The Roman Tragedies, Barbican

Best Fringe Play
Public Property, Trafalgar Studios 2

Best Actor in a Play
Hans Kesting, The Roman Tragedies

Best Actress in a Play
Rachel Weisz, A Streetcar Named Desire

Best Supporting Actor in a Play
Andrew Scott, Cock

Best Supporting Actress in a Play
Rebecca Hall, The Winter’s Tale

Best Musical
Hello, Dolly!

Best Actor in a Musical
Simon Burke, La Cage aux Folles

Best Actress in a Musical
Samantha Spiro, Hello, Dolly!

Best Supporting Actor in a Musical
Oliver Thornton, Priscilla Queen of the Desert

Best Supporting Actress in a Musical
Josefina Gabrielle, Hello, Dolly!

Most versatile actor
Tie: Nancy Carroll, Arcadia + Twelfth Night and Simon Burke, When the Rain Stops Falling + La Cage aux Folles

Best success in the face of adversity
Helen Dallimore, Too Close To The Sun

Closest move to Damehood
Imelda Staunton

Leading man of the year
Elliot Cowan

2009 Best Actress in a Play/in a Musical

Best Actress in a Play

Rachel Weisz, Streetcar Named Desire
In a year full of strong female performances, not least just at the Donmar Warehouse, Rachel Weisz’s Blanche Dubois took this well-established character and gave it a whole new spin, but one which worked perfectly. Using Weisz’s (allegedly fading) looks to the full, this was a Blanche whose lonely desperation was heartbreaking to watch, yet to the end full of a grace that couldn’t be dimmed.

Honourable mentions: Phoebe Nicholls/Lisa Dillon, When The Rain Stops Falling and Chris Nietvelt, The Roman Tragedies

I’m cheating here as I found this my hardest category to decide. Nicholls and Dillon were superb playing older/younger versions of the same character, with beautifully nuanced performances which reflected each other subtly and were incredibly moving.
And I had to include Chris Nietvelt as her Cleopatra (and indeed her hysterical cameo as the newsreader in Coriolanus) was a tour de force in intense acting, transcending linguistic barriers and revealing the beating heart of the Egyptian queen.

Imelda Staunton, Entertaining Mr Sloane
Juliet Stevenson, Duet For One
Anna Chancellor, The Observer

Best Actress in a Musical

Samantha Spiro, Hello, Dolly!
Bursting with an infectious vitality and as cheery a disposition you’ll find this side of the rainbow, Samantha Spiro’s titular Dolly shone with such brilliance that I didn’t mind the cold and wet at the Open Air Theatre and would happily have sat through it all again no matter how unseasonably chilly it was.

Honourable mention: Julie Atherton, The Last Five Years
Echoing the Ginger Rogers quote about how she did everything Fred did but backwards and in heels, Julie Atherton had the harder job in two-hander The Last Five Years, having to tell the story of the troubled relationship in reverse, but she is such a skilled performer she had the audience in tears and caring deeply for her pain within 5 minutes. I look forward to the day when she gets the huge recognition she deserves, she really is one of the most accomplished actresses in Britain at the moment.

Melanie Chisholm, Blood Brothers
Donna King, Frank’s Closet
Patina Miller, Sister Act
Tamzin Outhwaite, Sweet Charity

2009 Most versatile actor of the year

This late addition of a category came out of a couple of things: one a conversation over Christmas mainly about how many of the actors in Cranford I had seen onstage this year but in non-bonnety roles and the realisation whilst watching Twelfth Night that I had seen onstage more than once this year. Hence this award: it’s necessarily limited by the number of plays I’ve seen this year but is still a bit of fun.

Most versatile actor
Nancy Carroll,
Arcadia & Twelfth Night / Simon Burke, When The Rain Stops Falling & La Cage aux Folles

From the aristocratic Lady Croom in Arcadia to the convincingly boyish Viola in Twelfth Night, Nancy Carroll impressed me immensely with her range this year, playing flirtatious, upper-class hauteur with as much dexterity as Shakespeare’s ambiguous, lovelorn twin.
And in equal first, demonstrating just as much versatility is Simon Burke: the very essence of Australian heterosexual blokeishness in When the Rain Stops Falling, he was barely recognisable as the same actor singing his heart out and flirting with all the boys in La Cage aux Folles


Honourable mention
Toby Jones, Every Boy Deserves Good Favour & Parlour Song
From the tormented prisoner with an orchestra in his head to a suburban husband with a cheating wife, Toby Jones displayed a full array of dramtic skills, with a particularly delicious show of comic acting in the latter, with razor-sharp timing and bags full of charisma.

Joseph Millson, Judgment Day & The Priory
James Fleet, The Observer & Twelfth Night
Elliot Cowan,
A Streetcar Named Desire & Edmond
Samantha Spiro, Twelfth Night & Hello, Dolly!

2010 Laurence Olivier Awards nominations

Best New Play 
Enron by Lucy Prebble – Royal Court / Noël Coward
Jerusalem by Jez Butterworth – Royal Court / Apollo
The Mountaintop by Katori Hall – Trafalgar Studio 1
Red by John Logan – Donmar Warehouse

Best New Musical
Dreamboats and Petticoats – Savoy
Priscilla, Queen of the Desert – Palace
Sister Act – London Palladium
Spring Awakening – Novello

Best Revival 
A Streetcar Named Desire – Donmar Warehouse
A View from the Bridge – Duke of York’s
Arcadia – Duke of York’s
Cat on a Hot Tin Roof – Novello
The Misanthrope – Comedy
Three Days of Rain – Apollo Continue reading “2010 Laurence Olivier Awards nominations”

2010 What’s On Stage Award nominations

BEST ACTRESS IN A PLAY
Rachel Weisz – A Streetcar Named Desire at the Donmar Warehouse 
Alison Steadman – Enjoy at the Gielgud 
Fiona Shaw – Mother Courage & Her Children at the NT Olivier
Helen Mirren – Phedre at the NT Lyttelton 
Juliet Stevenson – Duet for One at the Almeida & Vaudeville
Lesley Sharp – The Rise & Fall of Little Voice at the Vaudeville 

THE CAPITAL BREAKS BEST ACTOR IN A PLAY
Jude Law – Hamlet, Donmar West End at Wyndham’s 
David Harewood – The Mountaintop at Theatre 503 & Trafalgar Studios 1 
Dominic West – Life Is a Dream at the Donmar Warehouse 
Ken Stott – A View from the Bridge at the Duke of York’s 
Mark Rylance – Jerusalem at the Royal Court Downstairs
Samuel West – Enron at the Royal Court Downstairs  Continue reading “2010 What’s On Stage Award nominations”

Review: Hello, Dolly!, Open Air Theatre

Ending this year’s run of shows at the Open Air Theatre in Regent’s Park is a revival of the Jerry Herman musical Hello, Dolly! It is a classic piece, and its presentation here is respectful of that and delivers a straight up rendition mercifully free of irony. Hello, Dolly! is not for people who claim that they don’t like musicals. It is old-school Broadway singing and dancing through and through and about as much fun on a stage as you could imagine: there is no place for cynicism here.

Admittedly, I did not see it in the heights of summer when one might expect a slightly better chance of sunshine, but one did start to question the methods of the Open Air Theatre on rainy days, as the stagehands were made to work extremely hard, wiping down the stage diligently four times in 45 minutes before the actual start of the show. One began to feel so sorry for them as it seemed every time they finished a new shower would begin. Fortunately, the sheer joy of the production meant that the conditions were soon forgotten.

Continue reading “Review: Hello, Dolly!, Open Air Theatre”

Review: Twelfth Night, Donmar at the Wyndham’s

Following on from a sensational Ivanov with Kenneth Branagh, the Donmar Warehouse West End season continues with this prodution of Twelfth Night, featuring Derek Jacobi as the star name in a very strong cast.

After the snowfall that predictably brought London to a standstill, my journey to the Wyndham’s was extremely torturous and unfortunately put me in a foul mood which did not bode well for an evening at the theatre. And whilst this production had much to dispel the howling wind and cold outside, it didn’t quite achieve the dizzy heights the rave reviews had intimated.

One of those dark comedies full of gender-bending escapades, Twelfth Night requires a certain suspension of disbelief that was just lacking in me tonight. The comedy is there for sure, with some great laugh out loud moments, but there were too many moments where I just wanted to shout out ‘but WHY?’! I felt there wasn’t enough conviction in Viola’s decision to disguise herself, and I had no real sense of which of the men actually really wanted to meet up with ladies or just remain within their own manly (read homoerotic) company.

Continue reading “Review: Twelfth Night, Donmar at the Wyndham’s”