Theatrical superstars Sharon D. Clarke, Noma Dumezweni, Clive Rowe, Kwame Kwei-Armah, Johnnie Fiore, Brenda Edwards, Zaris-Angel Hator, Rachel Adedeji, Aisha Jawando, Norm Lewis, Brittney Johnson, Brandi Chavonne Massey and Joe Aaron Reid and more join the lineup for TURN UP! , a live stream event supporting the Black Lives Matter movement.
The live stream event is streaming for The Bail Project, The Okra Project, The Black Curriculum and UK Black Pride – in support of the Black Lives Matter movement.
TURN UP! will stream on Friday 10th, Saturday 11th and Sunday 12th July at 7.30pm prompt. The performance streamed on Sunday 12th July will be captioned. Tickets cost £10 for one stream/show, or you can watch all 3 nights for £25, all profit (after streaming costs and applicable taxes) will be split between our four charities, tickets are available now from club11.london/turn. Continue reading “News: even more black MT talent turning it up for TURN UP!”
Black voices from across the West End, Broadway, activism, community leadership and beyond will unite at TURN UP! to raise funds and awareness for four charities – The Bail Project, The Okra Project, The Black Curriculum and UK Black Pride – in support of the Black Lives Matter movement.
Under the creative direction of Nicole Raquel Dennis and Ryan Carter, TURN UP! will stream during July 2020. The online concert will be recorded with a live band on stage at Cadogan Hall, with a handful of exclusive at home performances and voice overs from the USA and UK. Continue reading “News: Black MT talent are turning it up with TURN UP!”
Just doing my best to try and amplify some of these amazing black voices. I stand with you.
Continue reading “#StandByMeChallenge #3”
Gorgeous chocolate-based musical Romantics Anonymous works another coup de foudre as it briefly returns to the Bristol Old Vic before a US tour
“What if we try and take a chance?
Whit if we simply shift our stance?
I’ll admit that just the thought of change terrifies me too.
But what if we try something new?”
In this remounting, Romantics Anonymous proves that rare thing – a show that can survive losing Joanna Riding from its cast. It’s a good couple of years since this musical adaptation of the French-Belgian film Les Émotifs Anonymes took the Sam Wanamaker Playhouse by storm and in the meantime, it has reached an almost mythic status among its devotees calling for a revival. This might not be what they had in mind but it’ll certainly do for now.
Wise Children and Plush Theatricals are taking the show on the road in the US, so this short opening stop at the Bristol Old Vic feels like a bit of a treat. For its new outing, Romantics Anonymous has been spruced up a bit – composer Michael Kooman and lyricist Christopher Dimond have added a couple of new songs and director and book writer Emma Rice has rejigged here and there too, whilst necessarily recasting some of her ensemble. Continue reading “Review: Romantics Anonymous, Bristol Old Vic”
I look ahead to some of the 2020 shows exciting me most with an emphasis away from the West End, looking mostly instead at the London fringe and across the UK
Sure, there’s all sorts of big ticket shows coming to London in 2020 (with big ticket prices too to go with their big names), like Sunday in the Park with George with Jake Gyllenhaal, Sister Act with Whoopi Goldberg, A Doll’s House with Jessica Chastain. But there’s so much more to discover if you venture away from Shaftesbury Avenue…
1 The Glass Menagerie, Odéon–Théâtre de l’Europe at the Barbican
Not that I want to be predictable at all but Isabelle Huppert! Acting in French! Right in front of you! I understand that van Hove-fatigue might be setting in for people but only a FOOL would pass up the chance to see one of our greatest living actors. A FOOL!
2 The Glass Menagerie, Royal Exchange
And if you wanted to do a direct compare and contrast, Atri Banerjee’s revival for the Royal Exchange will be worth checking out too for an alternative perspective.
3 The Wicker Husband, Watermill
Even before Benjamin Button tore my heart apart, I was excited for the arrival of this new musical by Rhys Jennings and Darren Clark but now, the bar has been raised even higher. And the gorgeous intimacy of the Watermill feels like a perfect fit.
4 Children of Nora, Internationaal Theater Amsterdam
Me: “I don’t need any more Ibsen in my life”
Also me: Robert Icke revisiting the world of A Doll’s House through the eyes of the next generation? Yes please.
5 Romantics Anonymous, Bristol Old Vic
I don’t think I thought this delicious Koomin and Dimond musical would ever actually return, so this short run in the UK ahead of a US tour feels like a real blessing. Now where did I put my badge? Continue reading “20 shows to look forward to in 2020”
After over 178 productions and over 28,000 audience members through the door since moving to the Bedford in 2015, Theatre N16
is looking for a new home from December 2017. Whilst they search, you can support the folks there by donating here
Theatre N16 was set up in 2015 to be a stomping ground for new companies and a place to try out new work, offering affordable deals on rehearsal and performance space. It has offered a ground-breaking, risk-free deal to all companies, which 95% of our guests have taken, guaranteeing that creatives do not leave our space owing the venue money. This is all under the auspices of an Equity Fringe Agreement, with Theatre N16 one of the few London venues to have signed up to the deal to guarantee pay to all creatives working for the venue.
Continue reading “Round-up of news and treats and other interesting things”
“The objective of this session is not to conduct a show trial. We want to learn some lessons.”
There’s a rather lazy trope around ‘unlikely subjects’ for a musical which accompany any show that deviates from the apparent norm. Yet given that the Best New Musical Olivier award winners over the past few decades have covered Argentinian politics, Scouse twins, confused animals, missionaries in Africa and post-Impressionist painters, I’m not entirely sure what counts for normal here!
The latest show to use musical theatre to tackle an ‘unexpected’ topic is Committee… (A New Musical), written by Hadley Fraser and Josie Rourke with music by Tom Deering. To take its full name, The Public Administration and Constitutional Affairs Committee Takes Oral Evidence on Whitehall’s Relationship with Kids Company, it uses Parliamentary transcripts to interrogate the public inquiry into the 2015 collapse of the children’s charity along with the millions of taxpayer money it had been given. Continue reading “Review: Committee… (A New Musical), Donmar Warehouse”
“I just popped into Pineapple for this”
There may be few real surprises to be had at Stepping Out but what Maria Friedman’s production here at the Vaudeville does, is to conjure a marvellously congenial atmosphere which is ideally suited to the play. Written in 1984 by Richard Harris and set the year before, to call this period comedy dated is beyond stating the obvious, its female characters wafer-thin, its gender politics non-existent.
But if it isn’t feminist with a capital F, there’s certainly lower-case feminism at work here, not least in the fact that it offers up 8 out of its 9 roles to women – bucking the male:female ratio that is stubbornly persistent in the West End. We follow this group of women, and the solitary man, as they muddle their way through a weekly tap class, building to the inevitable performance that they have to pull off. Continue reading “Review: Stepping Out, Vaudeville”
Also giving up precious time before Christmas in aid of a good cause, is this motley crew to the left. Rufus Hound will be hosting a concert featuring them at The Actor’s Church in Covent Garden in aid of Children with Cancer UK on Sunday 18th December from 7.30pm. Children with Cancer UK is the leading national children’s charity dedicated to the fight against childhood cancer. Almost 4,000 children and young people are diagnosed with cancer every year in the UK and their aims are to determine the causes, find cures and provide care for children with cancer. Continue reading “Festive news #2 – Christmas Concert by Music Theatre Masterclass”
“We drink water from a dipper,
You drink champagne from a slipper”
Christmastime is often one for traditions and one of the better theatrical ones has proven to be the big musicals that Sheffield Theatres produce. From Me and My Girl to My Fair Lady to a never-better Company and last year’s Anything Goes that went on to tour, the outgoing Artistic Director Daniel Evans has proved a master at big-hearted, large-scale productions that skimp on nothing to create some of the best musical theatre the country has to offer.
This year sees Jerome Kern and Oscar Hammerstein’s Show Boat as Evans’ final show (as AD at least) and it is an undoubted success, a fitting festive farewell. It’s a brave choice too, an unwieldy beast of a story based on Edna Ferber’s novel about the backstage drama onboard the Mississippi show boat Cotton Blossom, using the performing troupe as a prism through which to view several decades of momentous change in the USA from the late 1800s. Continue reading “Review: Show Boat, Crucible”