Album Review: Carrie Hope Fletcher – When The Curtain Falls

Featuring a pleasing amount of new musical theatre writing, Carrie Hope Fletcher releases her debut album When The Curtain Falls

“Who you are is how you’re feeling”

Fresh from winning her second What’s On Stage Award, racking up her third novel, vlogging regularly and quite possibly plotting world domination, Carrie Hope Fletcher has now released her debut album When The Curtain Falls. A pleasingly varied tracklisting sees her cover as much new musical theatre writing (shoutout for the brilliant Natasha, Pierre & The Great Comet of 1812) as age-old classics, combined with a few family favourites to make an engaging collection.  

There’s a innate prettiness to Fletcher’s voice that makes it extremely easy to listen to. And it is an over-riding characteristic across the album, which is fine when it comes to the likes of the sweetly lovely ‘Times Are Hard For Dreamers’ from the short-lived Amélie or the Disney tracks here, or smoothing the edges off of Jason Robert Brown’s ‘What It Means To Be A Friend’.  Continue reading “Album Review: Carrie Hope Fletcher – When The Curtain Falls”

CD Review: Paradise Lost

“If I go to Heaven, my fate is assured” 

Full disclosure first, I was a contributor to the Kickstarter campaign for this studio cast recording of new musical Paradise Lost as attested on this page here (although darn that pesky line break!) I can’t really remember what prompted such benevolence from me, ‘twas just the second thing I have helped to fund in the smallest way but something about this musical treatment of John Milton’s poem clearly caught my attention and with the finished product now in hand, I can clearly see why. 

Lee Ormsby’s music and story and Jonathan Wakeham’s book and lyrics has a self-confessed aim of “epic storytelling” and through a determination to forefront character and bold, accessible music, the 24 tracks that make up this double album offer a tantalising glimpse into what has the potential to be a truly spectacular musical. Bucking contemporary trends somewhat, it looks back to a time of 80s mega-musicals but infuses it with real heart to make a beguiling confection.  Continue reading “CD Review: Paradise Lost”