Full casting has been announced for Queen’s Theatre Hornchurch’s upcoming production of Misfits, an innovative new hybrid of live theatre and digital content, playing 12-22 November 2020. Bookers will purchase a ticket which will allow them the choice of watching the show be performed live onstage in front of a socially
distanced audience or streamed to their homes, right up until the day of the show.
Misfits intertwines four inspirational tales of Essex resilience to make an unmissable world premiere by four of the region’s most exciting playwrights: Anne Odeke, Guleraana Mir, Kenny Emson and Sadie Hasler and will be co-directed by QTH Artistic Director Douglas Rintoul and Emma Baggott. The cast is Anne Odeke, who is also writing part of the piece, Gemma Salter, Mona Goodwin and Thomas Coombes. Continue reading “An assortment of October theatre news”
I look ahead to some of the 2020 shows exciting me most with an emphasis away from the West End, looking mostly instead at the London fringe and across the UK
Sure, there’s all sorts of big ticket shows coming to London in 2020 (with big ticket prices too to go with their big names), like Sunday in the Park with George with Jake Gyllenhaal, Sister Act with Whoopi Goldberg, A Doll’s House with Jessica Chastain. But there’s so much more to discover if you venture away from Shaftesbury Avenue…
1 The Glass Menagerie, Odéon–Théâtre de l’Europe at the Barbican
Not that I want to be predictable at all but Isabelle Huppert! Acting in French! Right in front of you! I understand that van Hove-fatigue might be setting in for people but only a FOOL would pass up the chance to see one of our greatest living actors. A FOOL!
2 The Glass Menagerie, Royal Exchange
And if you wanted to do a direct compare and contrast, Atri Banerjee’s revival for the Royal Exchange will be worth checking out too for an alternative perspective.
3 The Wicker Husband, Watermill
Even before Benjamin Button tore my heart apart, I was excited for the arrival of this new musical by Rhys Jennings and Darren Clark but now, the bar has been raised even higher. And the gorgeous intimacy of the Watermill feels like a perfect fit.
4 Children of Nora, Internationaal Theater Amsterdam
Me: “I don’t need any more Ibsen in my life”
Also me: Robert Icke revisiting the world of A Doll’s House through the eyes of the next generation? Yes please.
5 Romantics Anonymous, Bristol Old Vic
I don’t think I thought this delicious Koomin and Dimond musical would ever actually return, so this short run in the UK ahead of a US tour feels like a real blessing. Now where did I put my badge? Continue reading “20 shows to look forward to in 2020”
Aussie soap opera musical Summer Street proves an amiable if unchallenging watch at the Waterloo East Theatre
“It’s not exactly Shakespeare…”
There’s a good deal of heart at the core of Summer Street, which carries it much of the way where it intends to go. Subtitled “the hilarious Aussie soap opera musical’, it riffs on those all-conquering teatime TV imports and the nostalgia they now provoke, mixes in a dash of Acorn Antiques’ meta-narrative and underscores the whole thing with the gimlet eye of reality TV. The result is ambitious and sometimes, it pays off.
For me, Summer Street is at its best when it is at its silliest. Shaking its sunbleached hair free, throwing another shrimp on the barbie, and camping it up with the best of them. And there’s ample opportunity for this to happen, as four washed-up soap actors dive on the chance to reunite for a one-off special of their former show. We’re witness to much of their backstage shenanigans and rehearsals and it is here where the spirit of Manchesterford is strongest, sometime hilariously so. Continue reading “Review: Summer Street, Waterloo East Theatre”
The finalists of the The Offies 2018 have been announced and as ever, there’s much of interest there, in the choices made and the breadth of Off West End theatre celebrated. Play-wise, I’m delighted at the love for The Revlon Girl and An Octoroon here, nice to see the Bunker’s Eyes Closed Ears Covered rewarded too, plus Will Pinchin’s work in Frankenstein.
With the musicals, I’m not down with the love for Promises Promises, an ill-judged revival that added nothing to the conversation (and even less in these #MeToo times) and I’m disappointed that none of the boys of Yank! were recognised. The rest of the Southwark Playhouse’s spectacular year does get the appropriate plaudits though, with Superhero, The Life and Working all getting multiple nominations.
And lastly, at times it can seem like all you have to do is sing in your bathroom and you get an Offie nomination 😉 so it is interesting to see how the numbers break down, albeit somewhat vaguely. These 80 or so finalists have apparently been whittled down from over 350 nominations from over 190 shows – there’s clearly just a lot of Offies love to share. Should you wish to join in said sharing at the IRL award ceremony on Sunday 4th March at The Albany, Deptford, you can buy tickets here.
Continue reading “The finalists of The Offies 2018”
“I know it’s difficult to imagine it now
Here in a world that’s going mad
But picture the two of us
On some lazy day
When bombs away
Is just a game kids play”
Not got too much more to say about the gorgeous Yank! A WWII Love Story that I didn’t already say in my rave review from the beginning of the run (but blimey how those lyrics up top resonate in a different way now!). It’s been great to see the show getting such good reviews and fantastic word of mouth, not the easiest of things for an original new musical to achieve, and I always knew that I’d be paying a second visit to the show before it finished. You’ve got a couple more opportunities yourself and as if you needed any more convincing – here’s a video of the lovely Andy Coxon singing one of the show’s more emotional numbers.
Running time: 2 hours 20 minutes (with interval)
Photo: Claire Bilyard
Booking until 19th August
“We’re in a battle we never planned”
Seeing Yank! A WWII Love Story on the day that the streets of London were thronged with people celebrating Pride made what was already a strong show into a properly special occasion. Joseph and David Zellnik’s 2005 musical was first seen in the UK at Manchester’s Hope Mill Theatre which, with its collaborations with Aria Entertainments, has fast become a real fringe powerhouse (their production of Hair also transfers to London later this year) and with James Baker’s assured direction and James Cleeve’s rapturous musical direction, it is easy to see the love happening here.
Yank! was written by the Zellniks as a deliberate homage to the musicals of the 1940s but it is a Second World War love story with a difference. Beginning as a rites of passage tale for the barely 18 year old Stu who finds himself drafted into the army in 1943, the story grows in stature as his first real taste of the outside world is accompanied by his tumbling head over heels for his handsome fellow conscript Mitch, the revelation that those feelings are reciprocated, and then the crushing realisation of the impossibility of living their lives as proud gay men, whether within the army or without. Continue reading “Review: Yank! A WWII Love Story, Charing Cross”
“What’s it gonna be Paul, what’s it gonna be?”
The beauty of improvised musical show The Showstoppers is that you can go as many times as you want as they make it up fresh for every performance. So even though I saw two performances on their press day last week, I was more than happy to go again this Sunday evening, this time to experience the delights of Jim’s Soggy Bottom.
A tale of love and Russian politics in the Bake-Off tent with numbers in the style of The Boy From Oz, Sweeney Todd, Urinetown and Jesus Christ Superstar among others, it was highly entertaining as always. Ruth Bratt continues to be a hoot but Pippa Evans has been in a real rich vein of form recently to nab MVP for me. Worth a trip if you’ve not been yet and worth a revisit if you have!
“We even got the dinosaurs in there”
It’s perhaps a sign of the times that an element of variety has crept into theatreland. Where the West End is usually dominated by plays and musicals, we’ve seen the likes of Vegas-style revues like Sinatra and magic shows like Impossible extend its entertainment remit and now we can add improv shows to the list and not only that, improvised musicals. Created by Adam Meggido and Dylan Emery, The Showstoppers have been making up musicals on the spot for eight years now, regulars in Edinburgh and smaller venues like the King’s Head and the Charing Cross Theatre but they’ve now made the significant leap to the Apollo on Shaftesbury Avenue.
Their routine is a simple one – a brand new show at every performance (we were invited to the matinee and the evening show to prove just that) inspired by suggestions from the audience and embroidered into life by 6 performers (from a company of 12) who literally make it up there and then. The first of the day’s shows was Puck Off, a tale of love and wings in an Irish fairy grotto with a jive-talking Puck; the second was The Lyin’ King, set in the jungle that is the Daily Mail’s offices. But in some ways, the details don’t really matter as the show is remade every night from the variety of responses from the stalls and the unexpected swerves that come in their telling. Continue reading “Review: Showstopper, Apollo”
“Ooh look at my spices”
A first trip back in ages to Showstopper and instant regret that I’d left it this long. I think perhaps I saw them too many times too close together so I took them for granted but regardless, their brief engagement on the South Bank ahead of an Edinburgh run enabled me to rectify this. The Showstopper company are an improv group who specialise in making up musicals on the spot, taking audience suggestions for titles, musical theatre styles and random plot points and somehow weaving them together into comedy gold.
Tonight’s show was GunWharf Souk, set in 1945 the long-established Little Morocco area of Portsmouth, where sailors on shore leave find their heart captured by the locals even though their warship is waiting to take them back to the Pacific. As with much comedy, you kinda need to be there to hear how funny it is and I can assure you that it is quite simply hilarious to watch these talented performers (Ruth Bratt is a comedy genius, Pippa Evans also brilliant too) improvise so randomly and expertly from love songs to Lloyd-Webber, Sondheim to (Gilbert &) Sullivan.
Part of Helen McCrory weekend
“I know first hand the cruelty he’s capable of”
Though North Square was probably the first time I really took notice of Helen McCrory, it was in The Jury that she really stole my heart and for ages, it was this show that I fruitlessly referenced when trying to explain who she was. Written by Peter Morgan, The Jury played on ITV in 2002 over 6 episodes following a single court case as a Sikh teenager is accused of killing his 15 year old classmate. But rather than focusing on the case, as the title suggests the attention was the men and women that made up the jury and how the experience affected their lives in a multitude of ways.
McCrory played Rose, a rather nervous woman with an overbearing husband (boo, Mark Strong) who unexpectedly finds a sense of freedom in being allowed out into a new world and seizes the opportunity with both hands. Stuck in a room with people she doesn’t know, she almost reinvents herself from scratch and find herself increasingly drawn to Johnnie, who is played by a pre-Hollywood Gerard Butler (so who can blame her). He has his own challenges from a troubled recent past though and so whilst the sweet relationship that builds between the two is beautifully essayed as one senses the genuine spark between the pair, the small matter of his demons and her husband remain in the way. Continue reading “DVD Review: The Jury”