I get stuck into the first episodes of TV shows Van Der Valk, The Good Fight, Gangs of London and Penny Dreadful: City of Angels to see what my next must-see will be
“Who else was masturbating into plants?!”
I’m of course far too young to remember the original Van Der Valk – had I seen it before though, I might well have saved myself this couple of hours. Importing a British cast to play Dutch detectives in a crime serial set in Amsterdam seems like such a retrograde move, I still can’t get my head around it, especially in this day and age when so much quality foreign-language drama is readily available. Written by Chris Murray, this revival sees Marc Warren head up the cast as a maverick detective with a team who aid and abet his behaviour – there’s not a smack of originality about it, nor any real interest sadly…great locations though. Am already dreaming of my return to the city, but not sure I’ll be revisiting this show. Continue reading “New TV shows to get stuck into”
Michael Sheen does his best to destabilise Series 3 of The Good Fight but Christine Baranski and Audra McDonald just about pull it back
“Don’t get in the way of someone kicking ass”
For a season that contains the wonder that is Christine Baranski and Audra McDonald casually duetting on ‘Raspberry Beret’, Series 3 of The Good Fight ends up being something of a challenge. The presence of Michael Sheen’s Mephistophelian Roland Blum was clearly meant to shake things up but that chaotic energy ends up being destabilising.
Which is a shame, as so much of what makes The Good Fight click so well is present here. Topics ripped from up-to-the-minute headlines, including voter suppression, racial profiling, Karens calling the polices, troll farms, historic sexual harassment cases, Kim and Kanye… And they’re all treated sensitively but still daringly in some bold storytelling. Continue reading “TV Review: The Good Fight Series 3”
Better than Eclipsed??!! The Humans leave me disappointed at the Hampstead Theatre
“You can never come back”
Huh. The Humans arrived at Hampstead Theatre with the glow of its 2016 Tony Award for Best Play still shining, particularly as its original cast have come over the Atlantic with it. And while I’m hugely appreciate of the opportunity to see another member of The Good Fight cast onstage, and the cast as a whole really were excellent, the play left me somewhat cold and unconvinced of its prize-winning pedigree.
On entering, the heart sinks at the realisation that we’re relying on the much-abused trope of a family coming together around the dinner table and sure enough, beneath the façade of familial jokes and enforced holiday bonhomie (it’s Thanksgiving natch), there’s a whole world of secrets and lies waiting to burst forth. Writer Stephen Karam also layers in a trip to a whole other genre which certainly grabs the attention, but that’s not to say that it works. Continue reading “Review: The Humans, Hampstead Theatre”
If female-fronted lawyer shows are your bag (and why wouldn’t they be!), the twin joys of The Split and The Good Fight have marvellous to behold
“Kill all the lawyers”
If I’m completely honest, Abi Morgan’s The Split did leave me a tad disappointed as it veered away from its legal beginnings to something considerably more soapy over its six episodes. The personal lives of the Defoe clan well and truly took over at the expense of any of the cases they were looking after and even if that family includes Nicola Walker, Annabel Scholey and Deborah Findlay, it’s still a bit of a shame that it ended up so schlocky. Continue reading “TV Review: The Split Series 1 / The Good Fight Series 2”