Gorgeous new folk musical The Wicker Husband is perfectly situated at the Watermill Theatre and simply must be given more opportunity to soar post-crisis
“Once upon a withy on the edge of a deep damp swamp, nestled in the arms of a winding river, stood a pretty little town…”
Snuck in under the radar for this one as I’ve been looking forward to The Wicker Husband for a long time. Four years in fact, since I first heard a snippet of the score but as ever in the world of writing a new musical, the show has been in development for more than twice that time. Further upping my anticipation was the success of composer/lyricist Darren Clark’s last major project The Curious Case of Benjamin Button which was only my very favourite show of last year.
Together with book-writer Rhys Jennings, their adaptation of a short story by Ursula Wills-Jones has a bewitching quality that is eerily compelling and in the tradition of all the best fairy tales, has no problem in going very dark. Along with my mortal fear of eerily humanoid puppets, it makes for a much more chilling night at the theatre (for me, at least) but one which is ultimately beautifully human too, as Charlotte Westenra’s production reminds us why fables have endured for so long. Continue reading “Review: The Wicker Husband, Watermill Theatre”