The 2017 Manchester Theatre Awards winners in full

New play
Gypsy Queen by Rob Ward, Hope Mill
How My Light Is Spent by Alan Harris, Royal Exchange
Narcissist in the Mirror by Rosie Fleeshman, Greater Manchester Fringe Festival – WINNER
Narvik by Lizzie Nunnery, Home

Opera
Cendrillon, Royal Northern College of Music, RNCM
La Cenerentola, Opera North, the Lowry
The Little Greats, Opera North, the Lowry
The Snow Maiden, Opera North, the Lowry – WINNER Continue reading “The 2017 Manchester Theatre Awards winners in full”

The 2017 Manchester Theatre Awards nominations

New play
Gypsy Queen by Rob Ward, Hope Mill
How My Light Is Spent by Alan Harris, Royal Exchange
Narcissist in the Mirror by Rosie Fleeshman, Greater Manchester Fringe Festival
Narvik by Lizzie Nunnery, Home

Opera
Cendrillon, Royal Northern College of Music, RNCM
La Cenerentola, Opera North, the Lowry
The Little Greats, Opera North, the Lowry
The Snow Maiden, Opera North, the Lowry

Actress
Karen Henthorn, Spring and Port Wine, Oldham Coliseum
Lisa Dwyer Hogg, People, Places and Things, Home
Nina Hoss, Returning to Reims, Manchester International Festival
Janet Suzman, Rose, Home Continue reading “The 2017 Manchester Theatre Awards nominations”

fosterIAN awards 2017

 WinnerRunner-upOther nominees
Best Actress in a PlayHattie Morahan/
Kate O'Flynn/
Adelle Leonce,
Anatomy of a Suicide
Victoria Hamilton, Albion
Shirley Henderson, Girl From the North Country
Cherry Jones, The Glass Menagerie
Justine Mitchell, Beginning
Mimi Ndiweni, The Convert
Connie Walker, Trestle
Best Actor in a Play
Ken Nwosu, An OctoroonAndrew Scott, HamletAndrew Garfield, Angels in America
Gary Lilburn, Trestle
Ian McKellen, King Lear
Cyril Nri, Barber Shop Chronicles
Sam Troughton, Beginning
Best Supporting Actress in a PlayBríd Brennan, The FerrymanKate Kennedy, Twelfth Night (Royal Exchange)Sheila Atim, Girl From the North Country
Laura Carmichael, Apologia
Romola Garai, Queen Anne
Lashana Lynch, a profoundly affectionate, passionate devotion to someone (-noun)
Kate O'Flynn, The Glass Menagerie
Best Supporting Actor in a PlayFisayo Akinade,
Barber Shop Chronicles
Brian J Smith, The Glass MenageriePhilip Arditti, Oslo
Gershwn Eustache Jnr, a profoundly affectionate, passionate devotion to someone (-noun)
Fra Fee, The Ferryman
Patrice Naiambana, Barber Shop Chronicles
Nathan Stewart-Jarrett, Angels in America
Best Actress in a MusicalJanie Dee, Follies AND
Josefina Gabrielle, A Little Night Music
AND Josie Walker,
Everybody's Talking About Jamie
Amie Giselle-Ward, Little WomenSharon D Clarke, Caroline or Change
Kelly Price, The Secret Diary of Adrian Mole Aged 13 ¾
T'Shan Williams, The Life
Best Actor in a MusicalGiles Terera, HamiltonScott Hunter/Andy Coxon, Yank! A WWII Love StoryJohn McCrea, Everybody's Talking About Jamie
Philip Quast, Follies
Michael Rouse, Superhero
Jamael Westman, Hamilton
Best Supporting Actress in a Musical
Tracie Bennett,
Follies
Rachel John, HamiltonChristine Allado, Hamilton
Julie Atherton, The Grinning Man
Sharon D Clarke, The Life
Joanna Riding, Romantics Anonymous
Lucie Shorthouse, Everybody's Talking About Jamie
Best Supporting Actor in a MusicalJason
Pennycooke,
Hamilton
Mark Anderson, The Grinning ManFred Haig, Follies
Cornell S John, The Life
Chris Kiely, Yank! A WWII Love Story
Gareth Snook, Romantics Anonymous
Obioma Ugoala, Hamilton

2017 Best Actor in a Play + in a Musical


Best Actor in a Play

Ken Nwosu, An Octoroon

It is great news indeed that this Orange Tree production will be gaining further life in 2018 with a transfer to the National Theatre in the summer. I really hope that as much of the original cast comes with it, especially Nwosu who anchored the complex ideas of the show with confidence and clear-sighted integrity. 


Honourable mention: Andrew Scott, Hamlet

In the parlance de nos jours, Scott managed that most difficult of things to really make this most-well-known of roles his own, his collaboration with Rob Icke breathing a conversationally, contemporary life into the part that was utterly mesmerising.

Andrew Garfield, Angels in America
Gary Lilburn, Trestle
Ian McKellen, King Lear
Cyril Nri, Barber Shop Chronicles
Sam Troughton, Beginning

8-10
Bryan Cranston, Network; Conleth Hill, Who’s Afraid Of Virginia Woolf; James McArdle, Angels in America

 

Best Actor in a Musical

Giles Terera, Hamilton

In the midst of all the hype and expectation that was the first preview, and in a production that had no right to be that polished and on-point, there was no doubt in my mind about who the star of the evening was. Terera’s Burr feels very much his own creation and delivers a well-deserved push into the limelight for this most charismatic of performers – I suspect this won’t be his first award.

Honourable mention: Scott Hunter/Andy Coxon, Yank! A WWII Love Story
Hitting the right time and place, I first saw Yank! in the afternoon of London Pride and a happier, gayer Clowns I could not have been. And at its heart is the epic, tragic romance of Stu and Mitch, brought to beautiful life by Scott Hunter and Andy Coxon respectively.

John McCrea, Everybody’s Talking About Jamie
Philip Quast, Follies
Michael Rouse, Superhero
Jamael Westman, Hamilton

8-10
Alastair Brookshaw, A Little Night Music; Robert Fairchild, An American in Paris; Dominic Marsh, Romantics Anonymous

Re-review: Yank! A WWII Love Story, Charing Cross


“I know it’s difficult to imagine it now
Here in a world that’s going mad
But picture the two of us

On some lazy day
When bombs away
Is just a game kids play”

Not got too much more to say about the gorgeous Yank! A WWII Love Story that I didn’t already say in my rave review from the beginning of the run (but blimey how those lyrics up top resonate in a different way now!). It’s been great to see the show getting such good reviews and fantastic word of mouth, not the easiest of things for an original new musical to achieve, and I always knew that I’d be paying a second visit to the show before it finished. You’ve got a couple more opportunities yourself and as if you needed any more convincing – here’s a video of the lovely Andy Coxon singing one of the show’s more emotional numbers. 

 

Running time: 2 hours 20 minutes (with interval)
Photo: Claire Bilyard
Booking until 19th August

Review: Yank! A WWII Love Story, Charing Cross


“We’re in a battle we never planned”

Seeing Yank! A WWII Love Story on the day that the streets of London were thronged with people celebrating Pride made what was already a strong show into a properly special occasion. Joseph and David Zellnik’s 2005 musical was first seen in the UK at Manchester’s Hope Mill Theatre which, with its collaborations with Aria Entertainments, has fast become a real fringe powerhouse (their production of Hair also transfers to London later this year) and with James Baker’s assured direction and James Cleeve’s rapturous musical direction, it is easy to see the love happening here.

Yank! was written by the Zellniks as a deliberate homage to the musicals of the 1940s but it is a Second World War love story with a difference. Beginning as a rites of passage tale for the barely 18 year old Stu who finds himself drafted into the army in 1943, the story grows in stature as his first real taste of the outside world is accompanied by his tumbling head over heels for his handsome fellow conscript Mitch, the revelation that those feelings are reciprocated, and then the crushing realisation of the impossibility of living their lives as proud gay men, whether within the army or without. Continue reading “Review: Yank! A WWII Love Story, Charing Cross”