February news round-up

Lots to catch up on so here’s a quick round-up of some upcoming concerts and events that could well be worth your time

If you’re looking for the more social side of things to go along with your theatregoing, then have a look here. Getgo Club is like a book club for theatre. Each month they take members to amazing London theatre & host a pre-show mingle, followed by a post-show discussion. The event is curated and hosted by working artists who will  ensure that discussions take place in a safe, fun, & open environment. Members also receive extra goodies such as discounts on tickets & drinks. All for £5!

Getgo Club is a great way to join a community of arts lovers, and head to a variety of theatre as a group. It has  and The first meet-up is at the end of February and I hear they have very limited spaces left so why not find out more here or even just apply directly for a membership here.


The visibility of mental health support has never felt more important and so it is good to see events raising awareness and much-needed funds popping up. Simply Live is a cabaret in aid of Industry Minds, who provide free and low cost mental health support to anyone in the creative arts through therapy, seminars and other useful tools.

Takiig place at Bunga Bunga Covent Garden, on Sunday 15th March, they have already announced a promising line-up which includes Grace Mouat, Cameron Burt, Tom Gill, Hannah-Grace Lawson, Vanity von Glow, and Claire O’Leary. Follow the event on Twitter or Instagram and then book your places here to support this great organisation.


Ahead of a revival at the Hope Mill next month, Zorro the Musical revisits London with a one-off concert recital at Cadogan Hall with London Musical Theatre Orchestra & Chorus and a tip-top cast including the glorious Emma Williams reprising her original role and therefore singing the beautiful song ‘Falling’.    

The full cast is Ricardo Afonso (Zorro/Diego), Emma Williams (Luisa), Lesli Margherita (Inez), Robert Tripolino (Ramon) and Zubin Varla (Don Alejandro). Also appearing will be Catarina Amaral, Daniel Amity, Charlotte Clitherow, Richard James-King, Danny Lane, James Leeman, Lauren Lockley, Matthew McDonald, Mia Michaud, Grace Mouat, Rebecca Ridout, Justine Saville, Margarida Silva, Joe Thompson-Oubari, Richard Upton and Enrico Volpi.


Also working the one-off concert vibe on Sunday is The Pirate Queen, as Boublil And Schönberg’s musical is revived for a charity gala at the London Coliseum with proceeds going to Leukaemia UK. Most exciting for me is the return of Hannah Waddingham to a stage

Main cast
Rachel Tucker (Grace O’Malley), Hannah Waddingham (Queen Elizabeth I), Steph Parry (Majella), Emma Norman (Evleen), Earl Carpenter (Dubhdara), Daniel Boys (Lord Bingham), ‘Britain’s Got Talent’ winner Jai McDowall (Tiernan) and Matthew Pagan (Donal) from Collabro.

Featured ensemble
Pearce Barron, Jamie Birkett, Trudi Camilleri, Sabrina Carter, Shaun Dalton, Adam Dawson, Callum Heinrich, Jade Johnson, Harry Mills, Charlotte Payne, Sophie Reeves, and Jak Skelly

Ensemble
Skye Adams, Thomas Ball, Jeremy Batt, Mary-Jean Caldwell, Sinead O’Callaghan, Christopher Cameron, Jordan Castle, Alfie Doohan, Charlie Ellerton,  Judicel Eslao, Nicola Espallardo, Amy Everett, Lois Morgan Gay, Aidan Harkins, Siwan Henderson, Hannah-Grace Lawson, James Mateo-Salt, Scarlett Maltman, Ethan Tanner, Harry Winchester,  and Cristian Zaccarini.


There’s also a concert version of The Secret Garden (not taking place on Sunday, it’s the 4th April for this one) which is aiming to fill the London Palladium with its lead cast of Lucie Jones, Ramin Karimloo and Jac Yarrow.

Also appearing in the show will be Sarah Bakker (Rose), Bianca Baykara (Alice), Adam J Bernard (Ben Weatherstaff), Lucy Drever (Narrator), Louise Ellard-Turnbull (Mrs Winthrop), Ben Forster (Neville Craven), Sejal Keshwala (Ayah), Melanie La Barrie (Mrs Medlock), Johndeep More (Fakir), Michael Riseley (Captain Albert Lennox), Celinde Schoenmaker (Lily), and sharing the roles of Colin Craven are Finley Glasgow and Isaac Lancel Watkinson, and of Mary are Aoife Hughes and Darcy Jacobs, with Trinity Laban Musical Theatre forming the ensemble.


With Mean Girls due to arrive in the West End in Spring 2021, the folks at Official Theatre managed to get our hands on the Plastics latest Burn Book and it’s full of burns and gossip about some of the West End’s favourite characters! No one escapes the wrath of Regina and Co, from the characters of Wicked and & Juliet, to James McAvoy’s Cyrano de Bergerac and even Henry VIII from SIX (well, sort of).

Take a look at the full West End Burn Book here. Could you do better? They’re looking for the best ‘burns‘ for some of the other characters in London theatre and you might even get added into the book itself.

September theatre round-up

A quick round-up of the rest of September’s shows

Mary Said What She Said, aka how far I will go for Isabelle Huppert
The Provoked Wife, aka how far I will go for Alexandra Gilbreath
A Doll’s House, aka if we must have more Ibsen, at least it is like this
Falsettos, aka finding the right way, for me, to respond
The Comedy Grotto, aka a sneaky peak at Joseph Morpurgo
The Life I Lead, aka something really rather sweet
Blues in the Night, aka all hail Broadway-bound Sharon D Clarke (and Debbie Kurup, and Clive Rowe too)
Everybody’s Talking About Jamie, aka well why not go again Continue reading “September theatre round-up”

Review: Trident Moon, Finborough

“If you’re a Hindu and you live on this side, you’ve got to go to that side.
If you’re a Muslim and you live on that side, you’ve got to go to this side.”

Art and life can intersect in the strangest of ways but I’m sure that no-one could have foreseen the horrific resonances that emerged between transatlantic headlines over the weekend and the world premiere in West London of an Indian-Canadian play set in 1947. Or maybe they could, maybe that’s the point, about the brutality that women experience at the hands of men – whether in word or in deed – a horrific brand of misogyny scarring our world and that sadly shows little signs of abating.

Anusree Roy’s Trident Moon opens with a different dynamic though – it’s 1947 and the Partition of India has been hastily enforced, ripping apart society along religious lines. And in the chaos, a vengeful Alia has decided to seize her chance, taking her former employers prisoners and transporting them with her on the back of her brother-in-law’s truck on its way to West Bengal. But the journey is a hazardous one, and the six women – one of them gravely injured – find their number soon swelling to nine as they trek through dangerous territory, culminating in a harrowing stand-off.  Continue reading “Review: Trident Moon, Finborough”

Album Review: Bend it like Beckham (Original London Cast Album)

“It’s a little bit Punjab
And a little bit UK”

It’s been just about a month since Bend it like Beckham heard the final whistle at the Savoy so I thought I’d cast a reviewer’s eye over the Original London Cast Album which was released last year. I’ve long been a fan of Howard Goodall’s work and this score was no exception, hooking me from the first time I saw to the show to the second and the third with its fusion of his own inimitable British style and the Bhangra influences drawn from Gurinder Chadha’s book, aided in authenticity by co-orchestrator Kuljit Bhamra. 

Recorded live in the theatre (although there’s minimal sound from the audience until the very end), it sounds a real treat and it really does give the best of both the worlds it represents. Whether individually as in Sophie-Louise Dann’s ‘There She Goes’ or Rekha Sawhney leading the bridal party in the gorgeous Punjab lament ‘Heer’, or multiculturally as the majority of the music, it is always highly tuneful and musically interesting, highlighting styles of music that are too rarely seen in the West End. Continue reading “Album Review: Bend it like Beckham (Original London Cast Album)”

The Curtain Up Show Album of the Year 2015 winners

Best Cast Recording
WINNER: Bend It Like Beckham (Original London Cast Recording)
Cool Rider (Original Studio Recording)
Gypsy (2015 London Cast Recording)
Made in Dagenham (Original London Cast Recording)
Memphis the Musical (Original London Cast Recording)

Best Solo Album
WINNER: Cynthia Erivo and Oliver Tompsett Sing Scott Alan
Hugh Maynard – Something Inside So Strong
John Owen-Jones – Rise
Tim Prottey-Jones – To Do. To Be.

The Curtain Up Show Album of the Year 2015 nominees

Best Cast Recording
Bend It Like Beckham (Original London Cast Recording)
Cool Rider (Original Studio Recording)
Gypsy (2015 London Cast Recording)
Made in Dagenham (Original London Cast Recording)
Memphis the Musical (Original London Cast Recording)

Best Solo Album
Cynthia Erivo and Oliver Tompsett Sing Scott Alan
Hugh Maynard – Something Inside So Strong
John Owen-Jones – Rise
Tim Prottey-Jones – To Do. To Be.

Re-review: Bend it like Beckham, Phoenix

“Just look at them now”

A third trip back to UB2 and Bend it like Beckham remains a real pleasure (original review / preview). It’s interesting how the release of a show’s cast recording can impact my feelings towards it – being a big Howard Goodall fan, I’ve listened to this OCR a lot and fallen more in love with its music than ever. And in this age of playlists, it’s quite easy to come up with edited highlights that skate over some of the weaker moments to give an idealised version of the production.

That said, going back to the Phoenix Theatre was still highly enjoyable and it’s always fascinating to see how different emphases come through after repeated views. For me, it has been the realisation that the heart of the show lies as much with Jess’ parents, the under-rated Natasha Jayetileke and Tony Jayawardena making us care so deeply about their experiences that have allowed second-generation Jess to reach for the freedom she craves. Continue reading “Re-review: Bend it like Beckham, Phoenix”

Review: Bend it like Beckham, Phoenix

“Who wants to cook aloo gobi when you can bend a ball like Beckham”

As anyone who has ever been to my parents’ annual Bonfire Night party can attest, a good aloo gobi is nothing to be sniffed at (nor my mum’s lamb saag for that matter) but when you’re a teenager, such things are far from your mind. So it is for Jesminder Bhamra – her older sister has just gotten engaged, her parents are keen for her to keep close to her Punjabi Sikh heritage but all she wants to do is play football in the park. And when she gets spotted by the captain of the local girls’ team, Jess finds herself torn between her family and following her heart’s desire.

Based on Gurinder Chadha’s enormously successful film of the same name, this musical version of Bend It Like Beckham is a ball-bouncing, cross-cultural match-up of a show. Adapted by Chadha and Paul Mayeda Berges, the story maintains its vivacious energy as Jess weaves her way through wedding prep and vibrantly staged parties with the extended family whilst tackling the rigours of life with new pal and teammate Jules in the Hounslow Harriers where her footballing prowess is soon spotted by the keen coach Joe, someone else Jules also has her eye on.  Continue reading “Review: Bend it like Beckham, Phoenix”

(P)review: Bend it like Beckham, Phoenix

“Who wants to cook aloo gobi when you can bend a ball like Beckham”

The musical of Gurinder Chadha’s Bend it like Beckham, with music by Howard Goodall and lyrics by Charles Hart, has quite a long preview period – no surprise for a brand new piece of musical theatre – but having been along, I thought I’d jot down some of my thoughts as opposed to writing it up fully – somewhere between a preview and a review to give you a taster of the show. I’d also recommend having a look for tickets now because there are some great bargains to be had in the stalls, seats as cheap as £15 for row E and a barely restricted view. Continue reading “(P)review: Bend it like Beckham, Phoenix”