Live At Zédel, Soho’s unique live entertainment concept at Crazy Coqs, announces their new 2018 summer season produced in partnership with Fane Productions
With the magnificent Sharon D Clarke at the helm, Caroline, or Change transfers to the Hampstead Theatre London with all its power intact
“Dressed in white and feelin’ low,
talkin’ to the washer and the radio”
Tony Kushner and Jeanine Tesori’s complex and challenging civil rights musical Caroline, or Change makes its long-awaited London return to the Hampstead theatre, more than a decade after its well-received National Theatre production took the Olivier for Best New Musical but found no further life.
Michael Longhurst’s production was first seen in Chichester last May (here’s my review) and whilst it is a shame that that original cast aren’t all present here (the glorious Nicola Hughes, Gloria Onitiri, Jennifer Saayeng all now elsewhere), it holds on to the titanic talents of Sharon D Clarke as Caroline Thibideaux. Continue reading “Review: Caroline, or Change, Hampstead”
Best Actress in a Play
Laura Donnelly, The Ferryman; Imelda Staunton, Who’s Afraid Of Virginia Woolf; Rosie Wyatt, In Event of Moone Disaster
Best Actress in a Musical
Best Supporting Actress in a Play
Bríd Brennan, The Ferryman
Honourable mention: Kate Kennedy, Twelfth Night (Royal Exchange)
When done well, Olivia is one of my favourite Shakespearean roles and the statuesque Kennedy didn’t disappoint with a highly-sexed take on the character which embraced all the physical potential of her height.
Sheila Atim, Girl From the North Country
Laura Carmichael, Apologia
Romola Garai, Queen Anne
Lashana Lynch, a profoundly affectionate, passionate devotion to someone (-noun)
Kate O’Flynn, The Glass Menagerie
Best Supporting Actress in a Musical
Tracie Bennett, Follies
Honourable mention: Rachel John, Hamilton
Only the tiniest of margins separated these two and it’s only really the fact that she’s not Renée Elise Goldsberry that held John back from the title.
There’s all sorts of big productions arriving in the months to come (Long Day’s Journey Into Night, the return of Amadeus, PATTI LUPONE!) but I’m using this spot to highlight some of the shows on the London fringe and around the UK (and Amsterdam…) that have piqued my interest and which I hope to get to review.
So in no particular order… Continue reading “20 shows to look forward to in 2018”
Best new play
Half Breed by Tash Marshall, Talawa Theatre Company and Soho Theatre
Narvik by Lizzie Nunnery, Box of Tricks
Wish List by Katherine Soper, Royal Court and Royal Exchange Theatre
Best musical production
Everybody’s Talking About Jamie, Sheffield Theatres
Caroline, Or Change, Chichester Festival Theatre
Sweet Charity, Royal Exchange Theatre Continue reading “Nominations for the 2017 UK Theatre Awards”
“Household rules and small decrees unsuspecting bring us these secret little tragedies”
Well Daniel Evans looks set to be continuing one of Chichester Festival Theatre’s longstanding traditions, of producing musical theatre that tempts the cognoscenti over to West Sussex in droves and which leads calls for West End transfers as soon as the curtain falls (if they had curtains in Chichester that is…). His first musical for the venue is a promising one too, an adventurous choice in Tony Kushner and Jeanine Tesori’s Caroline or Change, and an entirely successful one under Michael Longhurst’s direction and a genuinely superb cast.