Crazy Coqs, Soho’s unique live entertainment venue within the Brasserie Zédel complex, announces a new limited August programme and a full September programme, offering both live shows and live-streamed shows.
Janie Dee, Maria Friedman, Lauren Samuels, Sophie Evans, Cedric Neal, Nerina Pallot and Jay Rayner all feature in the new season.
The live shows will be performed to a reduced capacity with a socially distanced seating plan, where the front row is at least 2.5m from the stage, and all table groupings are at least 1m apart. There will be a maximum of three performers on stage to maintain social distancing. Customers will be invited to purchase tables, rather than individual tickets, to comply with the ‘reduced social bubble’ government advice.
For more information on what Health and Safety measures Crazy Coqs are implementing to make your visit as safe as possible, please visit the Brasserie Zedel website.
Several live shows will also be live streamed in partnership with Fane Online, giving audiences the chance to watch broadcast quality Crazy Coqs shows from the comfort of their own home.
The full programme can be found at Crazy Coqs’ new website: https://www.brasseriezedel.com/crazy-coqs/
Subject to government guidelines, the programme from October onwards will be announced in due course. Continue reading “News: Crazy Coqs announces August and September programme”
I wasn’t going to write up Turn Up London but in the end, it was just too darn good to leave unremarked. I’m just going to whip through my highlights though, and urge you to stay tuned for any future for this excellent and essential project. Continue reading “Review: thoughts on Turn Up London”
The Barn Theatre has announced an all-star West End line up for their fifth virtual concert, The Barn Theatre Presents: The Music of Annabel Mutale Reed, which will celebrate the work of musical theatre playwright, lyricist and director Annabel Mutale Reed.
The concert, which will be hosted by Barn Theatre producer Jamie Chapman Dixon, is the fifth edition of the Barn Theatre in Cirencester’s virtual concert series, The Barn Presents:, which celebrates the work of British musical theatre writers. Continue reading “News: The Barn Theatre Presents – The Music of Annabel Mutale Reed”
Theatrical superstars Sharon D. Clarke, Noma Dumezweni, Clive Rowe, Kwame Kwei-Armah, Johnnie Fiore, Brenda Edwards, Zaris-Angel Hator, Rachel Adedeji, Aisha Jawando, Norm Lewis, Brittney Johnson, Brandi Chavonne Massey and Joe Aaron Reid and more join the lineup for TURN UP! , a live stream event supporting the Black Lives Matter movement.
The live stream event is streaming for The Bail Project, The Okra Project, The Black Curriculum and UK Black Pride – in support of the Black Lives Matter movement.
TURN UP! will stream on Friday 10th, Saturday 11th and Sunday 12th July at 7.30pm prompt. The performance streamed on Sunday 12th July will be captioned. Tickets cost £10 for one stream/show, or you can watch all 3 nights for £25, all profit (after streaming costs and applicable taxes) will be split between our four charities, tickets are available now from club11.london/turn. Continue reading “News: even more black MT talent turning it up for TURN UP!”
Black voices from across the West End, Broadway, activism, community leadership and beyond will unite at TURN UP! to raise funds and awareness for four charities – The Bail Project, The Okra Project, The Black Curriculum and UK Black Pride – in support of the Black Lives Matter movement.
Under the creative direction of Nicole Raquel Dennis and Ryan Carter, TURN UP! will stream during July 2020. The online concert will be recorded with a live band on stage at Cadogan Hall, with a handful of exclusive at home performances and voice overs from the USA and UK. Continue reading “News: Black MT talent are turning it up with TURN UP!”
I’ve long admired Jon Robyns and his new album Musical Direction reflects on his career so far beautifully, as well as suggesting what fun lies ahead
“You can get what you want or you get old”
Having fallen in love with Jon Robyns in parallel with tumbling hard for Avenue Q, he really is the leading man of my (entirely platonic) dreams, so news of a new solo album was certainly up my strasse. And Musical Direction manages an excellent job of balancing many of the aspects of that come with musical theatre performers making their own recordings.
There are nods to his performance past – a chirpy take on The Last Five Years’ ‘Moving Too Fast’ and a delicately beautiful glide through Chitty Chitty Bang Bang’s Hushabye Mountain – and a perfectly timed look to the future too. And this is where the cleverness kicks in as you may not think you really need another version of ‘Bring Him Home’ but this acoustic, cello-drenched arrangement is spine-tingling good, certainly whetting the appetite for his imminent debut as Jean Valjean when Les Misérables reopens the Sondheim Theatre. Continue reading “Album Review: Jon Robyns – Musical Direction”
With the magnificent Sharon D Clarke at the helm, Caroline, or Change transfers to the Hampstead Theatre London with all its power intact
“Dressed in white and feelin’ low,
talkin’ to the washer and the radio”
Tony Kushner and Jeanine Tesori’s complex and challenging civil rights musical Caroline, or Change makes its long-awaited London return to the Hampstead theatre, more than a decade after its well-received National Theatre production took the Olivier for Best New Musical but found no further life.
Michael Longhurst’s production was first seen in Chichester last May (here’s my review) and whilst it is a shame that that original cast aren’t all present here (the glorious Nicola Hughes, Gloria Onitiri, Jennifer Saayeng all now elsewhere), it holds on to the titanic talents of Sharon D Clarke as Caroline Thibideaux. Continue reading “Review: Caroline, or Change, Hampstead”
“Remember when you used to play Mozart?”
I’ve been lucky enough to see Cassidy Janson in a number of productions over the years and I’ve been a fan from the start, from stepping into Julie Atherton’s not-inconsiderable shoes in Avenue Q onwards, so I was mightily pleased when she was announced as the replacement for Katie Brayben in the lead role in Beautiful – The Carole King Story. I really enjoyed the show when it opened last year and thought Janson would be a good fit but in finally getting to see her, I couldn’t have imagined how perfect a marriage of performer and material this would be.
As Carole King, one of the most successful songwriters of the last century, she thoroughly imbues the character with an engaging sense of life and vivid musicality that just bursts from the stage. Through a decade of huge change as this ebullient Manhattan teenager becomes a wife and mother as well as writing some of the biggest pop hits around, Janson keeps us thoroughly engaged with Douglas McGrath’s sometimes-a-bit-too-functional book whether acting, singing or acting through song – if she weren’t already a star, I’d say it’s a star-making performance. Continue reading “Re-review: Beautiful – The Carole King Story, Aldwych”