“Some things are worth getting your heart broken for”
David Tennant’s opening season took the template of the opening series and ran with it, Russell T Davies’ vision finding its ideal mate in the Scottish actor. The typically adventurous sweep was tempered with a more tender vision, which considerably upped our emotional investment (previous companions returning, romantic connections whether past or present).
Bringing back the Cybermen was an interesting move, as was the introduction of the notion of parallel worlds (and how important that became…). And if the series-long motif of Torchwood didn’t really pay off, especially not when one considers what Torchwood the show became, the finale to Doomsday is pretty close to perfection. Continue reading “Countdown to new Who: Doctor Who Series 2”
“There’s a line. It’s called right and wrong and I know which side my duty lies”
Well, that’s what you call a series finale! After the brilliant fake-out of Danny Waldron not being the new Tony Gates or Lindsay Denton, Jed Mercurio’s Line of Duty took us further than we ever could have dared into the murky world of police corruption, weaving together story strands from all three series into an overarching conspiracy thriller that has to rank as one of the televisual highlights of the year so far.
My Episode 1 review
can be found here and I won’t say much more here than to recommend you buy the DVD boxset now.
“We’re all in this together. Best way”
The first two series of Line of Duty have been an unqualified success for BBC2 and Jed Mercurio and so this third series has definitely been much anticipated chez Clowns, even if I’m not Daniel Mays’ biggest fan, he being trailed as the actor to take on the Lennie James/Keeley Hawes role as the Big Bad for this series. I should warn you now that spoilers will abound in this review of the first episode!
First off, I loved it. Resisting the temptation to feckle too much, Mercurio presents a very smart spin on the familiar world of AC-12 and its attempts to snuff out corruption in the police force. This time round, we’re left in no doubt as to whether the cop did it, the taut opening sequence sees May’s Sergeant Danny Waldron lead his armed response unit on an op which ends with him shooting the suspect in the head three times execution-style and then coercing his colleagues into a cover-up. Continue reading “TV Review: Line of Duty Series 3 Episode 1”
“War has always been the handmaiden of progress”
From its opening moments of buttocks and blood (both belonging to an uncredited Hugh Bonneville if that floats your boat), it’s clear that Da Vinci’s Demons is going to have its fun whilst playing fast and loose with the early life of its subject, Florentine polymath Leonardo Da Vinci. Conceived by David S Goyer and a co-production between Starz and BBC Worldwide, it’s a good-natured romp of a drama series much in the mould of Merlin, Atlantis or the lamented Sinbad but perhaps tied a little closer to reality as it dips in and out of the tangled history of the Italian city states.
And it is its historical connections that serves as a main driver for the technological innovations for which Leonardo is famed and which form the ‘issue of the week’ around which most of the episodes hang. So as Da Vinci climbs into bed with the ruling Medici family, he’s sucked into their political machinations whilst battling rival families in Florence and the ever-present threat of the Catholic Church in Rome. Alongside this sits a more fantastical series-long arc about the mystical Book of Leaves and the Sons of Mithras who believe Da Vinci has only just begun to tap into his true power. Continue reading “DVD Review: Da Vinci’s Demons Series 1”
“Try not to care so much”
Whilst other people wind down for the end of the year, Nina Raine is certainly keeping busy as her self-penned and self-directed Tiger Country returns to Hampstead Theatre, in advance of Donkey Heart – written by her brother Moses and also directed by her – transferring to Trafalgar Studios 2 in the New Year. Declared one of Hampstead’s most popular commissions, I must confess to being a little surprised to see this 2011 play return as it didn’t stick out as particularly memorable but with the promise of a new cast, I was interested to see how it stacked up nearly four years later.
And it seems that some time away has done it some good – the play feels cleaner, sharper and less encumbered with expository dialogue clearing a path through the medical terminology. I don’t know how much the script has been updated or edited but its spin through the state of the modern NHS feels as keenly observed as ever, visiting the stresses it imposes on those who work within it as well as those who use its services. Raine’s production recaptures the frenetic energy of a hospital and its staff at full stretch – metaphorically, physically, emotionally. Continue reading “Review: Tiger Country, Hampstead Theatre”
“She is a strumpet”
I’ve been meaning to get around to watching this for ages now, having picked up the DVD in Chichester for a snip, and having recently seen Jessie Wallace on stage and a date with Richard Armitage coming soon at the Old Vic, it seemed as good a time as any to delve into this 80 minute drama looking at the life and times of music hall superstar Marie Lloyd. Sadly, it should probably have lingered on the shelf a good while longer along with all the other charity shop bargains as I found it quite a disappointing bit of television.
For me, Miss Marie Lloyd – Queen of the Music Hall’s main problem lies in its format. Having avoided being a straight-up biopic, James Hawes’ production (written by Martyn Hesford, although he is curiously uncredited on the DVD) opts for a fantasia, gliding from scene to scene with little connective tissue giving us the context of the 30 odd years that are passing by. So we get the highlights of this remarkable woman’s life but nothing else –marriage, motherhood, divorce, remarriage, industrial action, public ruin, scandalous affair, boom boom boom – everything gets five minutes and then we move swiftly on. Continue reading “DVD Review: Miss Marie Lloyd – Queen of the Music Hall”