A belated report on a family trip to the Lowry to see the touring version of the ever-exciting Six the Musical
“It’s the end of the show of the historemix
We switched up the flow and we changed the prefix”
It’s not too often that I get to go to the theatre with my whole family, so a festive trip to the Lowry to see Six the Musical was a definite treat over Christmas. And to see it from the front row too…quite the experience. I’ve seen the show one and a bit times before so I knew what to expect, but the thrill of being that close really did make a difference (even if I was convinced that Katherine Howard was going to kick me in the face at some point or other!).
And it was great to see all 10 of us really enjoy ourselves, grandparents to grandkids (and me the middle child, what else?!). Toby Marlow and Lucy Moss’ anarchic history – sorry, herstory! – lesson has lost none of its effervescence or energy in this touring version. It helps of course that it is a relatively lo-tech show to run but it has clearly settled well in Salford for this Christmas sojourn as it was packed out and an extra week has been added to the schedule too. Continue reading “Review: Six the Musical, Lowry”
“No more falsehoods or derisions”
I went into Hair with as open a mind as I could muster but it really isn’t my cup of (herbal) tea at all, particularly in a production like this one which felt overly concerned in making sure we were all having ‘a good time’. That may be in keeping with the hippy schtick but doesn’t cut to the core of any of the many more serious issues which it ends up skating over rather too thinly. Plus the score (still) doesn’t do anything for me. That’s just the way it goes sometimes.
Running time: 2 hours 10 minutes (with interval)
Booking until 13th January
“If I go to Heaven, my fate is assured”
Full disclosure first, I was a contributor to the Kickstarter campaign for this studio cast recording of new musical Paradise Lost as attested on this page here (although darn that pesky line break!) I can’t really remember what prompted such benevolence from me, ‘twas just the second thing I have helped to fund in the smallest way but something about this musical treatment of John Milton’s poem clearly caught my attention and with the finished product now in hand, I can clearly see why.
Lee Ormsby’s music and story and Jonathan Wakeham’s book and lyrics has a self-confessed aim of “epic storytelling” and through a determination to forefront character and bold, accessible music, the 24 tracks that make up this double album offer a tantalising glimpse into what has the potential to be a truly spectacular musical. Bucking contemporary trends somewhat, it looks back to a time of 80s mega-musicals but infuses it with real heart to make a beguiling confection. Continue reading “CD Review: Paradise Lost”
“Oh, the thinks you can think!
Any thinker who thinks
Can come up with a few!”
Much of the charm of many festive shows comes from their innate familiarity – childhood pantomimes, the ever-present Dickens, the ageless music of The Nutcracker – but in an increasingly global cultural world, other shows are attempting to crack the family market at this potentially lucrative time of year for theatres. Seussical the Musical is one such show, returning to the Arts Theatre after a run last Christmas and though the world of Dr Seuss may not have quite the same purchase here as it does in the US, its appeal is undeniable.
Stephen Flaherty and Lynn Ahrens’ musical premiered on Broadway in 2000 but it is the ‘Theatre for Young Audiences’ version that Sell A Door Theatre Company have brought to the UK, a tale suitable for all ages woven together from a number of Dr Seuss’ stories. So the famous Cat in the Hat is there, introducing us to the weirdly wonderful way in which language is used in this world, and we soon get sucked into the adventures of Horton Hears A Who, as a kindly elephant tries to save a tiny world that exists on a speck of dust.
A 12-strong ensemble are highly enthusiastic in Kirk Jameson’s production, surrounded by Richard Evans’ attractive technicolour set and inventive costumery, and their hard work largely pays off in the end. The initially convoluted story slowly develops into something lovely as everyone gets to learn a lesson about something, and Ste Clough’s Horton is a beautifully sensitive central presence as he sets about his various endeavours. Kirsty Marie Ayers is also excellent as Gertrude McFuzz, who has her own journey to take in order to help Horton as she so wishes to do.
But the choice to use backing tracks in lieu of live music inhibits the show, robbing the atmosphere of one of the key components of great musicals. Additionally, the sound is occasionally very muddy and so lyrical clarity is often not what it should be, some cast members prioritising vocal gymnastics over telling the story of their characters, and so risking losing the attention of the audience, whether old or young. But with Elliot Fitzpatrick’s twinkling Cat in the Hat guiding us through to a stomping finale of Green Eggs and Ham, Seussical just about redeems itself.
Running time 70 minutes (without interval)
Booking until 5th January