Lockdown may have returned but theatres are boldly looking ahead – the David Tennant-starring Good and Six the Musical are moving theatres, Haydn Gwynne is back and The Last Five Years extends at the Southwark Playhouse
CP Taylor’s Good, starring David Tennant, Fenella Woolgar and Elliot Levey and directed by Dominic Cooke, which was due to open this October, has announced new dates for 2021 and a new run at the Harold Pinter Theatre.
Produced by Fictionhouse and Playful Productions, Goodwas originally scheduled to begin performances at the Playhouse Theatre on Tuesday 6th October. Due to the current global situation, the production was postponed and will now preview at the Harold Pinter Theatre from Wednesday 21st April to Saturday 17st July 2021.
Current ticket holders will be given priority for the new dates and do not need to do anything. The point of purchase will be in touch with ticket holders to reschedule or refund their booking. Extra tickets for the new dates for Good at The Harold Pinter Theatrego on sale at 10am, Monday 12 October 2020.Continue reading “News: September theatre news gathers apace”
Ruthie Henshall, Darren Day, Sam Tutty and more star in an online 50th Anniversary concert of Stephen Schwartz’s Godspell
“Some men are born to live at ease, doing what they please”
We’ve all had to adjust our plans one way or another but not even a global pandemic is going to get in the way of Godspellcelebrating its 50th anniversary with this online tribute concert. Conceived and directed by Michael Strassen, it reunites stars like Ruthie Henshall, Darren Day and John Barr with a show for which they made a studio cast recording in 1993, and also features a host of additional musical theatre talents.
The musical, score by Stephen Schwartz and book by John-Michael Tebelak, draws on the Gospel of Matthew as it moves towards the Passion of the Christ. But this adaptation points a little more towards inspirational optimism than outright spirituality, whilst introducing a creatively interesting way of presenting the songs which sets it apart from many of the other online offerings of the last few months. Continue reading “Review: Godspell 50th anniversary concert”
American Idiot West End and UK Tour Casts sing a Green Day Medley for the Barn Theatre and The Ben Kinsella Trust
Donations can be made to the Barn Theatre at http://www.barntheatre.org/sob, calling 01285 648255 or texting SAVEOURBARN 10 to donate £10 to 70085, texts cost the donation value plus one standard rate message.
A belated report on a family trip to the Lowry to see the touring version of the ever-exciting Six the Musical
“It’s the end of the show of the historemix We switched up the flow and we changed the prefix”
It’s not too often that I get to go to the theatre with my whole family, so a festive trip to the Lowry to see Six the Musical was a definite treat over Christmas. And to see it from the front row too…quite the experience. I’ve seen the show oneand a bit times before so I knew what to expect, but the thrill of being that close really did make a difference (even if I was convinced that Katherine Howard was going to kick me in the face at some point or other!).
And it was great to see all 10 of us really enjoy ourselves, grandparents to grandkids (and me the middle child, what else?!). Toby Marlow and Lucy Moss’ anarchic history – sorry, herstory! – lesson has lost none of its effervescence or energy in this touring version. It helps of course that it is a relatively lo-tech show to run but it has clearly settled well in Salford for this Christmas sojourn as it was packed out and an extra week has been added to the schedule too. Continue reading “Review: Six the Musical, Lowry”
I went into Hairwith as open a mind as I could muster but it really isn’t my cup of (herbal) tea at all, particularly in a production like this one which felt overly concerned in making sure we were all having ‘a good time’. That may be in keeping with the hippy schtick but doesn’t cut to the core of any of the many more serious issues which it ends up skating over rather too thinly. Plus the score (still) doesn’t do anything for me. That’s just the way it goes sometimes.
Running time: 2 hours 10 minutes (with interval) Booking until 13th January
Full disclosure first, I was a contributor to the Kickstarter campaign for this studio cast recording of new musical Paradise Lost as attested on this page here (although darn that pesky line break!) I can’t really remember what prompted such benevolence from me, ‘twas just the second thing I have helped to fund in the smallest way but something about this musical treatment of John Milton’s poem clearly caught my attention and with the finished product now in hand, I can clearly see why.
Lee Ormsby’s music and story and Jonathan Wakeham’s book and lyrics has a self-confessed aim of “epic storytelling” and through a determination to forefront character and bold, accessible music, the 24 tracks that make up this double album offer a tantalising glimpse into what has the potential to be a truly spectacular musical. Bucking contemporary trends somewhat, it looks back to a time of 80s mega-musicals but infuses it with real heart to make a beguiling confection. Continue reading “CD Review: Paradise Lost”