Album Review: Women on the Verge of a Nervous Breakdown (2011 Original Broadway Cast Recording)

I’m feeling kinda woozy. I’ve been crying for an hour,
And my boyfriend has an ooze and he doesn’t clean the shower”

David Yazbek’s musical take on Pedro Almodóvar’s Women on the Verge of a Nervous Breakdown hasn’t had the best time of it really, managing four months on Broadway in the winter of 2010 and then repeating a run of a similar length in the West End in 2015 in a retooled version that evidently did little to help. The Spanish director’s work is so richly musical that one might have thought musical theatre would gel easily with it but the reality is far more complex and difficult.

And so the result is something really quite challenging, often on the cusp of making the breakthrough to become the musical it ought to be but all too rarely making it. The main problem lies in a distinct lack of purpose to both Yazbek’s score and Jeffrey Lane’s book, even as it cleaves closely to the original film with its web of Madrid women with intricately connected love-lives circling around the same feckless men over the course of a tumultuous 48 hours. Continue reading “Album Review: Women on the Verge of a Nervous Breakdown (2011 Original Broadway Cast Recording)”

Film Review: The Last Five Years

“I don’t know how anybody survives in this life without someone like you”

I’ve actually been sitting on this review since November, when I was lucky enough to attend a screening of New York love story  The Last Five Years at the Prince Charles Cinema thanks to What’s On Stage. We weren’t told to strictly observe an embargo but rather asked to wait before writing about it until the film’s release in the UK. Now it came out in the USA on Friday and as per the below tweet from Jason Robert Brown, the writer of the original show on which the film is based, we could be waiting a wee while before we even get a release date here. Which is a shame, as Richard LaGravenese’s filmic adaptation of this almost entirely sung-through tale deserves a fair crack of the whip, especially as it could have ridden on the over-exposed musical theatre coat-tails of Into the Woods into our cinemas.

 

I have asked. I have not gotten answers. It’s above my pay grade. Hopefully soon! RT @JemmaAnderson: when exactly is TL5Y coming out in UK?
— Jason Robert Brown (@MrJasonRBrown) February 13, 2015

 

Anyhow, the conceit of the story is that novelist Jamie and actress Cathy’s relationship is played out from two perspectives concurrently – at the beginning we see Jamie in the full flush of new romance with the headily seductive ‘Shiksa Goddess’ but Cathy’s first song is the exquisitely bitter pain of ‘Still Hurting’, five years down the line when they’ve split up. Each then gives us their side of the story but moving in opposite directions in time, enhancing the bittersweet beauty of a love that just ought to be. Onstage it means there’s only one point in the show, their marriage at the midpoint, where the two actors co-exist in the same scene but what’s fascinating about the film is that in fleshing out both accounts, they’re both utterly present and interactive throughout the whole thing, and it works. Continue reading “Film Review: The Last Five Years”

Nominations for the 2011 Drama Desk Awards

Outstanding Play
Jon Robin Baitz, Other Desert Cities
Adam Bock, A Small Fire
Stephen Adly Guirgis, The Motherf**ker With the Hat
Samuel D. Hunter, A Bright New Boise
Rajiv Joseph, Bengal Tiger at the Baghdad Zoo
David Lindsay-Abaire, Good People
Nick Stafford, War Horse

Outstanding Musical
In Transit
Priscilla Queen of the Desert: The Musical
See Rock City & Other Destinations
Sister Act
The Book of Mormon
The Kid Continue reading “Nominations for the 2011 Drama Desk Awards”

64th Tony Award nominations

Best Performance by a Leading Actor in a Play 
Jude Law – Hamlet as Hamlet
Alfred Molina – Red as Mark Rothko
Liev Schreiber – A View from the Bridge as Eddie Carbone
Christopher Walken – A Behanding in Spokane as Carmichael
Denzel Washington – Fences as Troy Maxson

Best Performance by a Leading Actress in a Play
Viola Davis – Fences as Rose Maxson
Valerie Harper – Looped as Tallulah Bankhead
Linda Lavin – Collected Stories as Ruth Steiner
Laura Linney – Time Stands Still as Sarah Goodwin
Jan Maxwell – The Royal Family as Julie Cavendish

Best Performance by a Leading Actor in a Musical 
Kelsey Grammer – La Cage aux Folles as Georges
Douglas Hodge – La Cage aux Folles as Albin
Sean Hayes – Promises, Promises as Chuck Baxter
Chad Kimball – Memphis as Huey Calhoun
Sahr Ngaujah – Fela! as Fela Kuti Continue reading “64th Tony Award nominations”