“Every moment’s one to treasure”
Composers who put together albums of their songs, especially if they are up and coming talent who haven’t necessarily had a breakthrough show yet, are often in something of a bind. Do you go for as diverse a selection of your material as you can find or do you concentrate on showcasing your strengths – both approaches have their merits and their disadvantages and I don’t personally think there is any easy, or right answer. Act One – Songs from the musicals of Alexander S Bermange is probably closer to the latter option and sure enough, it has its strengths and its weaknesses.
Bermange has quite a list of credits to his name but has arguably yet to really mark his mark on the London scene. I only really became aware of him recently when his show Thirteen Days had a small run as part of this year’s Arcola’s Grimeborn Festival. As a musical treatment of the Cuban missile crisis, it was a work of mixed qualities, not always entirely successful but one which equally showed intriguing promise, not least in the firmly old-school manner of rousing song-writing. And that is what comes across most clearly in this collection, which bypasses the post-Sondheim school to cleave closer to the likes of Schwartz and balladeer. Oh, and it features a simply sensational cast of sheer quality. Continue reading “CD Review: Act One – Songs from the musicals of Alexander S Bermange”
“Little women grow”
Little Women is one of those enduring classic stories that has continued to resonate with people whether through its published form or on the screen with several fairly well-received televisual and film adaptations. It hasn’t quite managed to make the same leap theatrically though, numerous stage treatments have tried and there’s at least two musical versions – one of which played at the LOST Theatre just last year – to which can be added one more, this time by Steven Luke Walker. Walker chose to showcase his adaptation through the medium of the Sunday evening concert, taking advantage both of the empty Playhouse Theatre and the free nights of many a West End performer to put on something of an all-star show.
Louisa May Alcott’s tale of the lives and loves of four New England sisters may be set during the American Civil War, but there’s a homespun simplicity to their overlapping stories which remain firmly in the personal sphere. Walker’s music has perhaps a more contemporary feel than one might have expected but it attempts to evoke the right spirit across a number of genres. In some cases, he has hit the nail on the head with twinkling gems like First Impressions, Helena Blackman delivering comedy perfectly, and the soaring duet between Sarah Lark and Nikki Davis-Jones, both in gorgeous form. Elsewhere though, other songs felt like they needed to be much more tightly focused, Walker indulging in a few too many purely decorative vocal riffs and frequently allowing songs to drag on a little too long. Overall though, I found Walker’s music rather agreeable and most aptly for a show about sisterhood, he is most adept at writing beautifully for multiple voices. Continue reading “Review: Little Women in concert, Playhouse”