The new David Hare political drama Roadkill proves to be the scariest thing about this year’s Hallowe’en, and not in a good way
“You can get away with anything if you just brazen it out”
Throwing in a cast like this can usually get me to forgive a lot but not even the combined thrills of Helen McCrory, Sylvestra Le Touzel, Sidse Babett Knudsen and Saskia Reeves could get me to like Roadkill. Maybe its the closeness of it all, Tory political corruption is headline news pretty much every day now, so why would we want it on our TV screens as drama as well.
Potential timing issues aside (though when are the Tories never out grasping for themselves…), there are more fundamental problems at play here though. David Hare’s writing feels particularly aimless here, there’s little sense of accretion in watching Hugh Laurie’s Teflon-coated minister Peter Laurence ride out any number of potential scandals, just a relentless, remorseless journey of scum rising to the top. Continue reading “TV Review: Roadkill”
As the clocks go back, the prestige TV shows come out, so I checked out the first episodes of The Undoing, Roadkill and The Sister to find not one but two Scandiqueens
“Sounds like we’re digging in for a long answer”
With a company that includes Noma Dumezweni and the empress of jumpers Sofie Gråbøl, I was initially a little disappointed that neither appeared in the first episode of new HBO show The Undoing. But when your leads are Nicole Kidman and Hugh Grant, your writer is David E Kelley and your director is Susanne Bier, then there’s little to complain about. Based on a Jean Hanff Korelitz novel and set in the dripping wealth of the Upper East Side, the tantalising promise of murder and adultery is skilfully woven across this opening episode and I’m definitely hooked. Continue reading “New TV shows for winter”
“If one had the power to put it to right it was one’s duty to do so – for the sake of other towns, for the sake of humanity”
Lars von Trier’s films are usually highly divisive (for the people working on them as much as the people watching them) but I have to say I love Dogville. Perhaps love is the wrong word for so brutal a film but I just find it so fascinating in the way that it exposes humanity for who we really are and the depths to which we too easily sink in the name of self-interest.
Visually it is unique as it strips away all the artifice of the film set to leave nothing but chalk outlines of the scenery of the Colorado mountain township of Dogville where the story takes place. Such a bare staging heightens the theatricality of the piece and also its nature as a parable, one that those who dislike the film seem intent to ignore, an irony von Trier would certainly relish. Continue reading “DVD Review: Dogville”