“Hear our thrilling and willing awakening”
It is no secret that Howard Goodall’s score for The Hired Man is one I consider to be one of the most beautiful in all of British musical theatre, and so any opportunity to see the show – from orchestral concerts to fringe productions – is one I’ll gladly take. This cast recordings errs very much towards the latter, taken from New Perspective’s chamber-musical interpretation which cast just eight people.
Richard Reeday’s musical direction sees the orchestrations similarly refined down to piano, trumpet and violin and so it offers something of a rough-and-ready approach which has both merits and demerits. A limited ensemble means that the choral power of tracks like ‘Song of the Hired Man’ don’t carry quite the heft that the vision of a community as one demands to meet the scope of Goodall’s work. Continue reading “Album Review: The Hired Man (2007 UK Tour Cast)”
“I’m Judy Garland, now pay me some respect”
The enduring legacy of Judy Garland may be considered the preserve of gay men of a certain age but but what Peter Quilter’s End of the Rainbow, a play with songs rather than an all-out musical, reminds us is that hers was a tragedy in which all of our increasingly celebrity-obsessed society is complicit. The play is set in the months leading up to her death in 1969, as desperate to pay off her debtors, her new young fiancé and manager Mickey Deans signed her up for a five week run of cabaret shows at The Talk of the Town though as became clear to see, Garland’s struggles made it a very difficult time.
With the press against her, willing her on to ever more scandalous deeds, friends deserting her as her drug dependencies also pushed away four husbands, and a career that was nosediving as a result of all this drama, Deans was banking on this being the comeback of all comebacks. But Quilter shows us through a number of scenes, that the extremities of her behaviour impossibly strained the relationships in her life, even with her devoted Brighton-based pianist Anthony, her body and mind warped by endless years of being a part of the fame game and unable to deal with being chewed up and spat out by the Hollywood machine. Continue reading “Review: End of the Rainbow, Churchill Bromley”
“A man’s life is longer if he lazes,
Make time last by wandering through the daisies”
Discovering the unalloyed joy of Salad Days through Tête-à-Tête’s recent Riverside Studios production has to be one of my all-time favourite theatrical moments so the marking of its 60th anniversary with a production of a rarely seen show by the same writers was right up my street. Dorothy Reynolds and Julian Slade’s Free As Air hasn’t been seen professionally since 1974 but in the sure hands of Katy Lipson for Aria Entertainments and Neil McPherson’s Finborough Theatre, director/choreographer Stewart Nicholls makes a compelling case for its revival.
Much of the joy of these musicals that the Finborough has resuscitated with their ‘Celebrating British Music Theatre’ series comes from the thrill of unamplified ensembles filling this most intimate of theatres with the joy of song. And with a cast of 17 here, Nicholls and musical director Ben Stock pitch it just right, capturing the endearing glee that comes from something so determinedly old-fashioned yet utterly sincere in its delivery – it would be easy to bandy the word ‘twee’ about but there’s a real emotional honesty to the playing here. Continue reading “Review: Free As Air, Finborough”