DeafBlind Trailer from Ewan Bailey on Vimeo.
There’s clearly nothing Maxine Peake can’t do (quite what she makes of Hamlet later in the year is a definite treat in store) but her performance in Ewan Bailey’s DeafBlind is something eerily spectacular. She plays Maggie, a deaf blind woman thoroughly isolated by her condition and also, as it turns out, by the attentions of a stalker who has taken up residence in her home completely unbeknownst to her. He seeks to control her existence and there’s a stunningly uneasy sequence as she slowly comes to suspect someone is there and reacts in an unexpected way… Peake is predictably excellent but James Young’s uber-creepy Ben is inscrutably brilliant too.
Continue reading “Short film review #38”
“You have no idea how frightfully interesting it is to take a human being and change her into a quite different human being…”
A fortuitous set of circumstances combined to enable me to go see Pygmalion at the Royal Exchange with Aunty Jean and my father, being up near Manchester for the weekend, and how glad am I that I did. I used to visit the Royal Exchange quite often when younger but it is years since I have been and I was also quite intrigued to see the play itself, never having seen it before, only in its adapted musical form as My Fair Lady. (I was on the lookout for the links between the two in particular around the songs, but the only song title I picked up from the dialogue was ‘I’ve Grown Accustomed To Her Face’).
When Henry Higgins makes a bet with Colonel Pickering that he can turn a cockney flower girl into a lady, he sets out to change Eliza Doolittle completely and equip her for life in high society – but he reckons without the spirit and strength of Eliza herself. It is a scathing comment on the class structure of Britain at the turn of the century and a surprisingly modern take on the gender politics of the time, but above all highly entertaining and really rather funny. Continue reading “Review: Pygmalion, Royal Exchange”