Did I like this?
I think not.
Did I like this?
I think not.
A Very West End Christmas
A rather special project, A Very West End Christmas has gathered up a group of nearly 50 musical theatre performers to record an EP of 5 Christmas classics for a number of charitable causes – Great Ormond Street’s Giggin’ for Good, West End Fests for CRY UK and The Band Aid Charitable Trust. It’s a steal at £3.95 for the EP and with some seriously great talent onboard, assembled by co-producers Kris Rawlinson and Darren Bell, it’s a mostly very good listen.
The strongest numbers are, a little perversely, actually the ones which don’t feature the full choir. Michael Xavier croons perfectly through ‘The Christmas Song’ (although it is sad that there is no accompanying video of him roasting his chestnuts…), Chloe Hart and Jeremy Hart have lots of fun in a swinging ‘Baby It’s Cold Outside’, and there’s an interesting arrangement of’ O Holy Night’ featuring Sabrina Aloueche, Jodie Jacobs and Katie Payne (though that song will always belong to Hannah Waddingham for me). Continue reading “Christmas music 2013”
“There’s a kind of a sort of: cost
There’s a couple of things get: lost”
Now entering its eighth year at the Apollo Victoria, Wicked remains one of the major go-to shows in London’s West End, beloved of fans and tourists alike. A major UK tour has just started to great reviews in Manchester, demonstrating the wide appeal of this prequel-of-sorts to the events in The Wizard of Oz but with a major cast-change fast approaching, the London production feels like it is missing a little of that emerald sparkle that has made it such an enduring success.
I’ve seen the show twice before (reviews here and here) and so perhaps there’s an element of familiarity breeding contempt but I do have a fondness for Stephen Schwartz’s score and you gotta love a story that puts female friendship so firmly at the centre (many may mock the musical but how many long-running plays are there that do the same…). It was just hard to shake the feeling that maybe some people were a little demob-happy, or even maybe that the production is resting on its laurels a tad. Continue reading “Re-review: Wicked, Apollo Victoria”
“I’ll be so happy I could melt”
As with last year, which saw my first ever trip to Wicked, the first thing that I booked from the Get Into London Theatre website when it launched was a return trip to the Apollo Victoria. As Mr Boycotting Trends had never seen it before and was so desirous, I booked and managed to get rather good stalls seats for £35. Ironically, lastminute currently have a similar promotion on which is something of a rarity for this show but it is a great opportunity to get good seats for a not-quite-as-eyewatering price.
So I returned to Oz (although not as in Return To Oz, the film that was responsible for several recurring nightmares I had as a child but seriously, someone should make a show of that) to see the story of Elphaba and Glinda, 2 girls whose destinies to be the witches of Oz are not quite as clear-cut as one might think as an unlikely but deep bond develops between them. Knowing the story this time round meant that the surprise element of the way the show fits into The Wizard of Oz’s mythology was lost but it just meant that I appreciated the main thrust of the story more and admired both the message of tolerance for those who are ‘different’ that it preaches and the frankness with which the messiness and complexity of friendship is portrayed here. And I think this last point is key to its enduring success, there’s something so recognisable in the frustrations both women have with the other that is borne out of true friendship. Continue reading “Re-review: Wicked, Apollo Victoria”
“Who can say if I’ve been changed for the better?”
Due to a number of reasons (mainly bad reviews from friends, vitriolic reviews from critics and the ticket prices) I never quite managed to getting round to seeing Wicked despite really wanting to see Idina Menzel who reprised her Broadway role initially, and it’s always been fairly near the bottom of my list of shows to get round to seeing. But with the Get Into London Theatre offer available on good seats (£60 tickets for £35, offer now expired), I finally bit the bullet and booked at the Apollo Victoria.
Purporting to tell the hidden story behind The Wizard of Oz, Wicked tells the story of two girls, Elphaba and Galinda, who meet at sorcery school and follows their tumultuous relationship as they grow up. For they become respectively, the Wicked Witch of the West and Glinda the Good Witch of the North, and their complex friendship is tested with rivalries over love and their opposing personalities and viewpoints. And whereas the story begins well before Dorothy arrives in the land of Oz, much of what we see sheds interesting new light on events as we know them. Continue reading “Review: Wicked, Apollo Victoria”