Nominations for the 2020 Black British Theatre Awards

BEST DIRECTOR AWARD FOR A PLAY OR MUSICAL
Clint Dyer, Death of England, National Theatre
Nadia Latif, Fairview, Young Vic Theatre
Ola Ince, Appropriate, Donmar Warehouse
Roy Alexander Weise, Master Harold &… and the boys, National Theatre

BEST PRODUCER AWARD
Adrian Grant, Thriller Live, Lyric Theatre
Nicole Raquel Dennis and Ryan Carter, Turn Up, Cadogan Hall
Tobi Kyeremateng, My White Best Friend (and Other Letters Left Unsaid), Royal Court
Theatre Continue reading “Nominations for the 2020 Black British Theatre Awards”

Review: Poet in da Corner, Royal Court

I correct the error of missing the vibrant energy of Debris Stevenson’s Poet in da Corner at the Royal Court

“You writing lyrics about me?”

Debris Stevenson is a multi-hyphenate of a different order – grime poet, academic, dancer and now playwright as her 2018 hit show Poet in da Corner returns to the Royal Court ahead of a UK tour. I didn’t catch it then, not having ever listened to Dizzee Rascal’s album Boy in da Corner meaning that it didn’t have instant appeal but on this evidence, I was clearly wrong to have given it a miss, its vibrant energy thrilling to behold in this richly theatrical space.

Sitting in the realm of semi-autobiography, Stevenson’s story focuses on her East London upbringing in a Mormon household where schooltime meant working through being bullied, her dyslexia and the need to test her sexuality. At a moment of particular despair, she’s given a copy that Dizzee Rascal album and it is like a light is switched on, grime offering her a way to build her confidence and explore all of those feelings, discover who she really is. Continue reading “Review: Poet in da Corner, Royal Court”