News: line-up for the first week of Leave A Light On

Lambert Jackson Productions and the Theatre Café have announced the line-up for the first week of their Leave A Light On series. The series of intimate, piano vocal concerts streamed live from The Theatre Café will feature performances from Blake Patrick AndersonAimie AtkinsonChristopher CameronAlice FearnVictoria Hamilton-BarrittEvelyn HoskinsDavid HunterCassidy JansonLucie JonesBradley Judge and Harry Cooper-MillarEmma KingstonSarah O’ConnorSteph ParryDanielle Steers, and Layton Williams.

For a fee of £7.50, significantly less than a ticket to a show, audiences around the country will be able to access a live concert from their favourite West End performer from the best seat in the house – their own home! Continue reading “News: line-up for the first week of Leave A Light On”

February news round-up

Lots to catch up on so here’s a quick round-up of some upcoming concerts and events that could well be worth your time

If you’re looking for the more social side of things to go along with your theatregoing, then have a look here. Getgo Club is like a book club for theatre. Each month they take members to amazing London theatre & host a pre-show mingle, followed by a post-show discussion. The event is curated and hosted by working artists who will  ensure that discussions take place in a safe, fun, & open environment. Members also receive extra goodies such as discounts on tickets & drinks. All for £5!

Getgo Club is a great way to join a community of arts lovers, and head to a variety of theatre as a group. It has  and The first meet-up is at the end of February and I hear they have very limited spaces left so why not find out more here or even just apply directly for a membership here.


The visibility of mental health support has never felt more important and so it is good to see events raising awareness and much-needed funds popping up. Simply Live is a cabaret in aid of Industry Minds, who provide free and low cost mental health support to anyone in the creative arts through therapy, seminars and other useful tools.

Takiig place at Bunga Bunga Covent Garden, on Sunday 15th March, they have already announced a promising line-up which includes Grace Mouat, Cameron Burt, Tom Gill, Hannah-Grace Lawson, Vanity von Glow, and Claire O’Leary. Follow the event on Twitter or Instagram and then book your places here to support this great organisation.


Ahead of a revival at the Hope Mill next month, Zorro the Musical revisits London with a one-off concert recital at Cadogan Hall with London Musical Theatre Orchestra & Chorus and a tip-top cast including the glorious Emma Williams reprising her original role and therefore singing the beautiful song ‘Falling’.    

The full cast is Ricardo Afonso (Zorro/Diego), Emma Williams (Luisa), Lesli Margherita (Inez), Robert Tripolino (Ramon) and Zubin Varla (Don Alejandro). Also appearing will be Catarina Amaral, Daniel Amity, Charlotte Clitherow, Richard James-King, Danny Lane, James Leeman, Lauren Lockley, Matthew McDonald, Mia Michaud, Grace Mouat, Rebecca Ridout, Justine Saville, Margarida Silva, Joe Thompson-Oubari, Richard Upton and Enrico Volpi.


Also working the one-off concert vibe on Sunday is The Pirate Queen, as Boublil And Schönberg’s musical is revived for a charity gala at the London Coliseum with proceeds going to Leukaemia UK. Most exciting for me is the return of Hannah Waddingham to a stage

Main cast
Rachel Tucker (Grace O’Malley), Hannah Waddingham (Queen Elizabeth I), Steph Parry (Majella), Emma Norman (Evleen), Earl Carpenter (Dubhdara), Daniel Boys (Lord Bingham), ‘Britain’s Got Talent’ winner Jai McDowall (Tiernan) and Matthew Pagan (Donal) from Collabro.

Featured ensemble
Pearce Barron, Jamie Birkett, Trudi Camilleri, Sabrina Carter, Shaun Dalton, Adam Dawson, Callum Heinrich, Jade Johnson, Harry Mills, Charlotte Payne, Sophie Reeves, and Jak Skelly

Ensemble
Skye Adams, Thomas Ball, Jeremy Batt, Mary-Jean Caldwell, Sinead O’Callaghan, Christopher Cameron, Jordan Castle, Alfie Doohan, Charlie Ellerton,  Judicel Eslao, Nicola Espallardo, Amy Everett, Lois Morgan Gay, Aidan Harkins, Siwan Henderson, Hannah-Grace Lawson, James Mateo-Salt, Scarlett Maltman, Ethan Tanner, Harry Winchester,  and Cristian Zaccarini.


There’s also a concert version of The Secret Garden (not taking place on Sunday, it’s the 4th April for this one) which is aiming to fill the London Palladium with its lead cast of Lucie Jones, Ramin Karimloo and Jac Yarrow.

Also appearing in the show will be Sarah Bakker (Rose), Bianca Baykara (Alice), Adam J Bernard (Ben Weatherstaff), Lucy Drever (Narrator), Louise Ellard-Turnbull (Mrs Winthrop), Ben Forster (Neville Craven), Sejal Keshwala (Ayah), Melanie La Barrie (Mrs Medlock), Johndeep More (Fakir), Michael Riseley (Captain Albert Lennox), Celinde Schoenmaker (Lily), and sharing the roles of Colin Craven are Finley Glasgow and Isaac Lancel Watkinson, and of Mary are Aoife Hughes and Darcy Jacobs, with Trinity Laban Musical Theatre forming the ensemble.


With Mean Girls due to arrive in the West End in Spring 2021, the folks at Official Theatre managed to get our hands on the Plastics latest Burn Book and it’s full of burns and gossip about some of the West End’s favourite characters! No one escapes the wrath of Regina and Co, from the characters of Wicked and & Juliet, to James McAvoy’s Cyrano de Bergerac and even Henry VIII from SIX (well, sort of).

Take a look at the full West End Burn Book here. Could you do better? They’re looking for the best ‘burns‘ for some of the other characters in London theatre and you might even get added into the book itself.

The winners of the 8th annual Mousetrap Awards

BEST FEMALE PERFORMER AWARD:
WINNER – Marisha Wallace as Effie in Dreamgirls
Natalie Kassanga, as Diana Ross in Motown the Musical
Patsy Ferran as Alma in Summer and Smoke
Jodie Steele as Chandler in Heathers

BEST MALE PERFORMER AWARD:
Jonny Labey, as Scott in Strictly Ballroom
John Pfumojena, as Okot in The Jungle
Kyle Soller, as Eric Glass in The Inheritance
WINNER – John McCrea, as Jamie in Everybody’s Talking About Jamie Continue reading “The winners of the 8th annual Mousetrap Awards”

Nominees for the 8th annual Mousetrap Awards

BEST FEMALE PERFORMER AWARD:
Marisha Wallace as Effie in Dreamgirls
Natalie Kassanga, as Diana Ross in Motown the Musical
Patsy Ferran as Alma in Summer and Smoke
Jodie Steele as Chandler in Heathers

BEST MALE PERFORMER AWARD:
Jonny Labey, as Scott in Strictly Ballroom
John Pfumojena, as Okot in The Jungle
Kyle Soller, as Eric Glass in The Inheritance
John McCrea, as Jamie in Everybody’s Talking About Jamie Continue reading “Nominees for the 8th annual Mousetrap Awards”

2018 BroadwayWorld UK Awards Shortlist

Best Actor in a New Production of a Musical
Alex Wadham, The Full Monty: The Musical, Old Joint Stock Theatre, Birmingham
Giles Terera, Hamilton, Victoria Palace Theatre
Jamal Kane Crawford, Fame, UK Tour
Jamie Muscato, Heathers The Musical, The Other Palace/Theatre Royal Haymarket
Louis Maskell, The Grinning Man, Trafalgar Studios
Marc Antolin, Little Shop of Horrors, Regent’s Park Open Air Theatre

Best Actor in a New Production of a Play
Aidan Turner, The Lieutenant of Inishmore, Noël Coward Theatre
Ben Batt, The York Realist, Donmar Warehouse/Crucible Theatre, Sheffield
Ian McKellen, King Lear, Chichester Festival Theatre
Matthew Tennyson, A Monster Calls, Old Vic
Reed Birney, The Humans, Hampstead Theatre
Tyrone Huntley, Homos, Or Everyone in America, Finborough Theatre Continue reading “2018 BroadwayWorld UK Awards Shortlist”

Re-review: 42nd Street, Theatre Royal Drury Lane

42nd Street is signing off at the Theatre Royal Drury Lane in quite some style as a perfectly-cast Bonnie Langford joins the company

“Musical comedy – the most glorious words in the English language”

I liked 42nd Street when I saw it last year but I can’t say that I truly loved it, it felt a 24 carat production of a gold-plate show. But upon revisiting, to celebrate Bonnie Langford’s arrival in the company for its final furlong before closing in the New Year, some kind of magic seems to have happened at the Theatre Royal Drury Lane (or maybe I was just less grumpy tonight!) as it has now matured into something spectacular.

The only major difference is Langford’s presence as Dorothy Brock, but there’s just something about her that shimmers with star quality and it is contagious. So even as she’s trying to dampen it down a bit as this particular fading star, her comic timing makes her scenes crackle with electricity, her singing is on point and she’s just a dream to watch. It’s a perfect role for her – who needs stunt casting when you have the right casting? And as for her surprise appearance in the finale? SWOON!

I also felt Clare Halse has really settled into the role of Peggy Sawyer. It’s a curious role in that she grows to become the leading lady of this musical as the understudy-come-good, but is given precious little time in which to do so and most of that is taken up with dance. Such amazing dance though, she really is effortless in her every graceful move, and she’s acting more through every movement too as her self-belief slowly blooms into the incandescent life of the finale.    Continue reading “Re-review: 42nd Street, Theatre Royal Drury Lane”

Review: Thoroughly Modern Millie, Landor

“Give me the meat without the gravy”

Based on a film from 1967, the musical of comedy pastiche Thoroughly Modern Millie actually only dates back to 2000, though a substantial deal of its humour harks back to an uncomfortably old-school era. Set in 1920s New York, Millie Dillmount arrives determined to marry for money instead of love but finds herself mixed up in a white slavery ring run by a faded actress pretending to be a Chinese woman (as you do). The Landor has a sterling record in successfully mounting small-scale productions of big musicals but Matthew Iliffe’s production doesn’t always hit the mark. 

Full of fresh young faces, the company brims with youthful vigour and there’s lots of potential on show. Sarah-Marie Maxwell displays wonderful comic timing, Samuel Harris could do with a little more volume but his patter song is good and in a number of small roles, Charlie Johnson stands out in the ensemble. But even with ethics aside, Steph Parry can’t quite carry off the jaded persona of Mrs Meers, nor Chipo Kureya invest bon vivant Muzzy van Hosmere with enough personality to really fill the room.  Continue reading “Review: Thoroughly Modern Millie, Landor”

Review: Mamma Mia (and memories), Novello

“If you’ve got no place to go, if you’re feeling down…”

Mamma Mia has been on my list of shows that I’ve never quite got round to seeing for ages now. I’d decided that I wanted to go in a large group, on a Friday night, after a fair few Hendricks and Fever Trees, but somehow it never quite happened. In the meantime, the show moved to the Novello to make way for those Mormon boys and then an expected Christmas present landed in my lap as a friend, tired of me saying ‘one day I’ll go’, bought me a ticket.

Though it wasn’t at all like I planned – a single ticket for a Monday evening with a bottle of Diet Coke – it actually proved to be a brilliant way to see the show and to restart my theatregoing for 2014. It was the evening after my first day back at work, I was sat front row centre and the huge geniality of a like-minded audience made it as genuinely pleasurable experience as one could expect from such a long-running stalwart of the West End. Continue reading “Review: Mamma Mia (and memories), Novello”