150 musical performers from across the West End and Broadway have come together to perform a stellar version of “Make Them Here You” from Ragtime in support of Black Lives Matter and the Stopwatch campaign.
Amid the constant shower of shit that passes for news about theatre at the moment, this online concert to celebrate the incredible 40 year career of Harry Gabriel, the Shaftesbury Theatre’s Stage Door Keeper, was an absolute ray of sunshine.
Put together by Giles Terera, the guest list was truly astonishing, featuring a veritable who’s who of the theatre world, all connected one way or another with Harry through the 40 years of shows he has seen pass through the Shaftesbury Theatre. Continue reading “Review: Hello Harry! A Celebration of 40 Years at Stage Door”
“Now my good friends, it behooves me to be solemn and declare,
I’m for goodness and for profit and for living clean and saying daily prayer”
I’m not the kind of gentleman who normally ends an evening with a lady in his lap but that was what (nearly) happened last night at the Union Theatre’s revival of US musical The Best Little Whorehouse in Texas. Inspired by a true story of a similarly-titled brothel , the Chicken Ranch is a well-established institution that has been passed down to Miss Mona from the original owner, who runs it with a veneer of classy respectability wherein she looks after her girls well and gets on with the local law enforcement to keep things running smoothly. But the decision of crusading news reporter Melvin P Thorpe to try and get the establishment closed down threatens everything.
Sarah Lark plays Miss Mona, the role made famous by Dolly Parton in the movie of the same name, all big brassy blonde hair piled up on her head and possessed of a wardrobe stuffed with fringes and sequins and quietly understated as a warmly maternal figure. Her singing voice is lovely though lacked a little volume in places and there was a little gravitas missing from her portrayal, though that could square with her being pushed into the position of Madam through unexpectedly inheriting the place. And around her are her scantily-dressed girls who service the townsmen’s needs – mainly portrayed here through shadow-play – and most of whom are running away from something, assumedly also using the somersaulting skills that got one lady closer to me than I was expecting! Together they make a strong group – the harmonies of ‘Girl You’re A Woman’ most lovely, the mix of personalities entertaining and as a starting point for a show, it feels like a fascinating premise. Continue reading “Review: The Best Little Whorehouse in Texas, Union”
“Isn’t it rich, isn’t it queer”
Hannah Waddingham was a fixture at the Menier Chocolate Factory in their big winter musical, A Little Night Music, the year before last, so it is somewhat fitting that she has returned here to play a run of a week of her cabaret show. Ranging from showtunes to pop with a healthy smattering of jazz, the cosy space of the Menier feels just right hosting this kind of show
She’s such a natural performer and exudes a refreshing likeability that makes her almost impossible not to resist. Confidently covering all of these genres, this is a highly professional show with a number of highlights: ‘Send in the Clowns’ is naturally a treat, and it’s such a nice change having it sung by a strong vocalist. The only letdown was her not tipping me a wink as she sung the name of my blog, but I suppose I can forgive her that! Continue reading “Review: Hannah Waddingham, Live at the Chocolate Factory”