The latest exciting new addition to Harry Potter At Home, the collection of free initiatives designed to help bring the magic of Harry Potter to children, parents and carers in lockdown has been revealed.
Some of the best-loved faces from global entertainment, music and sport have lent their voices to the story they love by recording videos of themselves reading the timeless first Harry Potter book, Harry Potter and the Philosopher’s Stone/Sorcerer’s Stone. Seven readers from the stellar line-up were announced by Wizarding World and J.K. Rowling on Twitter today. Continue reading “News: Harry Potter At Home continues”
All the Web’s a Stageis a streaming initiative consisting of 12 marvellous jam-packed hours of all your favourite performers from the West End and theatre to comedy, drag and magic!
It’s fitting that the free livestream will be held on Thursday 23 April, Shakespeare’s birthday and the date that theatres began their process of restoration after strict censorship in 1661, the last time British theatres were ordered to close for a prolonged period.
The livestream is raising money for our artistic comrades who have been severely impacted by Covid-19. Whilst we appreciate the government’s initiatives, and the support made available for many self-employed workers, there are still many freelance artists who fall through the cracks of these new government programs. As a result, thousands of artists who are now unable to earn an income are facing the coronavirus crisis with no available financial support.
The Understudy is a brand new radio play that will be broadcast in two parts on Wednesday 20th May and Wednesday 27th May to raise funds for the theatre industry which is facing a devastating impact from the Covid-19 health crisis. The Lawrence Batley Theatre in Huddersfield will split proceeds of this project with charities including the Theatre Development Trust (SOLT and UK Theatre), Acting for Others and Equity Charitable Trust.
Series 12 of Doctor Who goes hard on what we think we know about the Time Lord and finishes in a blaze of glory
“You can be a pacifist tomorrow. Today you just need to survive”
I don’t think I have ever minded anything that happened in Doctor Who so much that I have declared it cancelled, even at the point where all the magnificent character development by Catherine Tate’s Donna was undone in a plot point of real cruelty. So it is hard to take so-called fans of the show seriously when torrents of complaints are unleashed about the sanctity of a world of science fiction that has long enjoyed challenging and expanding what we know about characters we love. (See my Episode 1 review here.)
So it should come as little surprise that I really rather enjoyed series 12 of Doctor Who. Across the season as a whole, I felt that Jodie Whittaker has settled more into the role, especially as the writers feel more confident in finding her voice. And the balancing act of having three companions in the TARDIS has been more assured now that the business of introducing them is over, allowing the group to splinter off for large chunks of episodes has allowed much more of their characters to shine through, particularly for Mandip Gill’s Yaz (who I am mightily glad survived that final episode – I thought she was doomed after her chat with Graham). Continue reading “TV Review: Doctor Who Series 12”
Doctor Who returns for its twelfth series with a rollicking spy caper in Spyfall and a masterful twist at the end
“Don’t be ridiculous, the Doctor is a man ‘I’ve had an upgrade'”
Just a quickie as the latest series of Doctor Who starts with a real bang, neatly killing off Stephen Fry in short order before he got too annoying, making Lenny Henry a Zuckerberg-esque tech villain and introducing Sacha Dhawan into the cast where he looks set to be a genius addition.
Borrowing liberally from a range of spy capers, I enjoyed this widescreen take on the Doctor, splashing a fair bit of the budget on some strong location work, the effects team keeping the threat of the shadowy aliens ominously vague, and the returning team settling nicely into their established dynamic. Continue reading “TV Review: Doctor Who Series 12 Episode 1”
Despite having little interest in a season of Oscar Wilde plays, the predictably excellent cast for A Woman of No Importance means that my resistance will be utterly futile as the full cast joining the previously announced Eve Best from 6th October at the Vaudeville Theatre has now been announced.
Joining Best is Anne Reid, Eleanor Bron and William Gaunt, and now completing the cast is Emma Fielding, Dominic Rowan, Crystal Clarke, Harry Lister-Smith, Sam Cox, William Mannering, Paul Rider and Phoebe Fildes.
Directed by Dominic Dromgoole, the play is the first in his new company’s year-long season celebrating the work of Irish playwright Oscar Wilde and it has also been announced that a series of talks will take place before certain performances of A Woman of No Importance. Oscar Wilde’s grandson Merlin Holland will give the first pre-show talk on 14th October, offering an insight into Wilde’s life and work. On 19th October, Stephen Fry will reflect on his time plying Oscar Wilde in the 1997 film Wilde. On 11th November, Frank McGuinness will consider Wilde alongside Ibsen and Strindberg in ‘Wilde the European’, and on 7th December, Franny Moyle will explore “Wilde’s women.”
A Merchant Ivory comedy of manners set in Paris? What could possibly go wrong… Le Divorce is what. A painfully tasteful affair set in contemporary France but resembling nothing so much as a glossy magazine spread, there’s nothing authentic about the city represented here. Nor, which proves to be a bigger point, about the people in the film, a vacuous set of characters purportedly showing us the difference between the US (won’t talk about sex) and the French (won’t talk about money) but mainly demonstrating that everyone is awful.
Based on a novel of the same name by Diane Johnson, one is left wondering why she hates her females so much. Isabel has gone to Paris to visit her émigré sister Roxeanne, whose husband Charles-Henri has left her for a married Russian lady despite being pregnant with their second child. Whilst there, Isabel then engages in concurrent affairs with two Frenchmen, despite seeing first-hand the impact of infidelity on her distraught sister, this kind of reactionary tosh populating the entire film with its inordinately large ensemble cast. Continue reading “DVD Review: Le Divorce (2003)”
“When everyone is taking their bows, you and me exit stage left”
Lucky Break is the type of slight and inoffensive film that makes you wonder how on earth it got made yet at the same time makes you glad for its lazy Sunday afternoon viewing potential. Director Peter Cattaneo also helmed The Full Monty (which might answer the first point) and though there are similarities between the two – putting a certain type of British masculinity under the microscope – Lucky Break pulls back quickly from any real emotional depth or societal analysis in favour of popcorn-led entertainment. And as long as you go in fully aware of this, you might find yourself enjoying it.
Jimmy is a repeat offender who finds himself in prison once again after a particularly botched bank job but soon spots an opportunity to make a break for it. Prison warden Mortimer is keen for the inmates to put on a production of his newly-penned musical and as it will be performed in the old chapel that offers the easiest route out of the clink, Jimmy persuades his buddies to join in the amateur dramatics fun of Nelson – The Musical and allow him to jump the wall. Nothing is ever quite as easy as all that though, not least his budding relationship with prison psychiatrist Annabel. Continue reading “DVD Review: Lucky Break”
A wryly amusing look at the demands placed on one particular actor during an audition, Tom Edmunds’ Beard is lots of fun indeed – Tim Steed giving some great facial hair work and Oliver Chris and Katie Brayben adding quality as the auditioners.