“Men are so decent, such regular chaps”
‘Tis a truth that ought to be universally acknowledged that some of the best musicals in Britain are being produced outside of London. Places like Chichester Festival Theatre and Leicester Curve are regularly coming up with the goods, but one of the most reliable of regional theatres has been Sheffield’s Crucible and under Daniel Evans’ stewardship, their Christmas shows have become absolute must-sees. Last year’s Company was sensational, the year before Me and My Girl blew me away and this year, Lerner and Loewe’s all-time classic My Fair Lady gets a long awaited revival and it is a show I have never seen before on stage.
One of the lovely things about seeing well-known songs in their original context is that it can refocus the lyrical meaning. For me this was most apparent in the utterly gorgeous rendition of ‘I Could Have Danced All Night’ by Carly Bawden – rather than the grand set-piece I think I was expecting, it’s an understated exhalation of wonderment at the evening just passed and Bawden is gorgeous in it. The large-scale numbers do come though: ‘Get Me To The Church On Time’ is delivered with the highly charismatic Martyn Ellis at the front and soon turns into a cracking fest of tap-dancing; ‘With A Little Bit of Luck’ has a subtler but no less impressive appeal; and ‘Wouldn’t It Be Loverly’s’ hopeful charm had me at ‘ello. Continue reading “Review: My Fair Lady, Crucible”
“Who could ask for anything more?!”
After a highly accomplished run at the Open Air Theatre, Crazy For You has transferred into the West End to take up residence in the Novello Theatre, taking advantage of the premature closing of Betty Blue Eyes. I saw it in Regents Park – review can be read here – and was easily seduced by its combination of Stephen Mears’ pulsating choreography and lively renditions of selections from the Gershwins’ considerable catalogue of songs. The show has been transplanted indoors pretty much in its entirety and continues to be a whole heap of uncomplicated entertainment.
I previously described the story as ‘pure hokum’ and little has changed in that respect but it really doesn’t matter in the end, because this really is a show that is all about the singing and dancing. It doesn’t so much reinvent this set of classic Gershwin songs, they are too well known for that, but it does present them in a fresh new setting which feels incredibly natural and well-fitted. Sometimes with jukebox shows there can be the feeling of songs being shoe-horned into the narrative but because this show wears its story quite lightly, that is rarely the case here. Instead, there’s a cheery skip through some of the best songs ever written that is guaranteed to lift the heart. Continue reading “Re-Review: Crazy For You, Novello”
“Dancing makes my troubles all seem tiny”
There’s no hiding the fact that the Open Air Theatre’s Crazy for You is pure hokum but for sheer escapist fun and a feel-good atmosphere that will whisk you away from the troubles outside of Regent’s Park for an evening, this will pretty much do the trick. Based on the George and Ira Gershwin musical Girl Crazy, Ken Ludwig – he of the recently departed Lend Me A Tenor – wrote a new book in 1992, heavy on post-modern knowingness and light on substance: silly but fun – if you come here looking for authenticity you’re bound to be disappointed!
Banker Bobby Child is forced to abandon his Broadway dreams and is dispatched to Deadrock, Nevada to foreclose on a theatre there. Sensing an opportunity as he falls head over heels with the daughter of the theatre’s owner, he decides to impersonate the Broadway impresario he longs to work for and arranges for a benefit show to be put on to save the theatre: madcap fun ensues with mistaken identities – clearly a Ludwig fave – at the fore. Continue reading “Review: Crazy for You, Open Air Theatre”