Review: Made In Dagenham, Queen’s Theatre Hornchurch

“Don’t treat us girls like a poor relation

Made in Dagenham, in Dagenham – it seems like a no-brainer but it’s quite the statement of intent from incoming Artistic Director at the Queen’s Theatre Hornchurch, Douglas Rintoul. It’s also a bit of a departure for a director who has previously won awards for writing hard-hitting monologues about gay Iraqi refugees (the exceptionally good Elegy) but taking a West End musical that didn’t quite become the hit it deserves and taking it home, refining it into an actor-musician production along the way, turns out to be quite the treat.

I can’t deny that I loved the show when it played at the Adelphi – heck, I saw it four times (review #1, review #2, review #3, review #4 of the final night) and I believe it deserved better treatment from the critics. But the past is the past and coming to the show with fresh eyes, and ears, too Richard Bean’s book and David Arnold’s score, it responds powerfully to the new treatment here (co-produced by the Queen’s and the New Wolsey Ipswich where it heads next), smaller in scale obviously but more intimate too, rawer in its emotions to an ultimately devastating effect.  Continue reading “Review: Made In Dagenham, Queen’s Theatre Hornchurch”

Re-review: Return to the Forbidden Planet, Palace Theatre Manchester

“Live long and prosper-o”

There’s no doubting that I do get spoiled around my birthday and so part of a weekend trip home saw eight of us head over to the Palace Theatre in Manchester to see Return to the Forbidden Planet, on a night which saw the end of their tour. I’ve already seen this production (review here) but the show is just one of those evergreen delights for me that I could just watch over and over, even if it isn’t the most perfect piece of theatre (that first half remains too long).

It was entertaining to catch their final show of this run too, there’s always a special air to these performances and you could definitely see the cast having fun, both with us and each other – we were made to reverse polarity for perhaps a little longer than was strictly necessary and it was nice to see all the ensemble members get their chance to shine in the extended finale. I don’t know what the future will hold for the Forbidden Planet, its retro charms remain perhaps rather niche, but you can rest assured that should it pop up again on tour, I’ll be there – hands above my head – reversing polarity.

Review: Return to the Forbidden Planet, New Wimbledon

“Two beeps or not two beeps”

Early 2015 is turning out to be something of a nostalgia-fest for me as following the Royal Exchange’s superb revival of Little Shop of Horrors is another of the first shows that I came to love as a child – Return to the Forbidden Planet. I can’t recall exactly how many time my sisters, Aunty Jean and I must have seen this show but every time its tour came near us we were there, reversing polarity and loving it every time. Consequently, I have huge affection for the show, even though it is many years since I last saw it, and so naturally the notion of a 25th anniversary tour was one I could not resist as it came into my orbit at the New Wimbledon.

For those without such prior knowledge, Return to the Forbidden Planet is a schlocky sci-fi B-movie version of The Tempest, complete with a rock’n’roll jukebox soundtrack. Not only that, there’s video narration by Brian May. cod-Shakespearean dialogue and any number of quotations lifted from other plays by the Bard and repurposed to intergalactic effect. So a routine space mission led by Captain Tempest gets diverted to a mysterious rock called D’Illyria (“what planet, friends, is this…”) after getting caught in a meteor storm (“goodness, gracious, great balls of fire…”) where they meet the mad Doctor Prospero, his robot servant Ariel and his innocent daughter Miranda. Continue reading “Review: Return to the Forbidden Planet, New Wimbledon”

Looking ahead to 2015

I realise I’m just adding (belatedly) to the plethora of 2015 features already published but so many of them trod the boringly familiar ground of forthcoming West End shows (and in the Evening Standard’s case, managed to recommend booking for three shows already sold out from their list of six). So I’ve cast my net a little wider and chosen a few random categories for just some of the shows I’m recommending and looking forward to in 2015.

Continue reading “Looking ahead to 2015”