“I’m Judy Garland, now pay me some respect”
The enduring legacy of Judy Garland may be considered the preserve of gay men of a certain age but but what Peter Quilter’s End of the Rainbow, a play with songs rather than an all-out musical, reminds us is that hers was a tragedy in which all of our increasingly celebrity-obsessed society is complicit. The play is set in the months leading up to her death in 1969, as desperate to pay off her debtors, her new young fiancé and manager Mickey Deans signed her up for a five week run of cabaret shows at The Talk of the Town though as became clear to see, Garland’s struggles made it a very difficult time.
With the press against her, willing her on to ever more scandalous deeds, friends deserting her as her drug dependencies also pushed away four husbands, and a career that was nosediving as a result of all this drama, Deans was banking on this being the comeback of all comebacks. But Quilter shows us through a number of scenes, that the extremities of her behaviour impossibly strained the relationships in her life, even with her devoted Brighton-based pianist Anthony, her body and mind warped by endless years of being a part of the fame game and unable to deal with being chewed up and spat out by the Hollywood machine. Continue reading “Review: End of the Rainbow, Churchill Bromley”
Samantha Barks, Jon Robyns, Gina Beck and Alistair Barron – Up There
Continue reading “Saturday afternoon music treats”
“Little women grow”
Little Women is one of those enduring classic stories that has continued to resonate with people whether through its published form or on the screen with several fairly well-received televisual and film adaptations. It hasn’t quite managed to make the same leap theatrically though, numerous stage treatments have tried and there’s at least two musical versions – one of which played at the LOST Theatre just last year – to which can be added one more, this time by Steven Luke Walker. Walker chose to showcase his adaptation through the medium of the Sunday evening concert, taking advantage both of the empty Playhouse Theatre and the free nights of many a West End performer to put on something of an all-star show.
Louisa May Alcott’s tale of the lives and loves of four New England sisters may be set during the American Civil War, but there’s a homespun simplicity to their overlapping stories which remain firmly in the personal sphere. Walker’s music has perhaps a more contemporary feel than one might have expected but it attempts to evoke the right spirit across a number of genres. In some cases, he has hit the nail on the head with twinkling gems like First Impressions, Helena Blackman delivering comedy perfectly, and the soaring duet between Sarah Lark and Nikki Davis-Jones, both in gorgeous form. Elsewhere though, other songs felt like they needed to be much more tightly focused, Walker indulging in a few too many purely decorative vocal riffs and frequently allowing songs to drag on a little too long. Overall though, I found Walker’s music rather agreeable and most aptly for a show about sisterhood, he is most adept at writing beautifully for multiple voices. Continue reading “Review: Little Women in concert, Playhouse”