“No other land could nurse them”
The Finborough’s policy of celebrating neglected British musical theatre has unearthed much of interest for fans of the genre, though it is probably safe to say that there have been as many which will remain curiosities as there have bona fide successes worthy of further recognition and reappraisal. It is thereforemost pleasing to discover that their latest rediscovery, the comic opera Merrie England, is a genuine contender for the latter category and a scream of a success.
Written in 1902 by composer Edward German and librettist Basil Hood (a man who apparently died from overwork and undereating…), the show occupies similar territory to Gilbert and Sullivan in its operetta form, considerable lyrical wordplay and complete frivolity when it comes to matters of plot. For what its worth here, the play is set in the court of Queen Elizabeth I as she visits the Mayday celebrations in the village of Windsor, an event which sends the lovelives and rivalries of everyone from monarch to villagers into haywire. Continue reading “Review: Merrie England, Finborough”