54 years is quite the wait for a sequel but Mary Poppins Returns is full of nostalgic sweetness and charm
“Are you sure this is quite safe?
‘Not in the slightest. Ready!'”
54 years is quite the wait for a sequel but the sweetness and charm with which Mary Poppins Returns lands on our screens makes it pretty much worth it. It’s a film that does more than wrap you up in a warm blanket of nostalgia, it tucks you in, throws another log on the fire and makes you a steaming hot chocolate (no marshmallows though!).
Set 30 years after the much cherished original, the story (by David Magee, Rob Marshall and John DeLuca based off of PL Travers’s original tales) sees us rejoin Cherry Tree Lane where the adult Michael Banks (Ben Whishaw) lives with his young family (Pixie Davies, Nathaniel Saleh and Joel Dawson). But much like the other long-held sequel of the year, a sadness fills the house for a mother has died. And Michael’s artistic inclinations and part-time job at the bank aren’t bringing in enough to keep them from repossession. Who could possibly save the day…? Continue reading “Film Review: Mary Poppins Returns (2018)”
A free adaptation of Lope de Vega’s Fuenteovejuna by April de Angelis, Nadia Fall’s debut season as AD of Theatre Royal Stratford East starts off in fine style with The Village
“I’d rather spend my nights with a saag aloo”
A free adaptation of Lope de Vega’s Fuenteovejuna by April de Angelis, Nadia Fall’s debut season as AD of Theatre Royal Stratford East starts off in fine style with The Village. Harking back to the past as Joan Littlewood directed it here in 1955, it also looks firmly to the future as a statement of intent about how things are going to be different out East.
The play has been resituated from Spain to northern India and set in the modern day. And in these Kavanaugh-plagued times, there’s something of a gut punch about the way how, even with fast-forwarding half a century, this kind of story can remain so horribly pertinent. What is does remind us though, is of the importance of resistance and the strength that can come from a community. Continue reading “Review: The Village, Theatre Royal Stratford East”
Elevator Pitch is a brilliantly ingenious short which manages to pack in a huge amount into its couple of minutes, layer upon layer builds up as the fourth wall is continually smashed by an intern trying to make a pitch to a film producer. Highly recommended. Continue reading “Short Film Review #45”
“Where are they? I can’t be dealing with this Indian timing”
The second Birmingham Rep show to make its bow in London this month (Rachel De-lahay’s Circles being the first), Gurpreet Kaur Bhatti’s Khandan (Family) transferred for a short run at the Royal Court upstairs. Bhatti explores the dynamics of a first-generation Sikh family and their various complex ties to the notion of ‘home’, whether the Punjab to which matriarch Jeeto longs to return after emigrating to Birmingham in 1969 or the England in which her children were born.
Roxana Silbert’s production has much to appreciate in it but not really enough to engage and truly enjoy. The play skates over the domestic travails of all concerned but without ever really digging deep into the characters, they remain little more than ciphers. Rez Kempton’s ambitious Pal clearly loves his wife Liz yet her pain at their childlessness, something which Lauren Crace evokes beautifully, is something he brutally ignores. Oddities like these are scattered throughout, driving the plot at the expense of character credibility. Continue reading “Review: Khandan (Family), Royal Court”